Dylan and I picked up the threads of this improv project after a few months break to pursue other things. Since #1 post a year ago ( https://soundcloud.com/no-mates-ensemble/duet-for-bass-guitar-and-a-huge-pile-of-crap1) the project has expanded - sometimes we don't even use a huge pile of crap but just the physical architecture of where we are set up ( look out for duet for Bass guitar and an empty warehouse), sometimes its a mini pile of crap, sometime 'no input'.. anyway the vibes the same - make some stuff up : )

Duet for Bass Guitar and a Huge Pile Of Crap#2

окно

The title track of upcoming (slowly developing) album Reveal yourself 

Reveal yourself 

It could be much easier if you just say help me please
when you find yourself in a growing sense of unease. 
You might be better off learning how to say no
and to stay away from people who are not good for you. 

If you wanna scream it out
go ahead and shout out loud
but make it clear what it‘s about

Cool it down and appreciate the options you can choose
on what to do or to decline without excuse.
Get in to this groove, so you won’t be caught in a calm 
and let it clear your mind and make you move with aplomb.

It’s not about to scream it out.
You don‘t have to shout out loud.
Just don‘t let them leave you cowed
and clearly state what it is about.

Reveal yourself

If you wanna shout out loud
Go ahead and call it out
Just don‘t let them leave you bowed
Get it through their head what it’s all about. 

Reveal yourself
Reveal yourself

(Music and words by Mark Korthals)

Reveal yourself

pezeshttps://youtu.be/f8u5AZPAuO8?si=2Or8MHh0B46BJ9yG

Cristian_Viveros_-__pezes_-soloCristianpcz091_freestyle__2022-11-24_08_41.mp3

Setare

JTSunrise Rendition of St. James Infirmary

Slow Blues, 60bpm 4/4

[Refrain]

Dm                    A7              Dm
I went down to St. James Infirmary 
Bb7 A7 Bb7 A7 Dm
To see my Baby there
                        Dm                     A7                 Dm
They had Her stretched-out on a marble table 
Bb7    A7 Bb7 A7 Dm
Asleep, so cold, so fair

[Verse]

             Dm                      A7                Dm
Let her go, You let Her go, God you let Her
Bb7    A7 Bb7 A7 Dm 
Wherever You may be
                Dm                                  A7                 Dm
Couldn’t never look this whole-world wide-over
Bb7    A7 Bb7 A7 Dm
Find a girl half as sweet

[Verse]

            Dm                 A7                     Dm
Gonna bury Her in Her strait-laced boots 
             Dm             A7                 Dm
In Her  walk’n coat and Cloche’ hat
          Dm                    A7            Dm
Put a twenty-dollar bill in Her coin-purse 
        Bb7                    A7   Bb7 A7 Dm
So She’ll know She died standin' pat

An American folk song about going to St. James Infirmary to retrieve a deceased lover. The song evolved over time and potentially from British origins in the 1800s, roots can be traced to the early jazz and blues era in New Orleans. Lyrics and melody were adapted and rearranged by numerous artists over centuries and emerged from a blend of folk, blues, and jazz. It’s popularity grew through oral traditions, diverse interpretations, and legendary performances 

Marble tables were practical for hygiene in morgues due to their white, durable, and non-porous characteristics. The thermal mass of a thick marble stone slab table allowed for temperature retention—ideal for icing in warm climates or maintaining an ambient cool surface in morgues which were typically located in medical facility basements

During the late 1800s and early 1900s, fashionable women dressed in tailored jackets, walking coats, and tailored suits. Garments were designed to be fashionable and practical. Popular was the tailor-made suit, which consisted of a matching jacket and skirt. Suits could have varied styles, including fitted jackets with defined waists and skirts. A walking coat was characterized by its length and suitability for outdoor activities. Women's fashion during this period saw a shift towards more tailored and practical clothing

Unlike higher heels of previous decades, shoes in the 1920s often had lower, practical heels to reflect the era’s active style. Boots had lace-up designs, providing a snug fit around the ankle and calf. This style allowed women to participate in energetic social activities. A stif pointed-toe contributed to a sleek and modern look and had defensive advantages. Boots were made of leather or fabric. Suede and patent leather being also popular

A Cloche (“bell” in French) is a bell-shaped fitted hat that became fashionable in the 1920s, complementing shorter hairstyles of the time

"Standing pat", a poker term meaning to keep one's hand as dealt without drawing additional cards, suggests the idea of a person being content and staying true until the end

In 1927 Fess Williams and his Royal Flush Orchestra were first to record the song under: "Gambler's Blues", crediting Carl Moore and Phil Baxter’s “St. James' Infirmary”. The song became more popular after Armstrong's comedic 1928 recording which mocked more emotionally serious versions. By 1930 at least twenty different recordings had been released. The Duke Ellington Orchestra recorded the song multiple times under names like "The Ten Black Berries", "The Harlem Hot Chocolates", and "The Jungle Band”. In 1933, Cab Calloway's version was released in a classic Betty Boop cartoon and his instrumental version featured Calloway's related hit song - Minnie the Moocher. Irving Mills managed both Calloway and Ellington. Mills Music published both artists 

My version of lyrics. Info from the internet

JTS

St. James Infirmary

UnBoxed May 2024
Most grateful thanks to @solacestreet for acoustic guitar playing and wonderful support and inspiration
[ d o w n l o a d a b l e ]

Love Song (featuring Solace Street)

Golden Days

Evil Morty (Blasphemox Remix)

Dive into the electrifying fusion of alternative rock and electro with "Neon Shadows of Future." This track is a sonic journey through a futuristic soundscape where pulsating synths meet gritty guitar riffs, creating an immersive experience that's both nostalgic and innovative.

Crafted by AI Music Video Art Studio, "Neon Shadows of Future" is a testament to the seamless blend of human creativity and artificial intelligence, pushing the boundaries of modern music. Let the powerful rhythms and haunting melodies guide you through a neon-lit adventure that echoes with the vibes of a cyberpunk future.

Perfect for fans of cutting-edge music that defies genres, this track is more than just a listen—it's an experience. Tune in and let the neon shadows lead you into the future.

Neon Shadows of Future - Ai Music Video Art Studio

Avec guitare
Continuation of Series 5 Piano Instrumental with Suno ai
Suite Série 5 Instrumental de piano avec Suno ai

Piatitude005v7+Guitare

I am AI MUSIC DJ BAK. Welcome to my world.
As one of the first human artists to fully embrace artificial intelligence as a creative partner, I'm here to redefine what's possible in music. My passion has always been for deep, emotional, and cinematic electronic sounds, but my vision is to transcend the limits of a single genre or language.

Powered by AI, I am a musical polyglot. I speak in the rhythms of Melodic Techno, the energy of Vocal House, the grit of Hip-Hop, and the soul of sounds from every continent. My canvas is the entire history of music, and my brush is the most advanced technology on the planet.

My ultimate mission is to explore and pioneer a new sound, a new feeling. We can call it "AI Music." It’s a place where human emotion and artificial intelligence meet to create something you've never heard before.
Thank you for joining me on this journey. Let's shape the future of music together.