Music created for

NAVIAR HAIKU 430
"high tide
flapping in vertical waves
a lone fish"

haiku by Marilyn Ward https://twitter.com/deer_ward

Cover by Nelson Brodon

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Tidal Swim

Naviar Records

Nelson Brodon - Tidal Swim (NaviarHaiku 430)

view with a room

Rotation

The Invisible Band - Rotation

Mediocrity. 5 syllables that have always gotten me with the thought that good enough is good and good is how it ought to be. But then what’s "ought to be?" And then what's wrong with me? I don't know what I don't know and I thought it’d be taught to me. Views stem-ming from a toxic dream rr/ from monotony. Same things, days in. When you talk to me. Spend your best two cents. Change my philosophy. I'm happy to dream. I'm happy to dream. I'm happy to dream

Mediocrity. 5 syllables derived from awkwardly reading minds and dreaming lines to prove my solvency. To prove that I can breath, but you can't copy me, you see that solvent doesn't solve it, trigonometry. Take a fallen tree, philosophically, did it fall - if when it fell - the woods had opted not to see? You'll have to solve and see, the me I don't try to be. I'm happy to get by, get by in privacy. I’m. down. taking shelter. I need a lobotomy, craniotomy, I need you to jack my pulse up when you start it please. I need you to go open my brain, and to look at my mind and to drain it outta me. There's been a pain that's been clouding me. When it rains it empowers me I try to gasp, And I feel it's my last, And I and i and I...And I miss the empowered me. And I miss my autonomy. The things that I miss, are discrepant from this. And I blame my society. 


Mediocrity. 5 syllables that have always gotten me with the thought that good enough is good and good is how it ought to be. But then what’s "ought to be?" And then what's wrong with me? I don't know what I don't know and I thought it’d be taught to me. Views stem-ming from a toxic dream rr/ from monotony. Same things, days in. When you talk to me. Spend your best two cents. Change my philosophy. I'm happy to dream.I'm happy to dream. I'm happy to dream

MEDIAcr0ty [original]

Composed, arranged, performed, and produced by
Carlos Vivanco

Bioluminescence

Lazarus Reflex

As well known as it is that the memory is used to falsify our past impressions in innumerable cases up to the unrecognizability; you pay very little attention to the fact that the gift is also inherent in it to correct impressions. Thus it sometimes happens that we see a being before us in the spirit with an attitude, a gesture, a look, as we have never actually perceived it in this being. And yet, just as it stands before us in our memory, it appears to us as absolutely real. Such a memory picture represents, so to speak, the arithmetic mean of hundreds of pictures of that being, which we have actually seen in the course of time, or which we thought possible. And so the memory, just the memory gives us a higher truth, as it could not be granted to us in the really experienced moments.

S'il est bien connu que la mémoire a tendance, dans d'innombrables cas, à falsifier nos impressions passées jusqu'à les rendre méconnaissables, on remarque très peu qu'elle a aussi le don de rectifier les impressions. C'est ainsi qu'il nous arrive parfois de voir en esprit un être devant nous avec une attitude, un geste, un regard que nous n'avons en fait jamais perçus chez cet être. Et pourtant, tel qu'il se présente maintenant à nous dans le souvenir, il nous apparaît comme tout à fait réel. En effet, une telle image souvenir représente en quelque sorte la moyenne arithmétique de centaines d'images de cet être que nous avons en partie réellement vues au cours du temps, ou que nous avons crues possibles. Et c'est ainsi que le souvenir, précisément le souvenir, nous donne une vérité supérieure, telle que nous n'aurions pas pu l'obtenir dans les moments réellement vécus.

Είναι γνωστό ότι η μνήμη τείνει σε αμέτρητες περιπτώσεις να παραμορφώνει τις εντυπώσεις του παρελθόντος πέρα από την αναγνώριση, αλλά είναι δύσκολο να παρατηρήσει κανείς ότι έχει επίσης το χάρισμα να διορθώνει τις εντυπώσεις. Έτσι συμβαίνει μερικές φορές να βλέπουμε ένα ον μπροστά μας στο πνεύμα, με μια στάση, μια χειρονομία ή ένα βλέμμα που ποτέ δεν έχουμε πραγματικά αντιληφθεί σε αυτό το ον. Παρ' όλα αυτά, μας φαίνεται, όπως μας παρουσιάζεται τώρα στη μνήμη, ως απολύτως αληθινό. Μια τέτοια εικόνα μνήμης είναι, τρόπον τινά, ο αριθμητικός μέσος όρος εκατοντάδων εικόνων αυτού του όντος, μερικές από τις οποίες έχουμε δει ή σκεφτεί στο πέρασμα του χρόνου. Και έτσι η μνήμη, η μνήμη και μόνο, μας δίνει μια ανώτερη αλήθεια, την οποία δεν θα μπορούσαμε να είχαμε αποκτήσει τις στιγμές που τη βιώσαμε.

So bekannt es ist, daß die Erinnerung unsere vergangenen Eindrücke in unzähligen Fällen bis zur Unkenntlichkeit zu fälschen pflegt; man beachtet sehr wenig, daß ihr auch die Gabe innewohnt, Eindrücke richtigzustellen. So kommt es zuweilen vor, daß wir im Geist ein Wesen vor uns sehen mit einer Haltung, einer Gebärde, einem Blick, wie wir ihn tatsächlich bei diesem Wesen niemals wahrgenommen haben. Und doch leuchtet es uns, geradeso wie es nun vor uns in der Erinnerung steht, als durchaus wirklich ein. Ein solches Erinnerungsbild stellt nämlich gewissermaßen das arithmetische Mittel vor aus hunderten Bildern jenes Wesens, die wir zum Teil tatsächlich im Laufe der Zeit gesehen haben, oder die wir für möglich hielten. Und so gibt uns die Erinnerung, gerade die Erinnerung eine höhere Wahrheit, wie sie uns in den wirklich erlebten Augenblicken nicht gegönnt sein konnte.

The Persistence Of Memory

WindPower

Volt5000 (@volt5000 and @mgxloop) and I are now glad to present "Day by Day 4" (as track 7) in our collaborative album in progress "Day by Day". We hope you'll enjoy it, as much as the other tracks so far.

The track was created in collaboration on 28 May 2022 (initial composition, mix and recording in MAGIX by Volt5000) and 6 June 2022 (subsequent composition, arrangement, recording and final mix in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 10 June 2022 (by Alex M).

The artwork cover for the track uses a conceptual idea of Volt5000 of 6 May 2022, implemented by Alex M (in PowerPoint) on 7 May 2022, then cropped and annotated with text by Alex M (in Mac OS Preview) on 26 May 2022 - in coordination and agreement with Volt5000.

Thank you, once again, Volt5000, for our mutually inspiring and creatively enriching collaborations!

Duration: 5:38 minutes

Day by Day 4 - Volt5000 & Alex M

Breaking Cycles

Mal ganz auf Streicher, Orgel oder Synths verzichtet...dank den super neuen klängen von ToneX!

Bluesy roots

After Dark In The Park

Overload

manifest a dream like state through audio.


Breaking Cycles

Algorithms