Super compo! Très intéressant et captivant à écouter. Bravo pour votre belle créativité.

Celebrating the beautifully uncategorizable with 'Special Stuff I Like'! These are the tracks that might not fit neatly into boxes, but they definitely fit here because I love them. A mix of unique finds from different artists and some of my own original pieces that march to their own beat. #NoGenreNoProblem #UniqueTracks #MusicThatSpeaks #EclecticTaste #MySpecialMix

Special Stuff I Like

Non tu n’es pas la fille d’ipanema
Tu n’es pas
Cette Garotta là tu n’es pas 
La fille d’Ipanema
Car comme tu vois
Y a qu’elle qui m'a mis en émoi…  https://open.spotify.com/track/6AX9i0PpQ0Rt3vid3RmiXr?si=586a102cb5d74527

Crime Scene Do Not

Bossa Ipanema

Pour ce troisième titre de Noël du duo MCDC, j’ai voulu explorer encore une fois le genre latin. Cette pièce, un cubaton, se veut un hommage à mes amis cubains Rene Avich Wanton (Renesito), Javier FC Villa  et Lorenzo Sanchez avec qui j’ai appris pendant plus de dix années (en plus de mes élèves en musique) les bases de la musique cubaine. Marie-Christine Tremblay est au vocal comme d’habitude.  J’ai utilisé pour l’interpréter une ‘guitarra tres cubano’ (guitare à trois cordes doublés). François Moisan est à la basse. Les M’s : Marlène Claveau au sax alto, Michel Otis au sax ténor, André Lessard à la trompette et Martin Tremblay au trombone complètent les musiciens. Mixé et masterisé au Studio Septentrio de Jonquière par Martin Larose.  Bonne écoute!

For this third Christmas title by the MCDC duo, I wanted to explore the Latin genre once again. This piece, a cubaton, is intended as a tribute to my Cuban friends Rene Avich Wanton (Renesito), Javier FC Villa and Lorenzo Sanchez with whom I learned the basics of Cuban music for more than ten years (in addition to my music students). Marie-Christine Tremblay is singer as usual.  I used a 'guitarra tres cubano' (three string guitar with double strings) to play it. François Moisan is on bass. Les M’s: Marlène Claveau on alto sax, Michel Otis on tenor sax, André Lessard on trumpet and Martin Tremblay on trombone complete the line-up. Mixed and mastered at Studio Septentrio in Jonquière by Martin Larose.  Good listening!


Feliz Navidad

Medicine

vuota

The song "Letim" (“I’m Flying”) is an original composition by members of the Prlek Aeroclub, dedicated to the memory of club members Jože Gajser and Aljaž Caf, who tragically lost their lives 20 years ago in an aviation accident caused by a technical failure of the motorized hang glider on which Jože, as a flight instructor, and Aljaž, as a student, were learning to fly.

The song "Letim" describes the grandeur of flying and the feelings we pilots experience when we are up there, high above everything that burdens and weighs us down on the ground — when we are close to the sun and close to our departed colleagues…

Members of Aerobend:
Davorin Kurbos – guitar and lead vocals
Roman Caf – piano, Hammond organ, backing vocals
Mladen Kosi – accordion
Stanko Pesrl – bass guitar
Anton Kurbos – drums, backing vocals

As a special guest of Aerobend, Eva Pesrl also performed – violin and backing vocals.

Music and lyrics: Davorin Kurbos
Arrangement: Davorin Kurbos and Aerobend
Audio recording, mixing and mastering: A7 Recording Studio, Blaž Pavšič, Slamnjak
Video recording: Provideo – photo, audio and video production, Vinko Lukač, Bakovci

Aerobend - Letim

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/incidente-a-medianoche-version-original-ver-texto

INCIDENTE A MEDIANOCHE

Voy a contaros amigos una historia
que sucedió un domingo de febrero
en medio de una noche oscura y fría
que poco a poco calaba hasta los huesos.

El incidente comienza en el pueblo
cuando después de haber pasado el domingo
al lado de la mujer de tus sueños
regresábamos al “tajo” cuatro amigos.

Íbamos felices y contentos
pues nuestro carro corría muy veloz
“te estás portando como un señor”
le decía Octavio que era el conductor.

Pero de pronto en medio del camino
y tras un extraño ruido en el motor
fue perdiendo fuerza nuestro utilitario
y, sin pensarlo, el frenazo de rigor
pues sin duda alguna había sucedido
algo importante y no tenía solución.

Cuando el coche estuvo ya parado
se abrió el capó para ver lo acaecido
vimos que el radiador se había rajado 
y todo el agua habíamos perdido.

Lo que entonces pasó no os lo canto...
perdí el control y también mis compañeros:
recuerdo cuatro lenguas a destajo 
despotricando como unos carreteros.

Cuando todo esto fue menguando
y a nuestro temple volvía el color
“no preocuparse, se hará autostop”  
 afirmó Domingo con determinación.

