is the new project in the ever-growing silentes family

𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝘆 was born from the breathing of free spirits and the words of Irish forgotten poet 𝗙𝗿𝗲𝗱𝗮 𝗟𝗮𝘂𝗴𝗵𝘁𝗼𝗻.
Alessandra Trevisan and Viviana Fiorentino explore words and poetry, written and spoken. They found, translate and give voice to "𝗔 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝘆 𝗛𝗼𝘂𝘀𝗲/𝗨𝗻𝗮 𝗖𝗮𝘀𝗮 𝗧𝗿𝗮𝗻𝘀𝗶𝘁𝗼𝗿𝗶𝗮", a collection of Freda Laughton's poems.
solar plex moves sounds around the words.
"𝙖 𝙩𝙧𝙖𝙣𝙨𝙞𝙩𝙤𝙧𝙮 𝙝𝙤𝙪𝙨𝙚 - 𝙛𝙤𝙧 𝙁𝙧𝙚𝙙𝙖 𝙇𝙖𝙪𝙜𝙝𝙩𝙤𝙣" comes from this encounter.

"A Transitory House" by F. Laughton, published by Jonathan Cape, 1945. "A Transitory House/Una Casa Transitoria" translated by V. Fiorentino and published by Arcipelago Itaca (Osimo, Italy, 2022), introduction by Lucy Collins and Renata Morresi, afterword by Emma Penney.
https://arcipelagoitaca.it/products/a-transitory-house-una-casa-transitoria-di-freda-laughton-traduzione-di-viviana-fiorentino
 
Transitory want to thanks Freda Laughton's heirs for their support and kindness.

Mix by solar plex.
© All rights reserved.

pic by solar plex.

PEACE.LOVE.RESPECT.UNITY

R A S H lab is a sound project oriented towards musical research through various mixes released in the different Podcast series Also Inviting Various Talented Artists. Sound becomes our vital orientation. Our healing and liberation happens through electronic sounds of a futuristic folklore, woody like Steam Punk, Ritual like Techno combined with meditative textures.





Resident of the Infestazioni Soniche Festival / Jeko Area/

curatore di AreaAudio per Infestazioni Soniche Festival / R A S H lab

Born and raised in southern Italy where I had the opportunity to be resident in the pearl of the Gargano through the Infestazioni Sonice festival and followed by the Jeko Area Club. I owe my musical education entirely to these places where I had the opportunity to meet international artists such as DLERIA , Sciahri , Key Clef, Flaminia and VSK Luciano Lamanna, And , Ancient Methods , Retina.it , Taar and Boungaville, Limo , Wrong Assesment and MARMO and many more.
I am currently an independent researcher of electronic music and an ordinary scholar of technological innovation related to music. Active researcher and DJ in Adelaide.



Rave culture 

DJ / sound artist/independent researcher / live music / dj set / podcaster / producer /

Great supporter of local and international artists with greater attention to emerging artists who offer more and more musical innovations, harmonic and intelligent metrics.




Acousmatique/ Musique Concretre/ Ambient/ FieldRecording/ Experimental/ Industrtial/ EBM/ Electro Lovers/ IDM/ HardGroove/ Techno /Trance /Rave Culture/ Deep Electronic/HypnoticMusic/ OLDSKUL / TripMusic/

Unconditional lover of different styles of electronic music.

I am a listener of acoustic phenomena in the world , explorer of any sound object.
Researcher and producer of sound spaces ranging from acousmatic to post industrial sounds.
The approach to sound stems from the desire to discover in a completely natural way the vast sound world of which we are all part. The sound project itself constitutes in giving sounds to every existing sound space. Each place has its own sound and noise to give society a new way of imagining sound environments and spaces; The goal is to give the world a completely new sound alphabet, an acoustic image to the world.
Formulate proposals, conceive the processes of orchestration of relationships to prepare empirical environments. Music as space, space as environment, environment as event, event is life.

