Multi instrumentiste, compositeur pour la danse, le théâtre et le cinéma, René Aubry est un créateur d'univers sonores inclassable.

Compositeur éminemment solitaire, tant créateur d’atmosphères que mélodiste inspiré, René Aubry est un chercheur épris de liberté, dont les œuvres dégagent une originalité et une couleur reconnaissable entre toutes.

Né dans les Vosges en 1956, admirateur, entre autres, de Leonard Cohen, de Philip Glass et de Manos Hadjidakis, guitariste autodidacte, sa rencontre avec la chorégraphe Carolyn Carlson en 1978 sera un événement déterminant pour son avenir artistique. Il tombe amoureux de la danse et de la danseuse, devient son musicien attitré et sous son inspiration, compose ses premières musiques de Ballet.

Cette collaboration qui dure depuis lors, donnera naissance à de nombreux spectacles parmi lesquels « Blue Lady » (1983), « Steppe » (1990) et « Signes » (1997), couronné par une victoire de la Musique en 1998. C’est à Venise où il réside de 1981 à 1984 qu’il enregistre son premier disque. Suivront 20 autres albums entre 1988 et 2013. On y retrouve les traces de ses collaborations avec C. Carlson ou avec le marionnettiste Philippe Genty, ses B.O pour le cinéma, mais aussi ses explorations personnelles, allant de la musique acoustique la plus épurée (« Plaisirs d’Amour » « Invités sur la Terre »), à des œuvres plus sombres et plus intimes (« Seuls au Monde « « Mémoires du Futur » « Refuges ») résultats d’une alchimie mêlant instruments acoustiques et programmation musicale informatique.

L’immense chorégraphe Pina Bausch y trouvera son bonheur pour accompagner trois de ses spectacles : « Ten Chi (2004)», « Vollmond (2006) » et « Sweet Mambo » (2008), ainsi que Wim Wenders pour son film « Pina »
Depuis 1999, Il mène parallèlement une carrière de concertiste et se produit avec son Septet dans toute l’Europe en proposant un répertoire essentiellement acoustique.

Entre 2009 et 2012 il compose la musique de 3 films d’animation pour la BBC produits par Magic Light Pictures : «The Gruffalo », « The Gruffalo’s Child » and « Room On The Broom ». Les 3 films ont obtenu à 3 reprises le Crystal de la meilleure production TV au festival d’Annecy. « The Gruffalo » a été nominé aux Oscars dans la catégorie Short Animation Film.

En 2013, sort son dernier album « FORGET ME NOT » Bande Originale du nouveau spectacle de Philippe Genty

Gigs 2022 / 2023 / 2024 / 2025 / 2026

2026

16.1. Demogorgons Festival, Cross, Prague (CZ)
21.1. Neverenough, Prague (CZ) 


2025

17.5. Tyrs Boat, Prague (CZ)
28.6. Bukanyr, Praha (CZ)
2.7. Neverenough, Prague (CZ)
5.7. Beats for Love Festival, Ostrava (CZ)
12.9. Wetland, Fuchs 2 / Revolution, Prague (CZ)
19.9. Risky Business, New York (USA)
25.10. Ona Electronica, Badalona (ESP)
27.12. Bukanyr Boat, Prague (CZ)

2024
30.4. Cross Club w/ Quixotic, Prague (CZ)
5.7. Beats For Love Festival, Ostrava (CZ)
17.8. Severní Vichr, Rozhledna Nisanka (CZ)
4.9. Metronome Monument, Prague (CZ)
28.9. Bukanýr Boat, Prague (CZ)
12.10. Vice City, Kacecko, Bratislava (SK)

2023
25.2. Sunset Boulevard, Bristol, (UK)
16.4. NEON Festival, Tampa (USA)
24.5. Hotline Kutonen, Helsinki (FIN)
15.7. Metronome Monument, Praha (CZ)
5.8. CODE, Radost Rooftop, Prague (CZ)
29.9. ROXY w/ Pablo Bozzi, Prague (CZ)
20.10. 2Patro, Prague (CZ)


2022
9.9. San Junipero Boat Party, Manhattan, New York, (USA) 
17.9. Ona Electronica, Badalona, (ESP)
10.12. Distrikt 7, Praha (CZ) 

2019
14.9. San Junipero, Brooklyn, New York, (USA) 



® Since 1983

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Booking / Contact: marvelsound83@gmail.com

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Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Bastian Lee Jones, performer, singer songwriter, pianoplayer, photographer,  PR consultant, coach, presenter.

Loves to  entertain with  songs and  pieces  that comes  from the  soul, the  heart  for  your  hearts  and  souls  and  feet !

Chicago born, London-based Kate Simko is a classically trained composer and electronic music producer. For over a decade now, Kate has been affirming her status as one of dance music’s standout artists. Her catalogue includes releases on Get Physical, Hello?Repeat, Leftroom, No.19 and most recently, Sasha’s Last Night On Earth imprint.

While studying music at Northwestern University in Chicago, Kate began DJing on WNUR radio and taking jazz piano lessons, which inspired a shift to composing. Kate recorded her first album in Chile with Andres Bucci in 2002, and has since released three albums, various EPs, and film soundtracks.

A classically trained pianist with roots in Chicago house, her diversity as a musician is apparent throughout her productions. Whether remixing Philip Glass to Guy Gerber, or touring with interactive audio-visual live sets, she excels throughout. Named one of Chicago’s “Top 10 DJs” by XLR8R Magazine, Kate has performed at some of the world’s leading locations such as Panorama Bar, Warung, fabric, the Montreal Jazz Festival, Movement Festival, MUTEK, Eleven, Verboten, and Millennium Park. 

Now London-based, in 2014 Kate completed a masters in Composition for Screen at the Royal College of Music and launched her genre-bending project London Electronic Orchestra, which has performed at iTunes Festival, LEAF festival, Latitude Festival, the National Gallery, and Heart Ibiza.  

In fall 2015 Kate will release an  album with Tevo Howard on Last Night on Earth, and her debut London Electronic Orchestra EP on The Vinyl Factory.  Melodic, driving, jacking and funky, Kate’s distinctive sound continues to inspire dance floors across the globe.



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