want you to suffer
I want you to cry
I want you to hurt 
and here is why 

I want you to know 
what its feels  inside 
when all that you loved
 has withered and died

 I want you to learn 
the hard way the though 
because there is no other 
way that you can know

 I want you to hurt 
 like him her  and I    
I want you to cry        
 when you say good bye

you shouldn't play with hearts
 like playing cards
 picking up and dropping 
 when the game gets hard

I want you to feel
a little like me
when you hear the 
name of some one you cant see

now life is hard 
we hurt and cry
 when we wish all 
we  loved …....good bye 

we love love love then  good bye
we hurt hurt  hurt then we cry

learn

Note:
(English below)

Ennesima testimonianza del sotterraneo fermento Nefariano che ribolle incessantemente tra le pieghe della storia, questo mottetto del XVI secolo si basa, ancora una volta, sul testo de ‘La Mi SoReLa’, il quale, sebbene non esista alcuna evidenza al riguardo, è indiscutibilmente da attribuirsi a Fra Lubrìco da Cortona, l’oscuro monaco che sarebbe in seguito diventato l’oramai celebre e celebrato Papa Nefario I.

Diversamente dalla versione trecentesca, precedentemente palesata su questo stesso canale, qui la melodia si alterna tra le parti ed è inframmezzata da un oscuro testo che recita “Lorem ipsum, dolor sit amet.”

I criptomusicologi ancora non concordano se la misteriosa frase che inframmezza l’esplicito testo Nefariano sia un messaggio redatto in un codice che solo gli iniziati possono comprendere o la pubblicità subliminale di un word processor rinascimentale.

Anche in questo caso, le varie voci che declamano i versi originali, intonano le note prescritte dal testo stesso. È però interessante notare come, in questa versione, l’utilizzo del Si bemolle eviti il tritono (diabolus in musica), chiaro artifizio prudenziale data la pervasività dell’inquisizione romana in quel periodo storico.

L’antico manoscritto, redatto su un papiro di epoca precedente che si crede facesse parte del corredo sepolcrale del Faraone Patapumfete XV, pare sia venuto rocambolescamente in possesso del 127° Gran Maestro dell’Ordine del Sacro Mascarpone all’inizio del XXI secolo.

Rinvenuto all’interno di una forma di pecorino, il manoscritto è finalmente entrato nelle disponibilità degli studiosi dopo la dismissione delle proprietà del Gran Maestro a seguito della sua dipartita.

Per coloro che non avessero ancora chiaro l’ineffabile contenuto del testo ecco, di nuovo, come recita:

La mi sorela la si fa fare sol solfà.
Fami dorere! Fami dorere! Si! Do! Si! Do!
Si la mi sorela la si fa fare sol solfa, l’afare mi si farebe molle.
(Qui l’anonimo autore della musica si è preso una licenza, in quanto -dal contesto- si evince come il re bemolle sia in realtà un do diesis. n.d.r.)

Come già esposto, le voci che recitano il testo Nefariano, intonano effettivamente le note citate nel testo stesso.




Additional testimony of the underground Nefarian ferment that incessantly bubbles beneath the folds of history, this motet from the sixteenth century is once again based on the text of ‘La Mi SoReLa’, which, although there isn't any evidence to support it, is certainly attributed to Lubricious of Cortona, the obscure monk who would later become the now-celebrated Pope Nepharius I.

Unlike the fourteenth-century version previously presented on this same channel, here the melody alternates between the parts and is interspersed with an obscure text that reads “Lorem ipsum, dolor sit amet”

Cryptomusicologists still do not agree on whether the mysterious phrase that intersperses the explicit Nepharian text is a message written in a form that only the initiated could understand or an advertisement for a renaissance word processor.

The ancient manuscript, written on a papyrus from an earlier era believed to have been part of the burial equipment of Pharaoh Patapumfete XV, had come into the possession of the 127th Grand Master of the Order of the Sacred Mascarpone at the beginning of the 21st century.

Concealed within a form of pecorino cheese, the manuscript finally came into the possession of scholars upon the dismission of the Grand Master’s properties following his passing.

For those who may not yet be clear on the ineffable content of the text, please note that it is a pun, as the solfège -in Italian- sounds like a licentious text.

Here is a rough translation:
“My sister is getting it on the couch.
Give me pleasure! Give me pleasure!
Yes! No! Yes! No!
If my sister is getting it on the couch, my ‘thing’ would become flaccid.”

As already said the voices that recite the Nepharian text indeed sing the notes suggested by the text itself.

La Mi SoReLa (another one...)

Well, what would it be without the beautiful

You should probably fear me
cause baby I read sign
and from what I've seen
the tracks U leave
is just how far I am behind
yea
I see U getting tricky as ur 
crossing over water
but I gotta remind ya
yea
I'm my mama's wild daughter
and I read sign
yea do U fear the reaper
do U think he's blind
(my god I need a better timeline)
cause I am the anchor point
and I swing wide
and I am the gravity
put myself outside
yea, and I read sign
cause, I am my mama's wild daughter
and I crush time
cause I am the line
and I read sign
do U fear the reaper
yea...do U fear the reaper

Do U Fear

⏳⌛⏰⁂©All Rights Reserved 05-2025
©Mixer, Mastering Pro License & Creator: Lady ElectroTrek
***

When The End Comes

Changes

Reality in Poetry (Poem & Notes)

