Producer/Dj

Los Angeles, CA.

Stephenzschoche@gmail.com

WE LOVE JUNGLE & DRUM AND BASS REGGAE FLAVORED!

I love trance deep bass , old dubstep , minimal techno, fast scary techno , dark dubstep, 140bpm trance, only a few prog house artist that include ; moguai , Michael woods , mark knight , funk agenda, love deep house and basically anything deep , scary, bass heavy , nasty , hard hitting sounds . But not fucking like Steve Angelo or Steve aoki bullshit idk wtf that is . Dubstep now is dying to me a little bit because it's going away from it's roots with this cracked out bro step sound . My favorite artist include moguai, Michael woods , DAVi , green velvet , Andrew bayer, Adam bayer, Nicole moudaber, j phlip, j pheplz , funtcase cookie monsta, requake !!!!, excision (old stuff) downlink, vaski , liquid stranger, badklaat,  markus shulz, NOISIA, the upbeats , (the last two are gods) netsky , arty, armin van Buuren, norin and rad, super 8 and tab , BT, mat zo, shogun , will Atkinson, sneijder, artic moon , nick Callaghan , Simon Patterson , Tom fall, boom jinx , ferry corsten , aly an fila, John o Callaghan , Andy c , black sun empire, lee burridge, Claude Von stroke , Seth troxler, James zabiela, guissepe ottiviani , jay tech, Jerome isma -ae, protoculture, menno de Jong , tiesto (trance days) dj joop, cosmic gate, wW (older stuff) Matt Lange , there's a shit load more but you get the point but what last but not least my all time favorite no matter what ABOVE & BEYOND, not only because they're excellent producers (there's not one song I don't like ) but they are master mixers and super smart about what song they play if there was a hall of fame it would be them and not far behind would be NOISIA

Photogenicynicism.
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It Costs to be The Boss and all my fans are Bots.
Techno is my Business and Business is Good.

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Management: terry@turbomgmt.co.uk
Bookings: laetitia@decked-out.co.uk

With hardcore support from Pete Tong, Annie Mac, Gerd Janson, Tiga and The Blessed Madonna, who correctly noted that he has “the hardest working hair in show business,” ABSOLUTE. has raised himself above the rabble of contemporary dance music with stone-cold hits “Follow ur <3’,”Ride”, “Don’t Ya Want it’, “Papi’s Pumping Piano” and an official remix of Kylie’s anthem-of-the-decade ‘Padam Padam’ that will ensure free Fuji water in his green room for the rest of his life. As the London-based DJ/producer is a virtual lock to earn the kind of clout that will allow him to scrub the internet of all biographical detail, it seems wise to revisit his early days and career-to-date while we still can. 

As a child, ABSOLUTE. was enthralled by dance music, to the extent that he took the money his father had given him to buy clothes and spent it on a single turntable. While initially furious, once his dad heard the music, he calmed down and said, “Son, that is a low-slung floor-filler, and I have no choice but to respect it.” Later, ABSOLUTE. honed his DJing skills by using the lone deck to beat-match to Pete Tong’s BBC Radio show, a fact that will take on eerie significance if you read this bio backwards. 

A teenage ABSOLUTE. found his chosen family among club kids and drag queens in East London queer spaces, eventually going on to promote and curate spaces like these himself. "For whatever reason, the people in the queer scene hadn’t found liberation in pub trivia nights held at Wetherspoons breeding pits," he says. “So they had to create their own world instead. At this point, my politics are actually less progressive than the British Airways twitter account, so things seem to be moving in the right direction."

These experiences led to ABSOLUTE. to notice that queer spaces are largely dependent on the viability of human existence. As such, his nascent activist streak led him to sample climate icon Greta Thunberg on the track “Rave Against the Machine”, despite the fact that the 40-and-over conservatives who regularly challenge Thunberg to debate and/or wrestle on social media make up a huge part of the acid house market. The track led to a collaboration with the Extinction Rebellion collective, for whom ABSOLUTE. curated the “Rave Against the Machine” queer stage at the activists’ event in London. Unfortunately, the stage was promptly shut down by police. While many of the cops had no opinion on the political message, they were reportedly pissed that the event was overshadowing an after-hours the local station had been promoting.

To the extent that there is a habitable future for anyone at all, ABSOLUTE.’s is looking bright. With official remixes for icons Fever Ray and Tony De Vit, and a mass of original music including EPs on Shall Not Fade, DJ Haus’ Hot Haus, New York Queer stalwart Chrissy’s new label Maximum Airtime, a Radio 1 Essential Mix live from Glastonbury and named 6Music ‘Mix of the Year’ by The Blessed Madonna and a recently completed fourth U.S. tour. “Whether my music helps inspire the advance of cold fusion technology or I end up DJing the Emerging Artists Stage of the Great Pacific Garbage Patch, I’m going to keep bringing the same BIG NEON ENERGY intensity to everything I do. 

So the next time someone tells you there’s no absolutes, give them a knowing grin and say, 'There’s just one, honey. Just one.’"

Booking: BW@t-s-agency.com
NA/SA: alo@prismaartists.com

https://linktr.ee/cinthie_dj

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Berlin based DJ, Producer, Music Lover, Record Collector, Label Owner and Record Store Owner.


Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin .

Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence.

Initially Cinthie made her mark with Diego Krause, Ed Herbst and stevn.aint.leavn as the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels. Most recently she launched her 803 Crystalgrooves imprint to critical acclaim, a platform which has become a huge focus for her own productions for the foreseeable future as well as the imprint's sub-label Collective Cuts, which as the name suggests, welcomes music from affiliates and friends of the artist. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint where her debut album comes in 2020. Cinthie’s unfaltering drive and dedication to all things House continues into another decade...

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