“Symphony for Chamber Orchestra - 4th Movt: Finale” was completed in January 2025 in Fairview, TX. Performance time is about 10.5 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. Mastering was done by EMastered. For the best listening experience, high quality headphones are recommended. 

Instrumentation:
Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2025

Symphony for Chamber Orchestra - 4th Movt: Finale

https://kunstkopfdimensionen.bandcamp.com/album/kaleidoskopes

Immer

YELLOW LEMONADE

Base

This is a collaboration with halF unusuaL(https://soundcloud.com/half-unusual)
Hear the original track at https://soundcloud.com/half-unusual/half-third-disquiet0697-80-bpm
K1069 HörnerDuo
https://disquiet.com/2025/05/15/disquiet-junto-project-0698-second-third/

second third down (disquiet0698)

KREATUR

“Fragmented resonance from fire — slowly surfacing through blurred space.”

Acousmatic Fragment Practice #002
A 44-second exercise in drawing a sound object out of a blurred sound field, using fire as the source.
Though my focus was mainly on the sound, I also took some time to explore light visual processing.
👉 To experience the full version with visuals, please visit my YouTube or Instagram：

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Sound and Video Design: Shih-Lin Hung (洪世霖)
Photo: Cesar Casanova



Acousmatic Fragment Practice #002
一段 44 秒的聲音練習，嘗試從模糊的聲場中顯影出一個聲音物件，素材取自火焰聲。
雖然主要專注於聲音設計，但在時間允許的狀況下，也稍微嘗試了簡單的影像處理。
👉 完整含影像版本請見YouTube 或 Instagram:

🎧YouTube:  https://youtu.be/W1etu0AeHEc?si=NMd9i1-lMvOqzUyt
🎧Instagram:   https://www.instagram.com/reel/DJ32V6wSQ5N/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

聲音與影像設計：洪世霖（Shih-Lin Hung）
攝影：Cesar Casanova

#acousmatic #soundart #spatialsound #electroacoustic #experimentalsound

Acousmatic Fragment Practice #002

Paul Mimlitsch - bass clarinet 
Shanyio-   prepared cimbalom, fx and mixing.

Recorded in 2014-2015.

Check Paul Mimlitsch’s music   https://m.soundcloud.com/r369improv

https://shanyio.bandcamp.com/album/melting-tape-version

Melting w/Paul Mimlitsch

Iron Jinx

2025-07-10

minimal

This marks the third collaboration between myself and my good friend across the Atlantic, the talented US-based guitarist @jonathan_beckenstein. For this track, we decided to strip things back and focus purely on the guitar — no vocals, no production tricks, just two instruments speaking to one another across time zones and continents.

It’s a transatlantic dialogue in sound: layered, responsive, and full of nuance. We’ve aimed to capture something raw and intimate — moments of quiet tension, moments of lift — built from the simple joy of playing.

We hope you enjoy what we’ve crafted together. It’s always a pleasure to create with Jonathan, and this one feels especially close to the heart.

Nightstand

I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
—
我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

Acousmatic Fragment Practice #002

Shih-Lin Hung 洪世霖