New Music (Unlisted)

The Dictionary of Obscure Sorrows

Performed live by the Zöllner-Roche Duo at Unerhörte Musik in Berlin, Germany on November 9, 2021.

www.unerhoerte-musik.de
www.zoellner-roche.com

Commissioned by Gaudeamus Muziekweek for their 2021 festival.

Program Note:
The concept for this piece comes from The Dictionary of Obscure Sorrows, a collection of words invented by John Koenig that “aims to fill a hole in the [English] language—to give a name to emotions we all might experience but don’t yet have a word for.” The title for this piece comes from the definition for “silience.”

This word is something I felt deeply following the King Soopers shooting in my town of Boulder, Colorado on March 22nd 2021. I remember that day vividly, as I was receiving my first COVID vaccination while the shooter was active at the grocery store down the road. As our community grieved the loss of ten lives, I witnessed an incredible spirit and strength in those around me. I was amazed by my students–by their ability to face the weight of this tragedy, and their ability to hold space for others. I truly believe that community, our collective strength and care, is the highest form of excellence human-kind has to offer. And while we're here: ban guns. 

silience, n. the kind of unnoticed excellence that carries on around you every day, unremarkably—the hidden talents of friends and coworkers, the fleeting solos of subway buskers, the slapdash eloquence of anonymous users, the unseen portfolios of aspiring artists—which would be renowned as master- pieces if only they’d been appraised by the cartel of popular taste, who assume that brilliance is a rare and precious quality, accidentally overlooking buried jewels that may not be flawless but are still somehow perfect.

The Dictionary of Obscure Sorrows: silience (2021) // Zöllner-Roche Duo Live

For Orchestra and live electronic reduction. 
Premiere recording 08.02.2014 
Sinfonieorchester des SWR Stuttgart, Johannes Kalitzke, Experimentalstudio des SWR

Mehr als die Hälfte (2013)

Les Cris de Paris - Geoffroy Jourdain (dir) 
Festival de Royaumont 2012 

AND (amnesia4) [2012]

Matteo Cesari (flutes) Dario Calderone (db)
58th Venice Music Biennale (2014)
Cà Giustinian - Sala delle Colonne, Oct. 2014

own pace (amnesia 3) [2011]

As a vocalist, I have long been obsessed with the nuanced resonance of the human voice, and in particular the timbral variation and inflection inherent to many folk vocal traditions. These highly expressive micro-variations deliver intense pangs of emotion that can be sung in the subtlest of ways. They are distilled, fleeting moments of suffering and joy that fall between the cracks of melody and harmony. This piece is about the music that exists between the notes.

One wish, your honey lips (2016) // Emissary Quartet

Gareth Davis (bass cl) Koen Kaptijn (tbn) Pepe Garcia (perc) Dario Calderone (db) Una Cintina (org)
Amsterdam, Orgelpark, 22 ap. 2017 [live recording]

POLAR [2017]

Music Copyright (c) Annika K. Socolofsky 2018. ASCAP. All rights reserved.

Recorded by So Percussion at Princeton University in February 2019.

The concept for this piece comes from The Dictionary of Obscure Sorrows, a collection of words invented by John Koenig that “aims to fill a hole in the [English] language—to give a name to emotions we all might experience but don’t yet have a word for.” The title for this piece comes from the definition for “ambedo.”

This piece was premiered by Liz Karney, McKayla Philips, Nick Martinez, and Lauren Molloy at the 2018 So Percussion Summer Institute Princeton PhD Concert, and is dedicated to them.

ambedo
n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life, a mood whose only known cure is the vuvuzela.

http://www.dictionaryofobscuresorrows.com/

The Dictionary of Obscure Sorrows: ambedo (2018) // So Percussion

Øyvind Torvund - Forest Construction

The concept for this piece comes from The Dictionary of Obscure Sorrows, a collection of words invented by John Koenig that “aims to fill a hole in the [English] language—to give a name to emotions we all might experience but don’t yet have a word for.” The title for this
piece comes from the definition for “the meantime.”

the meantime
n. the moment of realization that your quintessential future self isn’t ever going to show up, which forces the role to fall upon the understudy, the gawky kid for whom nothing is easy, who spent years mouthing
their lines in the wings before being shoved into the glare of your life, which is already well into its second act.

This piece was commissioned by the Great Lakes Chamber Music Festival for the Callisto Quartet, who premiered the piece at St. Hugo of the Hills in Bloomfield Hills, Michigan in June 2019.

This recording features the Aizuri Quartet, recorded by Andrés Villalta at Princeton University in November 2020.

The Dictionary of Obscure Sorrows: the meantime (2019) // Aizuri Quartet

Annika Socolofsky is a composer and avant folk vocalist. Described as “unbearably moving” (Gramophone) and “just the right balance between edgy precision and freewheeling exuberance” (The Guardian), her music erupts from the embodied power of the human voice and is communicated through mediums ranging from orchestral and operatic works to unaccompanied folk ballads. She is Assistant Professor of Composition at the University of Colorado Boulder and holds her PhD in Composition from Princeton University.