The Bicrophonic Research Institute (BRI) is an organisation that makes music with people and places to play from bikes ridden by you the cyclist.

Over ten years of international projects we have developed the sonic bike to do this. A bike with two mounted speakers on the front and GPS receiver and Raspberry Pi computer on the back. With our bespoke mapping software, different sounds are linked to different places meaning that the interactive music played by the bike changes dependent on where the cyclist goes and how fast they pedal.

Not an app and free of the internet, the sonic bike creates an outdoor listening experience for everyone – reaching new audiences on the street or hillside, far beyond the confines of concert halls and galleries.
Established by Kaffe Matthews and Dave Griffiths in 2014, the BRI works collectively from a London lab, undertaking multiple projects annually, each one realising new site-specific music made through residential collaborations with producers and communities. Politics, time, cycling possibilities, architecture and finances all bare on each project, making them utterly contemporary. Alongside, we run local workshops in sonic bike making and open source development, all information of which is shared online. These projects are resulting in the growth of independent sonic cycling hubs worldwide – currently in London, Finland, Houston, Brussels, Berlin and Magdeburg.

http://sonicbikes.net/

Composer Amy Brandon's pieces have been described as “...gut wrenching and horrific” (Critipeg), and "otherworldly, a clashing of bleakness with beauty" (Minor Seventh). Her performances, installations and acoustic works have been presented at the Gaudeamus Festival (Screen Dive), National Sawdust (NYC), Trinity College (Dublin), and the Winnipeg New Music Festival. She has received Canadian and international composition awards and honourable mentions including the Leo Brouwer Guitar Composition Competition (Grand Prize 2019) and an East Coast Music Award 2022 for Composer of the Year. She teaches composition at Dalhousie University at the Fountain School of Performing Arts.

I'm a composer, improvisor, sound installation and environmental artist in Toronto. Recordings: http://www.sarahpeebles.net/recordings.htm Environmental art: https://resonatingbodies.wordpress.com/

just a sketchbook. check out my bandcamp for full recordings

Creating immersive sensory experiences🌲music + biomaterials often in collaboration with fungi 🍄🎶

Interested in working with us or licensing our music? 
It is highly appreciated you kindly reach out to us prior to ripping our audio. 
Our music (mycelium, tree derived or otherwise) posted online here, or through Tidal, Bandcamp, Spotify, etc., is registered with SOCAN.
Reach out through, www.nanotopia.net
Thanks!

©Nanotopia 21st century

Dame Silú de Mordomoire sings the dark and bright passions of the soul... A deep voice towering towards the sky, highly spiritual and melancholic... Amateur singer and synth artist, Silú tries to uncover sights from the other side....

Each month, Nonsequitur and a community of like-minded organizations and artists present ten concerts of adventurous and experimental music in the Chapel Performance Space at the Good Shepherd Center in Seattle: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.

With the Chapel closed indefinitely due to the COVID-19 pandemic, the Wayward Series moves from the concert hall to the living room. In place of our usual ten monthly concerts, Nonsequitur is commissioning ten Seattle artists each month to create a series of streaming audio sessions of previously unreleased material.

This is the sound repository of Interspecifics Collective.

aleph3 is following