Klingt erstaunlich harmonisch, hätte ich nicht erwartet, als ich über die 49ed7-Seite gestolpert bin :)

supercollider showcase (August 2016, when the groups were killed - 2014)

13-07-21

Shih-Lin Hung: Electroacoustic Etude“Pò”(迫), 06.24, 2024

“Exhaustion is the only form of gentleness I can manage when facing the storm."

”疲憊是我面對風暴時，唯一可以做到的一種溫柔。“

Electroacoustic Etude“Pò”(迫), 06.24, 2024

infinite longings

RIP Wilma Schuhmacher

From the blueroom

This track was created for the Naviar Haiku group.
575
https://www.naviarrecords.com/naviarhaiku575-even-though-afar/

2025-01-09

Even Though Afar ( Naviarhaiku 575 )

Part of the Naviar Haiku Challenge: https://www.naviarrecords.com/naviarhaiku575-even-though-afar/

even though afar-naviarhaiku575

Original Version By:::
https://soundcloud.com/no-mates-ensemble/all-the-dogs-you-ever-loved-will-be-waiting-for-you-in-the-afterlife

Photo by Ivons

No Mates Ensemble - All The Dogs You Ever Loved Will Be Waiting 4 U... (Senglar Gat RMX)

Recorded, mixed & mastered on 28/29 Apr 2023 & 12 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2025 Jim Lemanowicz

The original material is a bit of mystery to me - Cecelia5, FL Studio, PaulXStretch, Reason, Thor, Fracture. To this I added Collision and Massive X & Arturia Fragments. I created this track after organizing the raw material for a future album. This was the second track I completed. I completed the first track yesterday for this week’s Disquiet Junto. 

This original version of "Friction And Fluoride" was submitted as part of Naviar Haiku 575, Even Though Afar.

Even though afar
a feeling of coolness comes
from those mountain pines

by: Kagami Shikō

Kagami Shikō was a Japanese poet, considered one of the ten outstanding disciples (Shōmon jittetsu 蕉門十哲) of Matsuo Bashō. He was in turn the master of the famous poetess Fukuda Chiyo-ni.

Originally from the present-day Gifu Prefecture, Kagami Shikō became a monk at Daichi-ji Temple, and in 1690 he became a pupil of Bashō, later accompanying him on some of his journeys and recording his last will in 1694.

After Basho's death, he kept travelling around Japan, writing several essays on haiku and collections of writings until his death in 1731.

Artwork/Photography - Jim Lemanowicz, Massapequa, NY, USA - 19 Nov 2017

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Friction And Fluoride (naviarhaiku575)

From a great recording by Ha Kekong: https://soundcloud.com/user-957729823/the-faucet-and-the-pipe

On Thin Ice

Composition pour le Naviar Haïku Music challenge 575.
Sur un haïku de Kagami Shikō:
Even though afar
a feeling of coolness comes
from those mountain pines

www.naviarrecords.com/haiku-music-challenge/

Coolness feeling

Екатерина Брындина - "Замок пустых ручьев"

SuperCollider-code:

var throwDice, songLenghtInSeconds, sectionCount, sectionLength;

SynthDef(\saw, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(Saw.ar(freq - freqDiff, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

SynthDef(\sine, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(SinOsc.ar(freq - freqDiff, 0, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

SynthDef(\blip, {| freq, freqDiff, amp, attac, sustain, release, filterAttac, filterRelease filterFreqMul, pan, mix, room, damp |
	var sig, panned;
	sig = RLPF.ar(Blip.ar(freq - freqDiff, 100, EnvGen.kr(Env.linen(attac, sustain, release, amp), doneAction: 2)), EnvGen.kr(Env.linen(attac, 1, release, 1)) * freq * filterFreqMul + 10);
	panned = Pan2.ar(sig, pan);
	Out.ar(0, FreeVerb2.ar(panned[0], panned[1], mix, room, damp));
}).add;

