Alles Liebe und schöne Grüße von Geschwätz GmbH.
Geschwätz GmbH began coming together in May, 2024 when aspiring DJ and producer, Petra Joy Fischer, met her soul mate, Austrian trumpetist, arranger, singer, rapper, and master brewer, Peter Roland Kuhn, on a platform at Hamburg-Altona Bahnhof en route to the warm-up party for the 2024 Schlagermove festival. From the farmlands outside of Schleswig, Fischer had found office work in Hamburg depressing, and trying to break into the city's saturated DJ and electronic music scene a constant frustration. She subsequently abandoned city life for her new-found love and the mountanous beauty of rural Austria. Already by early June, she had packed down her vinyl collection, grow room, and home studio and re-located permanently to Kuhn's remote home town, the mountain-locked village of Brandt. There the inseparable, reclusive couple began pumping out a wide selection of tracks, employing the services of Kuhn's own talented, Reggae-inspired, home-town, brass schlager band (Die Einheimischen). The resulting musical constellation melds some of the pair's favorite styles: Glitch & Electronica, Ska, Reggae, Dub, Hip Hop, Trip-Hop, Rap, 1940's & '50's Jazz & Swing, Polka, World Music, Analogue & Digital Turntablism, EDM, and German Party-/Pop-/Folk- Schlager. Shortly after meeting, Petra joined Peter on a visit to his brother in Denmark. There the couple met their primary collaborator, musician and co-producer, Jah Bozo, a good friend of Peter's brother. An electronic producer since the 1980's, Jah Bozo, is online live almost daily from Copenhagen with Petra and/or Peter at their home studio deep in the Austria Alps. When Peter's worklife as master brewer at Brandt Bierhalle keeps him from the studio, Petra Joy and Jah Bozo occupy themselves with their own tracks, often collaborating with other band members from Die Einheimischen, particularly the multi-talented Lauer sisters - Birgit and Simone. The production team have recently (Spring/Summer 2025) been recording and producing a bunch of Die Einheimischen's own Reggae-driven Schlager tracks for posterity, fun, and profit. Likewise, Geschwätz is collaborating on tracks with friends and producers around the world. These include The Ruff Mate (UK), SpiceDoubt (Germany), and young South African producer and visual artist, Lesedi Dlamini, from Bantfu Beliciniso. Many of these tracks and collaborations can also be found here (and currently nowhere else). The Crew has determined that it is not in their (or anybody elses') interests to hand their rights off to the mercy of malignant, thieving corporatist overlords and management, and will NOT be signing to either publishing or labels. Geschwätz has chosen to set its own course independantly. So don't even bother asking...! OK?! And stop spamming us, you transparent, scamming fuckers!

We hope that you can find the time in your busy listening schedule to get down with your bad selves to the corporate babble from Geschwätz GmbH's electronic beerhall. Prost!

Personnel

Petra Joy Fischer... vocals, direction and production, sampling, breaks & beats, analogue & digital turntables (amateur horticulturalist)
Die Einheimischen:
Peter Roland Kuhn... vocals, trumpet, direction and arrangements (master brewer)
Volker Meier... trumpet, piccolo trumpet (industrial design and engineering)
Gunther Meier... trombone, trumpet (commercial pilot)
Duggi Meier... clarinet, saxophones, flute (marketing, baker)
Ralf Deutscher... saxophones (der Laden, deliveries, Bierhallen's bus)
Deitrich Meier... tuba, upright & electric bass (retired air force test pilot, baker)
Wolfgang "P-Tosh" Kraus... rhythm guitar, pedal steel guitar, banjo (butcher and "entrepeneur", read: has own hot-dog stand)
Birgit Lauer... piano, piano accordian, keyboards, fiddle, vocals, MIDI programming (lifetime government arts stipend, session musician)
Simone Lauer... drums, percussion, vocals (lifetime government arts stipend, session musician)

Heavy Hansi... guest vocals (Master of Ceremonies, local Metal legend, master brewer)

Jah Bozo... lyrics, co-direction, producer, occassional mastering (ballet pianist, "livskunstner")

Unless otherwise indicated, all music and lyrics are written, produced and curated by Petra Joy Fischer, Peter Roland Kuhn & Jah Bozo.
All music is injected into the ether via Team Otaku
Inquiries may be directed to: geschwatzgmbh@gmail.com
Inquiries might even be (eventually) answered. Who can say...?

Now forget all of this. None of it matters.

underground dj 
more sounds here: https://rb.gy/cozyhf
enjoy

BASS PSYTRANCE DJ EVA
CURLING TOES AND VIBRATING JELLO SINCE 2017
STYLE FoolON/ Psytrash/ Ghettotrance/ Drum 'n' Booty/ Trapedelic Beat/ Trapcore/ DarkTrapHouseTrance
Executive director @ #Halluminati https://www.instagram.com/hashtaghalluminati/

My Muisc interests are most often drawn towards down tempo; Ambient, Trip hop, Glitch Hop, Dub, Psy Dub, Electronic, World tribal, TechHouse, Minimal, and Breakbeat. I started playing music experimenting with different genres and layering them with tones, and frequencies I used in my sound therapy project Alchemixed which first inspired me to start, it has evolved from that into playing more types of music. 

Alchemixed is a project of collections of mixes from different genres that  I began layering healing tones and frequencies into. with many types of things from Tibetan Monk Chants, the Sound of The Shri Yantra, the healing Solfeggio Tones, Crystal Signing Bowls, Whales and Dolphins, Nature samples, vibrations of color spectrum , and the recordings of NASA's Voyager I and II Space Probes - Passing the planets in our solar system.
      
      the intention, or goal is to offer music that is enjoyable  to listen to, and give exposure to tones and frequencies that are widely unheard of, for most people. These are potent sounds that each have their valuable effects on the listener. The more you listen the more you will hear. Most are gentle tones and familiar sounds from nature and animals, to vibrations of colors, even sounds from space though unknown feel warm, and familiar, I love weaving these tones and frequencies together with other sounds, and music to create soundscapes, I feel It gives the listener a chance to focus on many different layers of the sounds, or to just let your subconscious receive the tones and frequencies.  Helping you relax and enjoy as it guides you through the music like a journey. Doing this allows you to listen to them easier and longer, as some of these tones and frequencies are high pitched and can be hard to listen to for extended amounts of time. Where I believe their benefits truly lay. 
  
  The hope of me putting them up here is to try and generate feedback for this project. So I'm interested in hearing what everyone thinks about them as this project has been and evolutionary process for me, and is pretty experimental. So please let me know your thoughts on them. 
  Thanks
  Travais

Followers of Alchemixed