Fantaisies (Sets) no. 57

[UNDER CONSTRUCTION]

created: 2024/08/? (Sorry, I didn't make a note of it.)

Awesome music without beats,
or without *a* beat is perhaps more accurate.

Have fun!
= )

hk_fantaisies_Sets_57

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 470

infinitely open ... except for the beat, no beat, or not enough to call it a beat, or too many of them either in succession or concurrent.

creation: 2024/08/09

These tracks were uploaded to SC in July and August 2024,
except for the following, older ones:
. . .

[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

hk_fantaisies_tracks_470

NO-2G

Fragmentos 1

Concert dans le cadre du lancement de Défense sexuelle de Gabriel Sasseville-Jolicoeur, présenté par Cuchabata Records.

Effectué l'aide des outils Mosaïque et FluCoMa

https://lfo-lab.ca/mosaique

https://www.flucoma.org/

En première partie de Zéa Calla et Room

Enregistrement et mixage par Jordan Torres Bussière

Photo de Mathieu Robillard

Viaduc Rosemont - 19 mai 2024

Mastered by Transfo Emmaus

Sainte Marina is a transdisciplinary artist of Lebanese origin based in Paris. At the invitation of Le Transfo, a cultural center of Emmaüs Solidarité located in an emergency shelter in the 10th arrondissement, she composed a set that offers a personal entry point to the exhibition "C’est un dur métier que l’exil" by Afghan photojournalist Abdul Saboor and Turkish visual artist Nil Yalter.

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

Sainte Marina is French-born and Paris-based Lebanese artist, distorting reality through her approach of djing. She layers sounds ranging from dark ambient to polyrythmic noise, including industrial and ritualistic music, sprinkled with rap references. Her sets are build as liquid narratives haunted by voices taken from samples of political archives, poetry and mystical chants. Inspired by the use of sounds for healing, she navigates a wide range of emotions and rythms, sparking intensity through combining melodious sounds with industrial ones. She played across Europe in a variety of settings such as nightclubs, art spaces, festivals and livestream radios, always creating a mystical experience that breaks the boundary between a live set and dj set. She is a resident at Hong Kong Community Radio (HKCR) with her ‘Phantasmagoria’ show and has released tracks on independant labels Etang Brulant (FR/LB) and Caninal (FR).

https://soundcloud.com/saintemarina
https://www.instagram.com/saintemarina/

🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

Spurred on by the acuteness of current global events, we are raising our voices in solidarity with the oppressed, the tortured, the silenced, and the unheard. While humanity is at stake, and our values are on trial, in moments of despair, rage and endless grief, acts of solidarity are needed more than ever. The events that shake Palestine and Israel are resulting in an ever-tighter spiral of violence and desperation. They are a horrific wake-up call that brutally brings the precarious situation on our planet to the fore. The humanitarian catastrophe in Gaza, and Israel’s collective punishment of Palestinian civilians are intolerable. On top of that, the military actions threaten the lives of the remaining hostages in the Gaza-Strip, and even more innocent people in Gaza.

…being together, in community

Read the full curatorial statement here
strumandiodine.com/article/sonic-agency/

SONIC AGENCY - SAINTE MARINA - "Surmounting the Sea"

ORAGE {gen~ 29} - A day of anger filled by joy

CRTTR DJ BINGO! w/ RTK (21.04.2024)

an imaginary journey through foreign lands

It's an experiment made of different sound textures came from different projects
expept part one, made in 2019. 
Different gear used: 
Vcv rack
mobile phone for samples
Korg opsix 
Arturia Pigments 5
Madrona labs kaivo 
Madrona labs virta
Max msp for some sound treatments
plus many effects..

here's the tracklist:
  
  0.00  Commedia della sete
  2.06  Foreign lands
  6.21   Interlude
  8.20  Sand. Rocks.
13.25   Rain dance
16.00   Processional

work in progress

*pay attention to your ears between minutes 2.06 / 6.21

Foreign Lands

Foreign Lands *read notes please

jujube [live-set] ~ KWiA

[live-set] ~ KWIA 16.06.24

obligatory indoctrination

En este ejercicio final para la clase de Paisaje y Transmisión usé una grabación de campo que hice en un cultivo de lavanda ubicado cerca al pueblo de Brihuega en España. Este cultivo se caracteriza por estar continuamente lleno de abejas encima de cada surco de flores. A partir de un fragmento de un minuto de la grabación fui aumentando su velocidad. Primero al doble, para obtener un nuevo audio y a ese aumentarle el doble de nuevo, y así sucesivamente hasta obtener siete audios que dispuse uno después de otro. Mi intención era convertir una grabación original que daba una sensación de espacio amplio, un cultivo muy grande como lo es el de lavanda, para llevarlo a una sensación de escala pequeña gracias a la compresión. Para mi grata sorpresa ocurrió algo diferente. Los zumbidos de la abejas originales poco a poco y casi mágicamente, se convirtieron en cantos de gaviotas gracias a un proceso técnico sencillo y repetitivo la poética del sonido y aquello que representaba se moldeó sensiblemente a la escucha.

Una abeja es una gaviota (ejercicio)

What's the sound of summer sunsets? @kaubrys gives his conceptualization with breezy soundscapes and melodies.

---
@kaubrys 

Support the community radio: radiovilnius.live/support

Dykuma /w Kaubrys @ Radio Vilnius 2024.07.16

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Foreign Lands *read notes please

Nadìr