throwDice = { | diceCount, throwCount |
	var dice = (diceCount .. (diceCount * 7));
	Pxrand(dice, throwCount);
};

songLenghtInSeconds = throwDice.(1, 1).asStream.next * 25;
songLenghtInSeconds.postln;
sectionCount = throwDice.(2, 1).asStream.next;
sectionCount.postln;
"---".postln;
sectionLength = songLenghtInSeconds / sectionCount;
fork {
	sectionCount.do { | i |
		var layerCount = throwDice.(1, 1).asStream.next;
		layerCount.do { | i |
			var noteCount = throwDice.(1, 1).asStream.next, instr = Prand([\saw, \sine, \blip], 1).asStream.next;
			Pbind(
				\instrument, instr,
				\freq, (throwDice.(10, noteCount) + 40 * 0.68755).midicps,
				\dur, sectionLength / noteCount,
				\sustain, throwDice.(1, noteCount) * 20,
				\pan, throwDice.(1, noteCount) -1 / 2.5 - 1,
				\attac, throwDice.(1, noteCount) -1 / 5 + 0.1,
				\release, throwDice.(1, noteCount) -1 / 5 + 1,
				\filterAttac, throwDice.(1, noteCount) / 3,
				\filterRelease, throwDice.(1, noteCount) * 2,
				\freqDiff, throwDice.(1, noteCount),
				\filterFreqMul, throwDice.(1, noteCount) * 2,
				\mix, throwDice.(1, noteCount) -1 / 5 + 0.3,
				\room, throwDice.(1, noteCount) -1 / 5 + 0.8,
				\damp, throwDice.(1, noteCount) -1 / 5 + 0.1,
				\amp, throwDice.(1, noteCount) / 200 + 0.1
			).play;
			noteCount.postln;
		};
		sectionLength.wait;
		"---".postln;
	};
}

7 Times 7th Root Of 7

This album is inspired by a painting by Giovanni Battista Tiepolo. Every sound is created randomly using a computer language named SuperCollider and processed through a software called Kaleidoscope.

Download Album

God Saw Everything And It Was Very Good [Album Preview]

bass flute & double bass courtesy
≡ University of Iowa Musical Instrument Samples http://theremin.music.uiowa.edu/MIS.html

firebells & firebowls courtesy
≡ https://soundcloud.com/cumbriaremixed (https://soundcloud.com/shaunblezard)

ripping wooden splinter, kicking a pile of wooden blocks they tumble down, metal drop bar resonance & short pang courtesy
≡ http://freesound.org/people/jorickhoofd / https://soundcloud.com/jorickhoofd

:: thanks!


________________________________________________
live coded in SuperCollider (http://supercollider.github.io)
something like this: http://sccode.org/1-4Rs

with some post facto amplitude tweaking in Audacity (http://www.audacityteam.org/)

_____________________________________________________________________
pic: https://www.flickr.com/photos/joelsa/144050275/in/faves-48773669@N02/

thinks he's heir to the chunk (2016)

Stefano Bellemo registrazioni sul campo località Campregheri ( Trento)
registrazione e manipolazione di campane tibetane e altri oggetti metallici.
Manipolazioni con SuperCollider- MaxMSP
Anno prod. 2015
GRAZIE per la vostra attenzione.

Riposo

src: https://raw.githubusercontent.com/k-o-l-e-k-t-i-v/supercollider/master/kof/desrt_data.scd

Desert data

Archive of the old SuperCollider group

Music made with the SuperCollider Programming Language

Please post stuff that is more or less pure sc1/2/3 only!
If you can provide code also, it's appreciated.
SuperCollider code sharing e.g. via http://sccode.org. 
More info about SuperCollider at http://supercollider.github.io

All my stuff is now free on bandcamp! https://ahornberg.bandcamp.com/

7 Times 7th Root Of 7

Ahornberg

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