“Fragmented resonance from fire — slowly surfacing through blurred space.”

Acousmatic Fragment Practice #002
A 44-second exercise in drawing a sound object out of a blurred sound field, using fire as the source.
Though my focus was mainly on the sound, I also took some time to explore light visual processing.
👉 To experience the full version with visuals, please visit my YouTube or Instagram：

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Sound and Video Design: Shih-Lin Hung (洪世霖)
Photo: Cesar Casanova



Acousmatic Fragment Practice #002
一段 44 秒的聲音練習，嘗試從模糊的聲場中顯影出一個聲音物件，素材取自火焰聲。
雖然主要專注於聲音設計，但在時間允許的狀況下，也稍微嘗試了簡單的影像處理。
👉 完整含影像版本請見YouTube 或 Instagram:

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

聲音與影像設計：洪世霖（Shih-Lin Hung）
攝影：Cesar Casanova

#acousmatic #soundart #spatialsound #electroacoustic #experimentalsound

Acousmatic Fragment Practice #002

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
—
我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

" Musica saltatoria mihi finita est "



TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

 ( LCEEM ® )  founded    by Max Elzholz

PLEASE  VISIT  OUR  MAIN  PAGE  :

https://trampelfad.bandcamp.com
and
https://maxelzholz.bandcamp.com

Note: This site deals with Art - All scientific aspects are artistic considerations - All contributors have respect for scientific work and the research of reputable Institutes .

it is by standing on the shoulders of giants.

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

In our store you will find various unique vinyl records and Hungarian wines from Eger.

We also offer vinyl and CD from Guerssen, and CDs from Off Record Label (Belgium).

In addition, we now work as a netlabel - see bandcamp link. Demos: ajkaufmann47 at gmail.com.

Aoki Satoru ( アオキサトル ) is a Japanese bassist. [ prepared bass, free improvisation, experimental music, field recording ]


ベース･ギターから 猥雑な音 （ だるい せつない こわい さみしい ） を 出す 実験を しています。 『 即興演奏、プリペアド・ベース、実験音楽、フィールドレコーディング 』 などに 興味があります。

...idm-Garage, Groove-Laboratory & surreal Drawings from the drowning 
Occident...
                                   ...CyberPunk.

Acousmatic Fragment Practice #002

Shih-Lin Hung 洪世霖