Support by Anthony Pappa @ @ Frisky Radio  | Foundation hosted by Framewerk | February, 21th 2022

Alec Araujo - Point of Decision - Cut from Anthony Pappa @ Frisky Radio | February, 21th 2022

Astronauta de la música, viajero del sonido.

" I like Alec’s music. I’ve included his songs in my sets, great music."  Hernan Cattaneo

Considered as an artist in constant evolution, Alec is one of the best brazillian electronic music producers with more releases abroad.

The constant search for perfection in his creations have brought the tracks included on national and international compilations of great labels. 

Productions and remixes by Alec Araujo are found in the cases and tracklistings of established artists in the world electronic scene. With many productions spread all over Brazil and in the world, Alec is pointed as a good professional either from the public’s point of view or other artists.

As a result of all his work as a producer, he became one of the most important artist in the south of Brazil and one of the most promising producers of the country, playing in clubs like Warung and D-Edge.

The productions has a lot of supports from known djs/producers such as Hernan Cattaneo, Nick Warren, Paul Oakenfould, Guy Mantzur, Darin Epsilon, Pole Folder and many others.

His rmxs of  “Neon Lights” and “Vitamin” from Kraftwerk received big support of national and world-wide djs, including support of Wolfgang Fluer, Kraftwerk former. He said: “I love your rmxs of Neon Lights". Also included Alec in his book Ï Was A Robot”.


His monthly show on Frisky Radio called Fenix, has the same name as his party in Brazil, and has an important point to inform the public, new talent and producers of electronic music in Brazil and the world.  He is resident DJ on Progression, Progressive House project from D-Edge Club.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish