oh my...this is how the perfection sounds like

amazing! Such a beautiful, atmospheric piece :D

Gorgeous use of effects. Beautiful work! 

fantastic,love the atmosphere and the granular like sounds. awesome work.

c'è in giro da tempo una specie di 'nuova musica assoluta', astratta, che sta fra la cosiddetta 'ambient music' e la 'drone music', nei pressi dei cosiddetti 'soundscape' o, meglio ancora, degli 'innerscape' .. a volte ha tratti più 'cameristici', o addirittura per strumento solista, a volte è più 'sinfonica' .. a volte usa solo sonorità 'sintetiche', a volte invece anche strumenti 'tradizionali' .. ha antecedenti illustri, sia nella cosiddetta musica 'classica', diciamo storica, sia nella 'popular music' e nel jazz .. a quella soprattutto io guardo

www.facebook.com/notes/marco-lucc…155811583217624/

"musica assoluta" (febbraio 2019)

Modern demons

modern demons

Senzatempo

Floating Time

Motionless Image of Eternity

From the album Cycles

https://krysalisound.bandcamp.com/album/cycles

Francis Gri & Lilium "Time Of Stability"

Taken from the upcoming album 'Oyasumi', forthcoming on Fluid Audio...

In a musical exchange back and forth between Tokyo and Copenhagen, Kei Nogami (JP) and Mathias Lystbaek (DK) has the created the album Oyasumi. The album is centered around eclectic electroacoustic loops with the addition of piano, flute and cymbal. Oyasumi means ‘Goodnight’ in Japanese, and the music reflects the sleepy haze before dreaming, with repeated fragments of melodies reminiscent of childhood lullabies and music boxes. This quiet album is an exploration of looped and improvised material, suitable for tranquil moments and contemplative pauses.

- Kei Nogami (K Nogami): Loops, electronics, field recordings & found objects. 

- Mathias Lystbaek (Circa Alto): Piano, flute, bass & cymbal.

Credits:

Artist: K Nogami & Circa Alto
Album: Oyasumi
Composition & mix: Kei Nogami & Mathias Lystbaek 
Cover photo: Kei Nogami
Label: Fluid Audio
Design: Daniel Crossley

Oyasumi

K Nogami & Circa Alto - Kasumi ka kumo ka

“Kula is a symbolic exchange generating syncretic cosmologies. Sound and polyphonic embrace, a mixture of connections and celestial atmospheres.
Kula as a digital-tribal ritual amplifies new forms of life than explodes within vibrant environments.
Kula is synthetic-synesthetic meditation that escapes the boundaries of anthropocentrism and then dances among mechanical ghosts, ancestral loops, and brilliant comets.
A mad explosion of endless loops where new constellations arise for a deep inner journey. Reciprocity and gift are Kula’s private nouns reacting to and for the encounter: a loop uncovering a ceremony of restitution.
Cosmogonies, cosmologies and cosmos rotate within a plural inhabiting for a spiritual experience beyond the end of the world and within transcendent endings of infinite s-cul(p)tures. “


Released by Industrial Ölocaust Recordings (https://cardinium.com)

Recorded and composed by Zakhme in 2022
Alessandro Barbanera: guitars, synths, field recordings, analog tape machine, found sounds
Gianluca Ceccarini: guitars, synths, field recordings, electroacoustic objects
Mixing, production, sound design: Alessandro Barbanera
Photo & graphic: Nahid Rezashateri, Gianluca Ceccarini
Text: Giorgio Cipolletta

"KULA" | album preview (out January 23)

“Kula is a symbolic exchange generating syncretic cosmologies. Sound and polyphonic embrace, a mixture of connections and celestial atmospheres.
Kula as a digital-tribal ritual amplifies new forms of life than explodes within vibrant environments.
Kula is synthetic-synesthetic meditation that escapes the boundaries of anthropocentrism and then dances among mechanical ghosts, ancestral loops, and brilliant comets.
A mad explosion of endless loops where new constellations arise for a deep inner journey. Reciprocity and gift are Kula’s private nouns reacting to and for the encounter: a loop uncovering a ceremony of restitution.
Cosmogonies, cosmologies and cosmos rotate within a plural inhabiting for a spiritual experience beyond the end of the world and within transcendent endings of infinite s-cul(p)tures. “

Released by Industrial Ölocaust Recordings (https://cardinium.com)

Recorded and composed by Zakhme in 2022
Alessandro Barbanera: guitars, synths, field recordings, analog tape machine, found sounds
Gianluca Ceccarini: guitars, synths, field recordings, electroacoustic objects
Mixing, production, sound design: Alessandro Barbanera
Photo & graphic: Nahid Rezashateri, Gianluca Ceccarini
Text: Giorgio Cipolletta

[Parte I] Rito / Illusioni

[Parte II] Hýpnos

[Parte III] Stella Del Mattino / Risveglio

leise der Schnee

The stars are always falling

I visited the Jewish Museum in Berlin a week ago and I felt overwhelmed since I walked in the first corridor.
The Memory Void, one of the symbolic spaces on the ground level of the Libeskind building, includes the installation Shalekhet (Fallen Leaves) by Menashe Kadishman. More than 10,000 faces with open mouths, cut from heavy round iron plates, cover the floor of the ground floor void.
Menashe Kadishman’s sculptures stir painful memories of the victims of war.
The soundscape you hear within the composition is a recording I made in the Void of people stepping on the iron plates.

10,000 fallen leaves

10,000 Fallen Leaves

Marco Lucchi : mellotron and synth

1 febbraio 2019

Tristan and Iseult

Comfortable Winter

Marco Lucchi : analog synth and treatments

variations on the finnish popular chant "Luullahan jotta on lysti olla"

11 febbraio 2019

Kantele

Musician, composer, sound artist. New album “Oblio” released by ROHS! Lontano series: https://lontanoseries.bandcamp.com/album/oblio

Some reviews:

Oblio [2022]:

- collettivoinconscio
collettivoinconscio.blogspot.com/2023/09/alessandro-barbanera-viaggio-al-termine.html

- SoWhat
sowhatmusica.wordpress.com/2023/01/05/alessandro-barbanera-oblio/

Haunted Houses [2020]:

- a closer listen
https://acloserlisten.com/2020/10/16/acl-2020-music-for-haunted-houses/

- SoWhat
https://sowhatmusica.wordpress.com/2020/09/30/alessandro-barbanera-haunted-houses/

- Rockit 
https://www.rockit.it/recensione/49067/alessandrobarbanera-haunted-houses

-Music Won't Save You
https://musicwontsaveyou.com/2020/12/02/musictosave-009/

- Kathodik
https://www.kathodik.org/2021/02/14/alessandro-barbanera-haunted-houses/

In The Middle Of The Path [2019]:

- Chain D.L.K.
https://www.chaindlk.com/reviews/?id=11424

- Music Won't Save You
musicwontsaveyou.com/2020/01/17/alessandro-barbanera-in-the-middle-of-the-path/

- SoWhat
sowhatmusica.wordpress.com/2019/11/18/alessandro-barbanera-in-the-middle-of-the-path/

- Rockit
www.rockit.it/recensione/45575/alessandrobarbanera-in-the-middle-of-the-path

- Blow Up [#262, 03/2020]
www.blowupmagazine.com/prod/blow-up-262-marzo-2020.asp

- Europa e cultura elettronica
europaeculturaelettronica.blogspot.com/2019/11/alessandro-barbanera-in-middle-of-path.html

- Music Map
www.musicmap.it/recdischi/ordinaperr.asp?id=7397

Bastard Under The Stars [2015]:

- Rockit
https://www.rockit.it/recensione/30766/alessandrobarbanera-bastard-under-the-stars

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Comfortable Winter

Alessandro Barbanera

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