[Rough-Mixes] - Aingee

Wanna beat you up like a pretty lil piñata...

Love Unsweetened

Be Mine (Bounce)

Be Mine (Bounce) - [Rough-Mix]

Honey Bee - [Rough-Mix]

Drug Queen Hotbox - [Rough-Mix]

Eyes Wide Shut - [Rough-Mix]

Not What I Want - [Rough-Mix]

Beyond & Before Music presents "Roots In The Wind" - the original soundtrack to Book 1 of the novel "Hinter uns das Land" ("Behind Us The Land") by Frank Talmon l'Armée.

Immerse yourself in the evocative soundscapes of "Roots In The Wind," a musical journey that mirrors the emotional tapestry of the novel. This album captures the essence of a family's life in East Prussia on the brink of World War II, as seen through the eyes of young Inge.

From the idyllic landscapes of their farm, Gut Gallitten, to the looming shadows of war, each track reflects the innocence of childhood, the growing unease, and the ultimate disruption of their peaceful existence. The music blends elements of indie, folk, and pop with orchestral arrangements, creating a rich and moving listening experience.

These tracks have been meticulously rearranged, and completely remastered using LANDR's mastering services to achieve optimal sound quality for digital distribution.

"Roots In The Wind" is more than just a soundtrack; it's a sonic exploration of hope, loss, resilience, and the enduring bonds of family. It's a testament to the power of music to transport us to another time and place, allowing us to connect with the characters and their struggles on a deeply emotional level.

Experience the world of "Hinter uns das Land" through its music. Listen to "Roots In The Wind" now and embark on a journey you won't soon forget.

Follow Beyond & Before Music for updates and new releases.

12 - When Voices Rise Loud (From the Original Novel Soundtrack)

The lift breaks again
Seven flights of steps
I curse each one
I already miss you

A stranger complains
about the coffee taste
but all I can think
is the sound you make

The meeting drags on
Someone presents the slides
Their voice is a drone
my mind slips aside

I draw your outline
in the corner of notes
No one suspects
where my mind has gone

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

Lunch in the canteen
plastic and gray
They ask about deadlines
I nod, walk away

Your face in my mind
serene and absurd
You rarely speak
yet you speak every word

They bargain with minutes
they measure the day
But meaning is elsewhere
I've left it with you
I already miss you

I already miss you
The hours don't move
Every clock is lying
Every thought is you
I already miss you

And then
the door swings wide open
You greet me with cuddles and fur
with thunder of purr
with eyes that forgive the whole day

I missed you
You missed me
And nothing could be truer

I Already Miss You

Sacred Time

Dad’s in rehab, we go to visit
We meet the people on his floor
Like we were locked in a car
Heading toward a cliff
When someone opened the door

There’s Lynyrd Skynyrd and Tapestry 
And the phonograph needle skips 
And there’s a handsome guy
In the patients’ lounge
With scars on his wrists

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death-defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

Dad is smiling and everyone’s smiling
Haven’t seen that for a while
And when I look in the mirror
Age fifteen
I see his smile

And someone’s leaving
And someone’s coming
The little group evolves
We huddle over games and coffee
And firm resolves

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

(c) 2025 Darryl Wright. All rights reserved.

Sacred Time

A classic anthem reborn in a guitar-heavy country-rock style. This ReVampd version brings uplifting vocals, strong instrumentation and rock soul together in a dynamic remake. If you appreciate rock covers with heart and power — this track delivers.
🔥 Featured on the “Country Gets Rocked” playlist. What timestamp gave you goose bumps?

Country Gets Rocked

You Raise Me Up ReVampd (Country Rock)

You’re Gonna Go Far

Guitars, bass, vocals and keyboards by Robert Grigg.

Commit

Sparked off by the demonstration that passes by every Monday at 6 p.m. regular as clockwork.  Last time I was listening to "Police" recordings from the early 80s.

every monday

“Trap Town” opens Dark Music For Dark People with a slow descent into the city’s shadow. A dark piano theme threads through the track, joined by distorted trumpet tones echoing like distant car horns. Wilt Flowers’ bass and Guy Stansfield’s clarinet weave counterpoints beneath Sticks Thompson’s restrained percussion, while Sonny Rhodes’ piano drifts between smoky melancholy and menace.

A haunting mix of dark jazz, doom jazz, and cinematic noir, Trap Town evokes the tension of deserted streets and flickering lights long past midnight.

For fans of: Bohren & der Club of Gore, The Kilimanjaro Darkjazz Ensemble, Dale Cooper Quartet, Angelo Badalamenti, John Zorn, Cinematic Orchestra

The Dark Messiahs – Trap Town | Dark Jazz, Cinematic Noir & Doom Lounge

A sensual and introspective ballad, the vocals and guitars are free to express never-ending rock feelings. Listening to it transports us back to the '60s with psychedelic sounds and lyrics.

IN THE WOOD NEXT TO ME

The song is a female-fronted indie pop ballad with a melancholic yet hopeful tone. The tempo is slow, around 60 BPM, and the key is C minor. The instrumentation features a prominent, clean electric guitar playing arpeggiated chords, a subtle synth pad providing atmospheric backing, and a simple, understated drum beat with a soft kick and snare. The female vocalist has a clear, breathy quality, delivering the melody with a gentle vibrato. Her vocal range is mezzo-soprano. The song structure follows a typical verse-chorus format with a bridge and an outro. The chord progression in the verses is C minor, G major, A-flat major, E-flat major. The chorus shifts to F minor, C minor, G major, C minor. Production elements include a generous amount of reverb on the vocals and guitar, creating a spacious and ethereal soundscape. The mix is balanced, with the vocals sitting clearly above the instrumentation. There are no aggressive or harsh elements in the production.

Two Souls - Deep House Session

Artist: artist.link/aingee
Official: https://angela-christina.com
Booking: bookingAingee@angela-christina.com
Art/Merch: https://aingee.myshopify.com
Foundation: https://angela-christina.com/foundation
Distribution: https://virginmusic.com
Management: https://soboldents.com

Not What I Want - [Rough-Mix]

Aingee

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