Salt Tree is an acoustic duo from the small surf town of Margaret River in Western Australia, where the forest meets the ocean.  Despite being polar opposites in personality, Tom and Nath have a unique chemistry between them which can be heard in sweet harmonies, catchy riffs and electronic production. Tom and Nath spent the last 3 years starting their own solo projects (ASKYA/Claremont, Nathan Parsons) while both living between Europe and Australia. With influences from the surf to the mountains, Salt Tree is an emerging artist to watch.

Fenn Wilson’s lyrics turn poetry into pain, laced with light; compassion and wisdom beyond his years imbue every line.
He is mesmerising on stage, either solo or surrounded by his skilled and sensitive sidemen, creating thunderstorm dynamics reminiscent of Jeff Buckley.
Fenn’s songcraft is astounding; echoes of a young John Martyn or Glenn Hansard filter through in his faultless guitar rhythms and cunning doubling of vocal melodies. Memorable hooks abound, without a trace of gimmick or cliché.
And then there’s his voice.

It has been a massive six years since Toby Beard launched her last full length studio album. With just short of 450 shows, Toby also managed 15 tours of Europe, 5 mini-tours of Utah (USA), 3 tours of Canada plus shows in Darwin, Broome, Tasmania, Sydney, Byron, Brisbane etc. In these six years she performed at worldwide festivals including Blacksheep Fest (Germany), Bardentreffen Fest (Germany), L-Fest (UK), Women's Red Rock Fest (Utah, USA). Blues at Bridgetown Fest (WA), Forth Valley Blues Fest (Tasmania), L-Beach Fest (Germany), Salmon Fest (BC, Canada), Skagen Fest (Denmark), Freo Folk fest (WA), Utah Pride Fest (Utah, USA), Sunshine Fest (BC, Canada) and Strib Fest (Denmark). In this time, Toby also released two EPS (Fall Into Me, About Time) and one live full length album (Live at Strib Winter Festival). She opened for the likes of The Waifs, Black Sorrow, Wallis Bird and Mick Thomas. 

The last six years have also been a huge journey on a personal level for Toby. Toby and her wife welcomed two beautiful babies and finally got legally married! 
2020 was by far the most horrific year of Toby's life, as her sister Pippa passed away in February. She very quickly learned what grief was all about and at the same time, due to Covid, she lost over 60 shows and 4 international tours. 

2021 is a new year and who knows where it will take us all. But one thing is for sure, Toby's new album 'What Happens To The Heart' will help you get through it. The ten track album covers themes of death, grief and loss. Toby's songwriting has become more vulnerable than it ever has before. 'Pray For Me' is about the Australian plebiscite which personally affected Toby and her (then, illegal) wife Amy. 'On The Road' would resonate with musicians worldwide who had tours ripped away from them due to Covid restrictions and travel bans. Toby sings openly about how much she misses touring with her Dutch band and the highs and lows of being on the road in such close proximity to her band mates. 'Caroline' and 'Coming Home' are bound to make you move and smile, whereas tracks like 'Quicksand' And 'Let Me Cry' will have you weeping in the first verse.

'What Happens To The Heart' was recorded and engineered at Rada Studios in Perth with Matt Gio. Both Matt and Toby agree that this is, by far,  their best work together.

Indie alt-pop band from Perth, Western Australia

March 4th 2019, marked the release of Joan & The Giants debut single ‘Hold Me’. The band are hitting the road for their first headline WA regional tour, throughout March, April and May.

Joan & The Giants plan to release a follow up single in late May and embark on an Australian major city tour throughout June.

You’ll be forgiven for thinking that West Australian alt-country/rock singer songwriter Siobhan Cotchin is well beyond her 19-years of age. Her newest debut single, ‘Tear Myself Apart’, tells of crushing feelings revealed with emotional clarity.

With a writing style that echoes the effortless musing of Lucinda Williams, laced with inspiration drawn from Bob Dylan, Siobhan’s jangly luminous melodies hover over story telling lyrics as she effortlessly pulls the listener into a world of introspective self-discovery. A world that’s all her own.

Blending intensity with a melodic, moving sound, her heart-hitting writing has already resulted in many accolades. Nominated for the West Australian Music Assoc. (WAM) Song of the Year; Winner of Fairbridge & Nannup Music Festival's - Emerging Artist Award, and song of the year with local youth radio station 'Pirate FM'; Siobhan is an artist to watch.

Management: 
Amber Jean Hatton - amberjhatton@gmail.com
Phone no: 0403 132 389

Kimberley based Alt-Country singer-songwriter.

Hailing from the deep south of regional Western Australia, Oceanique combines close harmonies, wonder and warm melodies leaving you with the feeling of staring up at a big blue country sky. Twin sisters Maddy and Jess craft music rich in the folk storytelling tradition with seamless blood harmonies and reflective lyrics. A sound that calls to mind the sibling harmonies of First Aid Kit and The Waifs. 

https://oceaniquemusic.com  
https://oceanique.bandcamp.com/ 
https://instagram.com/oceaniquemusic 
https://www.facebook.com/oceaniquemusic/ 
https://open.spotify.com/artist/0zVH316UeO0FYA7tfbLJ1Q

Hailing from the West Australian town of Esperance, four-piece band Car Park Social knows what it means to live on the states edge.  Raw and unhinged, the band’s sound is the product of the smorgasbord of individual influence from each member.  

“The four-piece bring together influences spread from Tame Impala and King Gizzard to POND and Led Zeppelin for a sound that floats somewhere in between this wide-ranging net, moving between heavier, almost punk-like alt-rock right through to their more subtle and psychedelic-leaning work; their many sides joined together by crafty song writing at their core” (Hayden Davies, Pilerats)."

I'm a singer-songwriter from the Mid-West of Western Australia. My lyrics are the most important thing (to me, anyhow!) about my music, and I would be stoked if other people around the world saw value in them and wanted to cover my songs, which range from overtly political to more philosophical and personal in content. 

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