Name: La noche que se quedó sin piel by Alex Caelus
Duration: 4 min 23 s
Description: Escribí "La noche que se quedó sin piel" buscando capturar ese momento en que la voz se rompe antes de que el alma lo admita. Es una balada nocturna, íntima, construida solo con piano y emoción cruda. La lanzarém sin promoción agresiva, dejando que quienes escuchan música con el corazón la encuentren por sí mismos.

Spring day

Spring Day

Bonsoir amis insomniaques,
Ce soir, nous allons parler du brutalisme, ce mouvement architectural que tout le monde semble connaitre sans vraiment savoir le nommer. Eléments centraux de nos paysages urbains, leur complexité est cependant moins évidente qu'il n'y parait...

Merci à Tony Beaufils pour avoir prêter sa voix. 

Image générée par IA (Microsoft Bing).

Le Brutalisme

"Flight of Light" chronicles the dramatic shift in Inge's world as the idyllic life she knew in Book 1 becomes overshadowed by the growing influence of the Nazi regime.  Inge and her siblings are drawn into the activities of the Hitler Youth and League of German Girls, experiencing a strange mix of camaraderie,  newfound responsibilities, and subtle indoctrination.

The innocence of childhood games and explorations gives way to a more structured and ideological environment.  Inge faces internal conflict as she grapples with the disharmony between the values instilled by her family and the increasingly rigid expectations of the regime.

The book portrays the subtle ways in which ordinary people are drawn into the machinery of a totalitarian system.  The music for Book 2 mirrors this internal and external conflict,  expressing the emotional turmoil of a nation on the brink of war and a family struggling to maintain its values in the face of overwhelming change.

"Flight of Light" is a powerful exploration of the loss of innocence and the struggle to find a sense of belonging in a world on the brink of chaos. The music echoes this struggle, offering a poignant soundtrack to a pivotal chapter in Inge's life. It sets the stage for the dramatic events that will unfold in the subsequent books, as the Feyerabends face the full impact of the war and the difficult choices that lie ahead.

Oh, In The Shadows Of 1942

This remastered album "Flight of Light" chronicles the dramatic shift in Inge's world as the idyllic life she knew in Book 1 becomes overshadowed by the growing influence of the Nazi regime. Inge and her siblings are drawn into the activities of the Hitler Youth and League of German Girls, experiencing a strange mix of camaraderie, newfound responsibilities, and subtle indoctrination.

The innocence of childhood games and explorations gives way to a more structured and ideological environment. Inge faces internal conflict as she grapples with the disharmony between the values instilled by her family and the increasingly rigid expectations of the regime.

The book portrays the subtle ways in which ordinary people are drawn into the machinery of a totalitarian system. The music for Book 2 mirrors this internal and external conflict, expressing the emotional turmoil of a nation on the brink of war and a family struggling to maintain its values in the face of overwhelming change.

"Flight of Light" is a powerful exploration of the loss of innocence and the struggle to find a sense of belonging in a world on the brink of chaos. The music echoes this struggle, offering a poignant soundtrack to a pivotal chapter in Inge's life. It sets the stage for the dramatic events that will unfold in the subsequent books, as the Feyerabends face the full impact of the war and the difficult choices that lie ahead.

Through The Blinding Snow (From the Original Novel Soundtrack)

Evelyn watched her parents
Drink themselves to death
Her aunt and uncle took her in
With her brother, Jeff 
And something inside her resisted
The life of a post-war girl
And people around that little town  
Asked, “What in the world?”

The focus of attention 
In any room she entered 
Evelyn in her twenties
Was joyous and centered 
She wasn’t going to be a mother
Or a stay at home wife 
Sister Mary Keith
Would be a bride of Christ 

Evelyn
Bright as fire
Bright as lights
Around a field
Found her calling 
In the convent
As the bells of St. Mary’s peeled
But in time she knew 
What she really wanted 
A different kind of sisterhood 
She was out there somewhere
Out of touch
But she was happy and life was good

Evelyn had a nephew 
And a feeling about young Jack
He needed her protection
And so she was back
She’d known it from the start 
Oh, they were two of a kind 
She held him close and gave him hope 
Watching the eighties unwind 

Evelyn
Bright as fire
Bright as lights
Around a field
Found her calling 
In the convent
As the bells of St. Mary’s peeled
But in time she knew 
What she really wanted 
A different kind of sisterhood 
She was out there somewhere
Out of touch
But she was happy and life was good

Jack struggled for his health
To keep the seesaw even-keeled
And felt a stab of self-hatred 
Every time he kneeled
Holding the two halves together
The bible and the man of his dreams
Survived by beloved Aunt Evie
And the echoes of her screams

Evelyn
Bright as fire
Bright as lights
Around a field
Found her calling 
In the convent
As the bells of St. Mary’s peeled
But in time she knew 
What she really wanted 
A different kind of sisterhood 
She was out there somewhere
Out of touch
But she was happy and life was good

And in time she knew 
What she really wanted 
A different kind of sisterhood 
She was out there somewhere
Out of touch
But she was happy and life was good

She was out there somewhere
Out of touch
But she was happy and life was good

(c) 2025 Darryl Wright. All rights reserved.

Evelyn

Plivam

Beats Wears Pearls

You are light  
Everything you're carrying's alright  
You been fighting battles out of sight  
Still you never lose your shine  
You are light  

≋ Cyberwaves ✨🪽

Cyberwaves • Spiritual Trap • Cinematic Hip-Hop • Alt Rap 
Atmospheric Production • Layered Sound Design • Emotional Rap • Spiritual Beats • Conscious Hip-Hop • Cyberpunk Soul

You are Light

You Are Light

Escribí "La noche que se quedó sin piel" buscando capturar ese momento en que la voz se rompe antes de que el alma lo admita. Es una balada nocturna, íntima, construida solo con piano y emoción cruda. La lanzarém sin promoción agresiva, dejando que quienes escuchan música con el corazón la encuentren por sí mismos.  

La noche que se quedó sin piel

This is an original composition. Words by J. Dulva Miller and Madelaine Landry. Music played/recorded by J. Dulva Miller and Bryan Fusilier. Produced/mixed by Bryan Fusilier.

The Ballad Of Don

Free Download

Pull Up

No muestro mi cara. Muestro lo que siento.
Aquí no encontrarás una historia ni una imagen.
Solo canciones escritas desde la herida, el silencio y la esperanza.
Me llamo Alex Caelus. Y tal vez… te conozco más de lo que imaginas.

La noche que se quedó sin piel

Alex Caelus

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