The harsh noise collection

improvvisazione da una sessione registrata nel novembre 2023 
in attesa di ulteriori rielaborazioni

Dead phone call _one

improvvisazione da una sessione registrata nel novembre 2023
in attesa di ulteriori rielaborazioni

Dead phone call _two

I had a folder called “audio exam”, and I've ever wanted to listen  its various contents for some time... They are several files recovered from a hard disk scan.
This audio file was quite large (1.2 GB) and the lenght was more than an hour in total, but I don't remember anything about how it was created, with which DAW and which programmes or hardware were used for...
Most of the session was silent except for the last 27 minutes, i think iy could be hard to listen  for some of you (not for me).
The only editing done was to divide the track into three equal parts and use a stereo expander, since for most of the track only one channel can be heard, and to use right, left and centre panning. 
I think it's like an electroacoustic prayer for these delirious times...
i find this title today (the older was: group one)
There are still many files to examine, so I thought (for the noisiest ones) I would create a special playlist.

further refinements cold be done in the future


Electroacoustic prayer (chaos in search of order) *pay attention to your hears

Session found in the folder: audio exam, contains several files that I am (finally) examining from a backup disc scan.
There is a lot of interesting material in my opinion.
The first few minutes suggested the title of the track (the original file name was 10.04.23.112023_04_10 11_49_41 2).
I'm not sure if it's really material from 2023, and I haven't yet checked if I have a folder containing this session.
The only editing done so far has been mid panning of the tracks and a cut of equal length, as it was about 17 minutes long.
Listening to it, I can assume that I used AAS's Chromaphone software, probably triggered by Mooges software via MIDI.
Chromaphone is an excellent physical emulation tool, very interesting for creating timbres and samples.

Further refinements may be made in the future.

Translated with DeepL.com (free version)

morse code *pay attention to your hears

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



morse code *pay attention to your hears

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