Cosmos

Techno Live Act & Producer
booking@against-the-ai.com

Progressive House/ Organic House/ Melodic House & Techno 

Hellow there! 
My name is Rod, Im from Brazil, and my passion is music! So hope you guys enjoy some of my sets, so put your dancing shoes and lets rock that thing! 
See ya!!l

🖤Palestinian Dabke🖤
https://on.soundcloud.com/VkZD2

الفرح والتراث الثقافي والمقاومة

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Techno, trance 90, Hardtrance, Psy, Dark Techno

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

T I M E L O R D :: // タイムロード:: is a Luxembourg based electronic artist

__Techno dj since 2019.

Bookings:  albertosirvent4@gmail.com

After his first hand experience of the service provided to composers by the major music publishers in the early 90’s, John Truelove CEO of Truelove Music was convinced he could do a better job at managing his own publishing. This conviction and his immediate success at tracking and collecting royalties drew other producers and songwriters to him.

Starting with Dave Clarke’s Magnetic North releases, Truelove Music began with individual songs from the material released through more than 50 labels from the Truelove Label Collective and during the 1990s the resulting material was released on thousands of compilations worldwide.

Using his passion for technology John Truelove developed new systems to track and monitor royalty collection on behalf of his writers’ repertoire. By 2004 through acquisition of more material and development of his own roster, he had built up the Truelove Music catalogue to over 2000 songs.

An active policy of both taking on the administration of other publishing catalogues and signing songwriters’ entire repertoire led to swift expansion, so that by the end of 2006 the Truelove Music catalogue had nearly doubled again.

Aware of the prospect of dwindling physical record sales afflicting the whole industry and the advancement of mp3 and download technology, from which the dance market was the first to suffer, Truelove Music turned their focus to developing media for film, television and other special projects.

With a roster of successful musicians and composers already signed Truelove  became a kind of executive producer, directing artists to change their emphasis from the standard 6 minute dance track to the 30 second commercial – the inclusion of ‘You Got The Love’ as the last song in the final episode of HBO’s Sex & The City series, as well as a slew of independent movie and computer game placements heralded this change.

Film cues in a variety of Brit flicks ensued such as Layer Cake and Football Factory as well as syncs in a multitude of top selling workout videos & computer games, and cuts in several pop and dance hits including Rihanna’s “Only Girl In The World” and Kanye West’s “Fade" This has continued to form the basis of the company’s success.; these days the Truelove Music’s offices has gold and silver records vieing for wall space with the countless albums, compilations and 12” records with which Truelove Music has been involved. In fact to date there have been many UK top tens including The Source – ‘You Got The Love’ and Micky Modelle’s ‘Dancing In The Dark’ plus inclusions on numerous major and independent label compilations. Music has been been both composed and placed in several Netflix, HBO and BBC documentaries as well as in worldwide commercials including Tiffany, Shiseido, H&M. VANS, McDonalds, Milka, Lucozade, and PC World to name but a few. Tracks have continued to be licensed to workout videos, TurboJam, games on Sony Playstation, XBox as well as featured on countless TV shows on both national and international TV, including the World Cup, And Just Like That, Made In Chelsea and Love Island.

New developments in advertising, an ever-expanding library of music, multiple additions to an already expansive artist roster and further exploitation in the existing fields of the company’s catalogue remain the focus in todays work of Truelove Music. Most importantly, the efficient collection and prompt distribution of mechanical and performance royalties to their writers and composers continue to be constantly refined and improved, significantly exceeding industry standards.

Cosmos

Against the A.I.