Born in 1986 in Thessaloniki, Greece the soprano Niki Lada is a holder of a BA in English Language and Literature from the Aristotle University of Thessaloniki,a  Diploma in Classical Singing and Opera Studies and a Diploma in Opera, Drama and Contemporary Dance from the State Conservatory of Thessaloniki, an MA in Classical Singing and Opera Performance from Francesco Morlacchi Conservatory of Music of Perugia under the guidance of M.G.Pittavini and a Master di II Livello in Vocal Music and Musical Theatre of the 20th century and contemporary one under the guidance of Alda Caiello. In 2017 and 2022, she is chosen by IDEA International Divertimento Ensemble Academy for the call for young performers, annual singing course, conducted by Alda Caiello. She has taken part in masterclasses and summer music academies with various artists of international fame like C. Studer, K. Hartgrove, G. Vagianos, S. Theodoridou, G. Hatzinikos and others, while she frequented lessons at the National Opera of Paris with Françoise Ferrand , the Thibaud Conservatory of Bordeaux with Charon Coste Jacques , the Royal Danish Academy of Music with Asa Bäverstam, Susanna Eken, Kirsten Buhl Møller and at the Conservatory of Toulouse.
 She is mainly performing XX and XXI century repertoire as a soloist. Her repertoire both in opera and in chamber music includes among others works of Menotti, Barber, Poulenc, Bernstein, Casella, Berio, Berberian, Cage, Donatoni, Scelsi, Part, Vasks, Kagel, Aperghis, Zorn, Bedrossian, Lanza, Marco di Bari, Spyrou, Segglias. She has collaborated with musicians, composers, sound artists, directors, ensembles and artistic collectives of the contemporary and experimental scene such as the Divertimento Ensemble, Suono Giallo Ensemble, Meta-Ksi, 2.0, Franck Bedrossian, Marco di Bari, Zesses Segglias, Alexandros Spyrou, Stefano Alessandretti, Marco Bellussi, Viktoriia Vitrenko, Nestor Bayona, Alessia Damiani, Alessandro Fiordelmondo, Yannis Aniseggos, Theofilos Sotiriadis. She is performing in venues, residencies, academies and festivals as Imola International Music Festival, DAMSLab, Teatro Alighieri di Ravenna, the Fabbrica del Vapore di Milano, Teatro Litta di Milano, Teatro degli Illuminati, Teatro Arrigoni, Teatro Pavone, Teatro Cesare Caporali, Rondò in Monferrato,Tempo Reale Festival-Unlocked Sound, Delian Academy, Il Suono Contemporary Music Week, SKG Bridges Festival, Dimitria Festival of Thessaloniki, Modern and Contemporary Music Festival of Perugia, Festival dei Due Mondi di Spoleto. She has also performed works of the sacred and the baroque repertoire. She has participated in projects and baroque operas as a mime and an actor among others, PanOpera Festival and has worked with associations as the Barocco Europeo and the Teathron Musike. Furthermore, she has taken part in performances some of which with Marina Abramovic, Marianna Andrigo, Aldo Aliprandi, Polyxeni Spiropoulou, Konstantina Kastellou in venues and festivals such as The Serpentine Galleries, the Experimental Centre for the Arts MOMus,  the Biennale of Thessaloniki and others, while she is working closely with performers and video artists, exploring vocal extended techniques and improvisation. In 2018 she creates together with Alessia Damiani the [tis ixu's] Ensemble and together participate in festivals like Athens Digital Arts Festival (ADAF), Freedom - The New Human Manifesto (Spain), Lacuna Festivals, Artperformingfestival (Naples). In November 2021 their work /dis'tantse/ is published in hard copy book and e-book by Articulate (Denmark) as part of the Pandemic Art 1.0 and makes part of Articulate's virtual gallery.

Labile - Trio Rock Italiano
from: Padova (Italy)
web: www.labile.eu

𝗦𝗶𝗻𝗴𝗲𝗿+𝗟𝘆𝗿𝗶𝗰𝗶𝘀𝘁+𝘃𝗼𝗰𝗮𝗹 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵𝗲𝗿 
𝗣𝗵.𝗗. 𝗶𝗻 𝗜𝘁𝗮𝗹𝗶𝗮𝗻 𝗦𝘁𝘂𝗱𝗶𝗲𝘀 
𝗯𝗹𝗼𝗴𝗴𝗲𝗿 & 𝗹𝗶𝘁𝗲𝗿𝗮𝗿𝘆 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵𝗲𝗿 | co-founder Le Ortique
𝘌𝘧𝘧𝘦𝘤𝘵𝘴, 𝘭𝘰𝘰𝘱𝘴, 𝘱𝘰𝘦𝘵𝘳𝘺/𝘴𝘱𝘰𝘬𝘦𝘯 𝘸𝘰𝘳𝘥, 𝘪𝘮𝘱𝘳𝘰, 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭, 𝘤𝘳𝘪𝘵𝘪𝘤𝘪𝘴𝘮

Once we were a duo, 𝗧𝗪/𝗧𝘄𝗼𝗪𝗼𝗺𝗲𝗻 (Irene Brazzolotto on guitar/loop and effects; Alessandra Trevisan on voice/loop/poetry/lyrics/effects). We created music which was a mix of wonky pop, experimental lo-fi, with echoes from jazz. We tried to tie music and words with originality, mixing up female writing and creativity. 
Here you can find TW's music, UnkNwn music and some rehearsals, music and interviews or research contents by me and with others.
pic by © Daniele Salviato

algorithmic composition
improvised computer music
sounddesign & music for film

Alessandra Trevisan is following