Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

DJ and producer raised in Napoli. Owner and director of @analytictrail-rec & @mkt-rec

Info & Bookings: antonio@segment-artists.com

Santiago Ferrer, also known as Xpansul, started playing records in Madrid back in 1993. Since then, he has played at most of the hottest clubs and festivals in the World. He’s been resident dj, amongst other clubs, of two pillars of the Spanish electronic scene: Soma Experimental Club, pioneer of underground techno sound in Madrid, where he became a professional dj and built he’s style and personality as a dj, and Coppelia 101, referential club of the first wave of XXI century techno.

Besides, he’s played at top clubs and festivals such as Fabric, Berghain, Tresor, Watergate , Rex, Fuse, La Real, Goa Roma, Moog, Club 4, Cocoliche, Goa Madrid, Bar Américas, Cassette, Sunjam… And a lot more gigs in cities all over Europe, from Portugal to Ukraine, and the Americas, from Santiago de Chile to Chicago.

Xpansul’s sound as a dj is Techno, his sets are a journey through electronic music, in which the “axis” Detroit-Chicago-Berlin is the driver and all his other musical influences are the passengers. He’s playful and distinctive clockwork technique with the decks and mixer is well known and recognized.

Since 1998, Santi starts writing and producing music as well, getting a really good response from the crowd and critics to his first releases on labels such as Audiodrome, Options, Isoghi, Syl.Label or Soundplant, sometimes working solo and sometimes with his partner Daweed.

From then on his original productions and remixes have appeared in some of the top labels in the World, both solo and in collaboration with artists such as Alexi Delano, along who he’s released some of his greatest hits.

Plus 8, Soma Records, Ovum, Synewave, Truesoul, H-Prod, Harthouse, Analytic Trail, Perc Trax, Trapez, Apnea, Sleaze Records, Suara, CMYK, Regular, Esperanza, Immigrant, Leftroom, Minibus, Weave, Amazone Records……. These are just some of the many labels Xpansul has released in the last 15 years.

Since 2003, Xpansul has been involved in different record labels, like the now disappeared Discos De Lata and MSX Record and the still pumping True Type Tracks and w0rkt34m, where well established artists have released their music, but also newcomers taking their first steps to become big names years later.

Magda is amongst the most high-profile and in demand artists, having proven herself as a consistent, adventurous and exceptional performer, with a knack for bringing music together in unexpected ways.
Magda's realm as an artist pans far beyond the typical role of DJ and producer. With an open mind, Magda will try her hand at whatever feels right – from music technology collaborations and events to producing premium Tequila - creating a truly unique, multifaceted expression of herself.
Born in Poland and raised in Detroit, Magda discovered beauty and inspiration in Detroit’s raw urban landscape. In 1998, she joined the Minus label and began touring as Richie Hawtin's main DJ.
Since her first international tour in 2003, Magda established herself globally as an artist known for pushing musical boundaries and expressing her unique style. She released her forward-thinking DJ mix album 'She's A Dancing Machine' in 2006, followed by her debut artist album ‘From The Fallen Page’ in 2010 among other single releases. Magda’s remix work includes Plastikman and Depeche Mode and DJ mix albums for Fabric, Balance, as well as a BBC Radio 1 Essential Mix, among others.
In 2006, Magda established the Items & Things label and booking agency with Troy Pierce and Marc Houle.
In 2017, she launched the Perm event series in Berlin. Sitting pretty at the crossroads between art and club culture, Perm was a collective initiated by Magda and established in the name of artistic cross-pollination with a very strong multimedia aesthetic. Guests included Atom TM, Burnt Friedman, Jan Jelinek, and Cristian Vogel.
Recently, Magda has produced and performed alongside T.B. Arthur as Blotter Trax. The Blotter Trax live show combines modular synthesis, live improvisation and rhythmic exploration. Performance highlights have included live audio- visual duets with video artist Lillevan (Morton Subotnick, Christian Fennesz) and a recent club tour of Japan which saw the duo performing live and transitioning into Magda’s signature DJ sets.

Antwon Faulkner has been in the game since the late 80’s. Born and raised in Detroit, Antwon started hustling mix-tapes at the age of sixteen. With music in his blood, this is truly what he was born to do.

At thirty-five Antwon briefly relocated to Arizona but it wasn’t until late 2008, when he moved to Toronto, did we really get exposed to this next exciting chapter. While people may be more familiar with his DJ moniker, the infamous “Twonz,” in 2009 we got to know a new Antwon, an Antwon re-energized, excited and motivated. His focus shifted from throwing parties and DJing to making music and really honing his craft as a producer. Spending countless hours in the studio, Antwon is careful to avoid listening to others while in his creative zone so the product reflects him and him alone, devoid of any outside influences. With an upgrade in equipment and new pieces of gear, we’ve seen Antwon turn a corner in which he has found his lane and is settling in really nicely. The results are heard in using less loops and playing more of his own keys. While he still regularly releases tracks on his own imprint, “Hijacked Records Detroit,” recent years have seen him spreading the love with multiple releases and remixes on “Restructured Recordings,” “Bulletdodge Records,” “KMS Records,” "Downside UP," "Elephanthaus," "Thoughtless Music," "Motech LTD," "UNT Records," "Frequenza," "Sampled Detroit," and "RF Trax."

In 2018 he received the “TESTIMONIAL RESOLUTION PLAQUE” from the city of Detroit. His contributions in bringing the sound of Detroit to an international audience has caught the attention of many DJs worldwide. Marco Carola, Joseph Capriati, Gene Farris, DJ Bone, Seth Troxler, Laurent Garnier, Richie Hawtin, Steve Bug, Carl Cox, Kevin Saunderson, Kenny Larkin, DJ Heather, Pete Tong, Paco Osuna, Luigi Madonna, Hector Moralez, Stanny Abram, Stacey Pullen, and many more have played Faulkner’s tracks!

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

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Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.

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