I never considered for a minute that I had talent. What I did have was divine inspiration and an open subconscious. (John Fahey)

Independent record label, established in The Netherlands, since 2015.

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Welcome to the official SoundCloud page of Three-body Technology! 
Our target is bring you more creative inspiration and make better music. To get official technical support, please contact with us via Email: support(at)threebodytech.com

Annie Gosfield, whom the BBC called “A one woman Hadron collider” works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. The New York Times recently described her as “a fabulously creative composer” (Zachary Woolfe) who “exuberantly exploits the inadvertent music of contemporary life: static, distortion, the clangor of industry and the siren song of space junk form part of her digital palette.” (Steve Smith). Seth Colter Walls wrote about "Ms. Gosfield’s thrilling chamber orchestra writing" reviewing the opera “War of the Worlds,” a collaboration with the L.A. Philharmonic and director Yuval Sharon, which was included in best of 2017 lists in the New Yorker (Alex Ross) and the L.A. Times (Mark Swed). She was the 2015 Fromm composer at the American Academy in Rome, a 2012 fellow at the American Academy in Berlin, and received the FCA’s prestigious “Grants to Artists” award. She composes for others and performs with her own ensemble, with performances at Warsaw Autumn, the Bang on a Can Marathon, MATA, MaerzMusik, the Venice Biennale, OtherMinds, Lincoln Center, The Stone, The Miller Theatre, and The Kitchen. Annie's discography includes four diverse solo releases on the Tzadik label. Large-scale projects include War of the Worlds, an opera performed by the Los Angeles Philharmonic in the streets of L.A. and Walt Disney Concert Hall; EWA7, a site-specific work created during a residency in the industrial environments of Nuremberg, Germany; and Daughters of the Industrial Revolution, a concert-length piece inspired by her grandparents’ immigrant experiences in New York City during the Industrial Revolution. She writes about the compositional process for the New York Times’ series “The Score.” Gosfield held the Darius Milhaud chair of composition at Mills College, and has taught at Princeton University and California Institute of the Arts.

Composed, produced & performed Srouly Frank
Nothing liberates more than joy!
About: Pianist-composer. SACEM member.

Alexandre Gérard is following