Paola Angeli was born October 7, 1970.
During her school years she took piano and singing lessons and started writing songs.
In 1993 she took part to Sanremo Giovani and in 1994 to Festival di Sanremo.  
At the same time, she published her fist LP called "Merlino".
In 1996, during the celebration for Unicef's 50th anniversary , she won the second prize of a songwriters' contest that was on air on Canale 5 (Mediaset).
In 1997 she graduated with a degree in Oriental History.
From 1999 to 2000 she worked as singing teacher in the "Accademia Arcanto" in Bologna.
In 2001 she met the producer and music arranger Giancarlo di Maria and they started together working on  new projects with a deep cooperation.
In the same year she won the Critics Award at Musicultura.
From 2001 to 2004 she worked in the "Music Academy 2000" in Bologna where she ran a workshop about style and vocal techniques of the italian songwriters.
In 2004 she was the finalist as songwriter on the tv program "Lo Zecchino D'Oro".
On November 30, 2004 she took part, with Michele Serra, in a performance organized by Ivano Marescotti  at Conselice's Theatre.
From 2006 to 2007 she gave singing lessons in Note Colorate school in Bologna.
In 2007 she won the Imaie Award and the Best Lyric Award at Musicultura.
In 2008 she won the Bindi Award and the Best Lyric Award at Biella's Festival and was also the  finalist in the Premio Bianca D'Aponte.
In 2009 she was one of  eight Musicultura's winners and finalist as songwriter  at the children's contest "Ambrogino d'Oro" in Milano.
Since December 2009 she lives in Cerveteri (Rome).
On July 25, 2010 she won the Italian Music Festival.
From September 2010 she ran workshops about "songwriters' songs" and vocal interpretation in the school "Lorena Scaccia" in Civitavecchia.
From November to December 2010 she taught singing and music theory in Stefano Jurgens' school "Piccola Accademia della comunicazione e dello spettacolo" in Rome.
From January 2011 to June 2014 she taught singing in DRM school in Rome and she ran classes for the vocal re-education in preschools and schools around Ladispoli and Civitavecchia.
In January 2012 she was a finalist as song author in Ambrogino D'Oro's contest in Milano.
From september 2013 she has been a singing teacher in the music school "Ieem Rievoluzione Musicale" in Ladispoli (Roma).
Actually she's working on a theatrical performance and a new discographic project with Giancarlo Di Maria.


Mario Cianca is a musician from Rome. He started study music at 12, choosing electric bass as way of expression. In the last years he performed in several live events and he expanded his study at the Pontificial Institute of Sacred Music. At 22 he begins to study renaissance lute, an ancient instrument of unique beauty.  The love for improvisation and for experiment lead him to discover many artists of contemporary music, ambient, sound art and many more. People like Toshimaru Nakamura, Brian Eno, Ryoji Ikeda, Stockhausen deeply influenced his concept of sound and his ideas about written music, especially about musical notation which contemplates unsatisfactory for the wide emotional expression. Now he's working at his own album, mixing renaissance lute and doublebass with different kind of sounds, using Nakamura's "no input mixing board", field recordings and improvisation.

In questa pagina ho deciso di condividere diverse registrazioni effettuate nel corso del tempo e in diversi luoghi. 
Qui non troverete versioni definitive dei brani ma diverse tappe sonore del mio processo creativo. Ho scelto infatti di rendere fruibili i vari passaggi che intercorrono tra la genesi di un'idea e la sua versione finale divenuta prodotto raffinato.
La mia scelta è quella di mostrare qui ciò che normalmente viene nascosto, ovvero tutti quei tentativi che fanno sì che un artista possa accrescere la propria abilità e il proprio pensiero. 
Qui condivido con te i miei processi, le mie idee, le mie abilità e i miei limiti con la speranza di avviare un processo di scambio artista/fruitore il più limpido possibile.
"Il sistema industriale dominante travisa la pratica, fingendo che si tratti di talento e magia. [...] La pratica richiede un impegno in una serie di passaggi, non un miracolo." S. Godin.

Alberto Tebaldi is following