Although this recording was originally generated completely from within SuperCollider, those of you who know will realise there's been a fair bit of production as well. Mainly to decide which glitches to leave in - or take out, to moderate/modulate some pretty crazy divergences in amplitude, and of course to bring out some of that lovely bass. Other than that I'm pretty speechless. What is this? 

Microzone

Producer musician active in several bands in several years as a guitarist, bassist and keyboardist, experiences which combined and applied  to an environment of electronic instruments and noise, have resulted on this proposal with order within chaos and chaos within order.



Adam Herbert - guitars / morale / globetrotting
Andrew Provine - guitar / samples / keys / pilot (for real, though)
Paul Knight - bass / keys / face-haver
Will Clark - drums / travel agent / break-dancing champion

Annie Morrad and Ian McArthur live at opposite ends of the planet. They compose and play collaborative sound work and live performances through the use of digital software Mixlr and Skype. Morrad (London) and McArthur (Sydney) began working together in 2014 exploring their interest in sound art, rhythm in the urban environment, improvisation, jazz, crowds and the city. During live events McArthur broadcasts electronic sounds, field recordings, processed guitar, and live mixing. Morrad plays live improvised alto and tenor saxophone against these. For their recorded sound work the starting points vary from being concept driven to 'I've got this idea…'.

Microzone

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