Bass Code

open eyes with sun glasses

SOUNDCLOUD WITH YOU
V1
Just when I thought I had no friends
No friends I could count on
Just when I thought I was doomed to outer space
There comes this song

[Chorus]
There’s many places I could be
Facebook, Tik Tok, X and YouTube
But there’s no better place to be
Than on SoundCloud with you
SoundCloud with you

V2
Just when I thought my songs sucked
There you were with a heart
And the kindest words I thought I’d never hear
Now, nothing can drag us apart

[Chorus]
There’s many places I could be
Facebook, Tik Tok, X and YouTube
But there’s no better place to be
Than on SoundCloud with you
SoundCloud with you

V3
Hand on The Rock, Toney Wright
Magi©ian, Child of Nature to name a few
Smiling Grass and Little Man
Don’t know where I’d be without you, yeah

[Chorus]
There’s many places I could be
Facebook, Tik Tok, X and YouTube
But there’s no better place to be
Than on SoundCloud with you
SoundCloud with you

Ooooh-ooooh, Ooooh-ooooh...

[Chorus]
There’s many places I could be
Facebook, Tik Tok, X and YouTube
But there’s no better place to be
Than on SoundCloud with you
SoundCloud with you
SoundCloud with you
SoundCloud with all of you..oooh-oooh
SoundCloud with you.

© 2025 Renee La Chapelle – All Rights Reserved

SOUNDCLOUD WITH YOU

boys be kko - Nagasawa
BUY LINK: https://blisspoint.ffm.to/nagasawa
Label : Bliss Point (https://soundcloud.com/bliss-point-sound)
https://www.instagram.com/blisspointnyc/
> boys be kko (https://soundcloud.com/boys-be-kko)
https://www.instagram.com/boysbekko/

Having established himself as one of the most exciting contemporary dance producers with a string of stellar EPs and LP HENSA, Japanese producer boys be kko returns triumphantly with the Nagasawa EP, four floor cuts bursting with emotion, shimmering in Tokyo technicolor, and perfectly at home on Bliss Point.

Nagasawa kicks off with a bang. “ChuKii” is a peak time heater: breaks, chopped vocals and punchy toms sear over a low end groove that proves body music can funk. Melodic acid explodes like a firework mid-track, taking the dance floor to psychedelic new heights.

The club psychedelia continues with “Mold Mold”, a minimal, subterranean system roller adorned with swells, bells, and deep, guttural growls dubbed to the vanishing point.

“Sant Esteve (kko Edit)” is melancholic and contemplative jazz house, eschewing cliché and twinging with nostalgia for that moment you felt most free.

“Humor is an important part of my music”, boys be kko reflected over lunch as Izakaya smoke billowed past his face. “Oignon”, the fourth and final track on Nagasawa, is an airy and joyful cut of sampledelia that makes good on this promise. An enormous smile of a track sending listeners off with a slice of sonic sunshine and, dare we say, hope.

Bliss Point is proud to welcome boys be kko to the label, and to share with you this incredibly special music.

Nagasawa will be available digitally and on limited edition 12” vinyl Friday, September 5.

Artwork & layout by Chris Harnan
Mastering by Ruy Mariné at Dubplates & Mastering, Berlin
Distributed by Bordello A Parigi, NL


BUY LINK

PREMIERE : boys be kko - Oignon

Novaj 新し Sensations & feelings


Listen on Youtube
https://youtu.be/GZEl50d4q54

Get it
https://open.spotify.com/intl-fr/track/5Kue7htSjVFdMtiElTG1wM

Flytz
https://linktr.ee/flytz.music

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Listen on Youtube

PREMIERE: Flytz - Spinning

A unique sonic visionary in nu-disco, soul, lo-fi, ambient, acoustic guitar, hip-hop, pop, electro-funk, Deep House, Dance and EDM, psychedelic rock, garage rock , blues rock , synthwave,  cosmic disco and dance music.

Entertaining soundscapes with timeless elements

A composer and musician creating a unique, harmonically rich and lyrically captivating sound. With a deep-rooted passion for analog synthesizers, live instruments and vintage samples, my music creates an immersive atmosphere, seamlessly combining emotional depth with groove energy. My compositions are perfect for films, advertising, games, blogs and dance floors around the world.

A seasoned artist with an interesting career, he was a laureate of a nationwide performing competition as the frontman of a rock band. With experience playing several instruments including guitar, drums, bass and keys, he has honed a unique sound by writing and producing all of his own music. The sound signature is instantly recognizable, combining classical warmth with modern production techniques.

Open for collaboration

With extensive experience in both composition and live performance, I welcome collaborations with composers, performers, producers, record labels, music agencies, film studios and radio stations. Whether it's music for visual media, producing for major labels or collaborating on innovative projects, I am always ready to push musical boundaries.

Listen and connect

🎧 Spotify: https://open.spotify.com/artist/1YFOu1U4Bi8Ty7Ysr2rC8q 🎧 Apple Music: https://music.apple.com/us/artist/byzantian/1772118670 🎧 SoundCloud: https://soundcloud.com/alexwand-756091927 📩  For collaboration or media inquiries, please contact: eavi1122025@gmail.com    I joined The Artist Platform by Family in Music at app.familyinmusic.com. Check it out, and feel free to connect with me if you sign up: https://app.familyinmusic.com/profiles/familymember-afdb2ef3-7da4-4a30-98f7-ed460622358b

Well, what would it be without the beautiful

Byzantian