Pero con las “pintas que nos cantaban”
uno con las barbas y otro de militar
los otros dos hasta el moño manchados de grasa
¡así quién diablos nos iba a parar!
pero allá a las cuatro de la madrugada
un rezagado paró al ver al militar.

Pero cuando vio la “compañía” 
con toda prisa se quiso echar atrás
“no le dé miedo, son de fiar”
exclamó Pepucho con gran serenidad.

Con insistencia logró convencerlo
de que nos dejara a los cuatro subir
pues aunque le resultara difícil creerlo
no éramos quinquis o gente de mal vivir.
Y si todo el lío quería saberlo
le prometía que no le iba a mentir.

Todo está visto muy por encima
porque la historia no es fácil de contar
pues estas cosas “pa” verlas ¡hay que vivirlas!
y entonces es cuando se puede opinar
por más que parezca un relato de risa
aquella noche jamás se nos olvidará.

MIDNIGHT INCIDENT

I'm going to tell you, friends, a story
that happened one Sunday in February
in the middle of a dark and cold night
that slowly chilled to the bone.

The incident begins in the village
when, after spending Sunday
with the woman of your dreams,
four friends were returning to work.

We were happy and content
because our car was going very fast
"You're behaving like a gentleman,"
Octavio, the driver, told her.

But suddenly, in the middle of the road
and after a strange noise from the engine
our car began to lose power
and, without thinking, we slammed on the brakes
because without a doubt something important had happened
and there was no solution.

When the car was finally stopped,
we opened the hood to see what had happened
we saw that the radiator had cracked
and we had lost all the water.

I won't tell you what happened then...
I lost control, and so did my companions:
I remember four tongues blaring out loud
ranting like cart drivers.

When all this was fading
and our temper was returning
"Don't worry, he'll hitchhike,"
said Domingo determinedly.

But with the "looks they were giving us,"
one with a beard and the other a soldier
the other two covered in grease up to their necks
who the hell was going to stop us!
But around four in the morning
a straggler stopped when he saw the soldier.

But when he saw the "company,"
he hurriedly wanted to back out
"Don't be afraid, they're trustworthy,"
exclaimed Pepucho with great serenity.

With persistence, he managed to convince him
to let the four of us get on,
because, although it was hard for him to believe,
we weren't quinquis or lowlifes. And if he wanted to know the whole mess,
I promised him I wouldn't lie.

Everything is very superficial
because the story isn't easy to tell
because these things "have to be" seen, you have to experience them!
and that's when you can have an opinio

Incidente a medianoche (Feat. Hugo Iglesias Olmos)

2025 07 23 Song 1154

RepostExchange Pop / Rock Charts highest position #21 (2025 08 07)

The sixt road

PEOPLE WANT TO SEE YOU FAIL AT YOUR DREAMS!

BAD WISHES ON ME

Death Song

death song DEMOn

Do It Again

Isn't It Funny?

Combusted

The first song I ever wrote. Written in 1995 after a Tracy Lawrence/Wade Hayes concert.
Arrangement made with "Band in a Box" and mixed using Sonar.

If I Had Those Words (to hold you to)

See Through Me
I’ve been through nights so long they felt like whole lifetimes. The kind where silence presses against your chest and the dark makes you feel like you’re the only person left in the world. I thought I’d learned to live with it. I thought I had to.
Then there was you. You saw straight through the version of me I’d built to survive. You didn’t flinch at the cracks — you traced them like they were part of the design. I didn’t know it was possible to feel seen and safe at the same time.
I don’t pretend this will last forever. Nothing ever does. But maybe that’s why every moment with you feels heavy and light all at once — like I’m holding something too precious to set down, even for a second. If this is only now, then I’ll take now over nothing. I’ll take every second you’ll give me.
I want you to know that I’ve been through hell, and you’ve been the first person to make me believe I wasn’t supposed to stay there. You’ve been the light in nights I thought would never end. And if all I have is this moment, I’ll still give you everything.

SEE THROUGH ME

Little Swing dans ton petit pull Marine...
Little swing au creux de ton maillot...

Paroles et musique : Sébastien Pellé - Alban Bouquette
Interprété chant et instruments par Alban Jacques Bouquette
enregistré au Studio d'Azy

Little Swing

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

Je vous présente : "CRIME SCENE DO NOT …"
qui comme son nom l'indique ( ou pas ) est un album de chansons françaises " érotico-socio-balnéaires " .
à consommer sans modération !
à écouter et ou télécharger sur :
deezer : http://www.deezer.com/album/6744592
amazon :http://www.amazon.fr/dp/B00DRUOCCC
iTunes: https://itunes.apple.com/fr/album/crime-scene-do-not/id669696175 
spotify: https://open.spotify.com/intl-fr/album/0u5ei9w4NeCNPDYGNKzRfY?si=p_8b-63TRZOPly63hqAiAA


et toutes les plateformes de téléchargement légal ...

Bonne écoute, avec toute mon amitié .

Bossa Ipanema

Alban Jacques Bouquette

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