il fatto di non essere sempre utile

taken from "Lucientes - Demo 2021" out now on Lunar Fumes https://lunarfumes.bandcamp.com/album/demo-2021

1. una lágrima 02:34
2. que brilla 01:11
3. como un puñal 03:56

All music by Lucientes

Mastered by 47_N_7D0

Demo 2021

Lucientes - como un puñal [Demo 2021 out on LUNAR FUMES]

Extrait de la cassette de Daesiidae disponible juste ici :

https://cuttersanslameamoursanscoeur.bandcamp.com/album/daesiidae

Daesiidae - §arp fantasy§

Live set recorded on July 15th 2022 at Gofildren Festival, Dordogne. 
Certainly my most emotional set of the summer tour, with a perfect crowd.

Gearlist for nerdz : Dirtywave M8, Tiptop Audio Trigger Riot, Tiptop Audio BD909, Clavia Nord drum 2, OTO Bim, OTO Bam.

Live à Gofildren 2022

Artist: V/A
Album: 5
Format: Digital / Tape
Cat.No: CHI042
Master: Justin Randel
Artwork: Saphy Vong
Release Date: 23rd November 2022

Celebrating five years of the experimental music label Chinabot, longtime collaborators and new acts join together for 5, Chinabot’s latest compilation release on cassette and digital.
The 12-track compilation features music from key artists who have defined Chinabot as a label, such as Jaeho Hwang, Sabiwa, Sarah Haras, Ayankoko, JPN Kasai and Pal Hwang Dan. The mix also looks to the future of the label with new artists Nanzhen Yang, Papaphilia, Chooc Ly and more.

Leaning into the label’s experimental tendencies, 5 journeys through fractured club tunes from Papaphilia, the experimental electronic project of queer Sri Lankan-Australian sound and visual artist Fjorn Bastos, hardcore rave from Jaeho Hwang, percussive broken beats and percussive broken beats and cinematic soundscapes from QwentyZ, and Beijing field recordings (described by the artist as “blurred memories”) from Nanzhen Yang.
It continues the hyper-eclectic vision which has become synonymous with the label, which seeks to take risks and promote the work of exciting emerging producers. The record features Ondo footwork from JPN Kasai, whorecently changed his artist name from Jap Kasai following the racist discrimination against a friend in Europe (“‘Jap’ is a derogatory term for Japanese people,” he says. “I used to dare to use it, but I have changed my mind. I don’t want to encourage discrimination against Japanese people.”) Like the compilation, his track, 早苗 唄 hayanae uta, is about the emergence of the new in this case, growth of rice shoots and the “happiness of harvest.”

Growth and experimentation remain key in the track from new Chinabot artist Papaphilia, who is due to release a full album next year. Inspired in part by the voracious learning of her newborn, ‘no path is forged over the abyss without meeting at the altar’ expresses the “leaps into the unknown that forging radical new meaning requires.”

The new compilation, with artwork by Saphy Vong, pays tribute to London’s experimental music scene, showcasing producers Chooc Ly, Yewen Jin and Nanzhen Yang who have performed at Chinabot’s events in the city over the years.

Album credits:

Track 3:

Name: no path is forged over the abyss without meeting at the altar
Written by: Papaphilia
Production: Kuya Neil

Track 4:

Name: Exaltation Onirique
Written by: Chooc Ly
Production: Alia Pathan

早苗唄 Hayanae Uta

JPN Kasai - 早苗唄 Hayanae Uta

4 - Lucie Simone - Chute

HBLullaby

Pointillism for sampling various voice No.1

Adelanto/Preview!

[ TRR 05 ] Agustin Genoud - devoiced
26/3/2018 online release by trrueno.bandcamp.com

Artwork > Sergey Kolesov

+ info > https://biotecnovirus.cc/devoiced

devoiced

music by monauth*
mixing by mona servo
mastering by asgeir sundan
wine processing by c.u.v.e.
-
monauth is mona servo + lolituht

monauth - génodies (extrait)

Painted World

Uso la voz como un medio para envolver las fuerzas que me habitan y las que atraviezo. Pienso la voz como un canalizador de síntomas espirituales y psicosociales; así como un creador y reformulador de los mismos. Considero a la voz como una práctica, experiencia y experimentación y al sonido como una fuerza de conocimiento y poder. Mi trabajo es colaborativo e íntimo al mismo tiempo.

Ejecuto composiciones propias para voz sola y para voz y electrónica en tiempo real desde el año 2007, actualmente estoy grabando mi primer disco de voz.
Fuí escuchado en LPEP, CETC-Teatro Colón, Centro Cultural Recoleta-LIPM, Domus Artis, Fondo Nacional de las Artes e IMPA entre varios otros lugares. Soy vocalista de CALATO (calato.com.ar). Fuí miembro del colectivo "Buenisssimo" entre los años 2007-2011 trabajando en performance sonora, instalaciones y películas y también fuí miembro de la "Orquesta de improvisadores de Buenos Aires". Trabajo actualmente con improvisadores y compositores de Argentina y Latino América. Trabajo en performances audiovisuales para sitio específico.

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I use voice as a medium to envelope forces that inhabit me and that i elapse. I think the voice as a channeler of psychosocial and spiritual symptoms; as well as a creator and reformulator of them. I consider the voice as a practice, experience and experimentation and sound like a force of knowledge and strength. I'm use different technologies and technical processes to reformulate the human and biological capabilities, their common sense, myths and customs. My work is collaborative and intimate at the same time.  I've being performing my own compositions for solo voice and voice & live electronics since 2007 and now recording my first solo voice album. I’ve been heard at LPEP, CETC-Teatro Colón, Centro Cultural Recoleta-LIPM, Domus Artis, Fondo Nacional de las Artes, PureData Convention ’12, CheLA & IMPA; in Argentina, Perú, Chile, Brasil, Uruguay, the Amazonian rainforest & Germany. Actual vocalist of Calato (jazz-noise-improv). In the past I was a member of “buenisssimo” collective between 2007-2011 working on sound performance, installation and movies and also member of the “Buenos Aires Improvisers Orchestra”, also work with many improvisers and composers of Argentina and Latin America. My work has been published by Audition Records, Stereo Neg Records, Jardinista!, N.A.(r)C.O. artist magazine, and I published myself 9 records in the last 7 years which I deliver personally.

devoiced

agustin genoud

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