https://allbuttonsin.bandcamp.com/album/abi

Download

Artifacts

Meat Load,  Inoperative Sytem   https://soundcloud.com/user-272092002

CircularDope, with Senmove    https://soundcloud.com/brainsdisappearedcorp
senmove    https://soundcloud.com/senmove

b0t23 + Inoperative System https://soundcloud.com/patterned-media

bot32    https://soundcloud.com/b0t23

Latest release on Bandcamp
Available for free here
https://allbuttonsin.bandcamp.com/yum

2yb3-hlnl
jvj3-kayh
3jp5-htzp
7uqp-u4tk
vl8b-emr9
6pzw-3tcz
z72q-h74g
z5l9-5ej3
z8pk-b3ts
3zfu-xxul
wy5d-vpaj
sk6e-6r3y
pnyb-ylhf
pzdl-gdkj
r2qq-uhtk
jut7-gx4f
6wzv-3vea
usy8-x9rb
mquy-e8hx
fgwy-u2mp
wuhz-jlk2
emen-keth
br6x-673v
dx3h-kvh9
pqap-y9pt
8rfg-b97b
kvdg-5aq3
kgqz-b2ys
utrn-xhnl
lzmx-je5j
4y8j-k32y
eukr-y44f
gly5-bqea
3skg-xzrb
aj3z-ethx
rgxz-ubmp
d2ck-jhk2
jzxx-ywzj
73qp-7xyk
vd8b-eqb9
9qzw-3tsz
zb2q-hnhg
yvl9-5eq3
y9pk-bbys
3tfu-xxnl
dk5d-j55j
sy6e-6r2y

aka def4D, and mostly made of Front 242, Front Line Assembly, Kraftwerk, Victoria Lukas, Anthony Rother, Depeche Mode, Björk, Nitzer Ebb, Beta Evers, Trisomie 21, à;GRUMH, Project Pitchfork, Das Ich, Neon Judgment, And Also The Trees, Amnesia, Emmanuel Top, Jean-Michel Jarre, Tangerine Dream, Klaus Schulze, Jesus Loves Acid, Air, ... 

If you're an Electro / EBM / Techno / Berlinschool lover, check the Elektrowerk mixes.

3D artist in Architectural visualizations since 2002, now developing a virtual Music Studio game.

Headphones here are highly suggested, DT880 for less ear bleeding.


All links:

A genderless, voiceless creature of unknown origin.

Weekly mix-tapes can be found here:  https://soundcloud.com/duct-ape/sets

[Seal Phüric] is a multi-disciplinary artist in sound & writing from Brussels who performed several DJing gigs & live-acts in different European countries, officially since 92’ with the [BWP] DJ crew. 

He developed his own musical productions under the pseudonyms of [Seekness] & [Virtus] on the Belgian [Re-load] label, & collaborated on some records with [Acid Kirk]. During this period, he managed the artistic direction of the [Re-Load Ambient] record label section.

He then worked about 5 years on some musical orders for choreographers such as [Claudio Bernardo], in Belgium, Switzerland or Brazil... (also collaborated on ‘Moving Target’ for [Frederic Flamand])

In 2000, he created his own independent record label [AMBIVALENCE recordz] which 3 first releases were co-produced with the German Industrial reference label [Ant-Zen/Hymen].

He then went to the [Royal Academy of Mons] to study electroacoustic & acousmatic techniques, in order to experiment the audio ‘spacialisation’ through multi-speakers special XP setups (up to 44 independent HPs), and did play such live performances, sometimes combined with instrumental talents such as experienced cello player & conductor [Jean-Paul Dessy], accompanied by some acoustic performers of his [Ensemble Musiques Nouvelles]. These specific encounters encouraged him to suggest, push & develop the birth of the very first cello & voice album from [Claire Goldfarb] (co-produced with Homerecords.be).

Also known under different aliases like Zeal Phürax, So4 (as reviewer) or Don Quishoote (activism for freedom of speech), he now concentrate onto his first original desire : music & sound-design for movies. Some internationally acclaimed short films and other post-production works were created with his partner [Trionix], co-manager & sound engineer for Ambivalence releases (...now known for his own [Depotax] project). Most short movies scored were internationally acclaimed & awarded, such as the XP documentary [Ergon] by [Joël Godfroid] (8 prizes - 1 for best musical composing), [Anthropeau] (by same director) kinda abstract fable based on the work of his sculptor friend [Benalô], or [Deux Soeurs] by Belgian director [Emmanuel Jespers]. He was then asked to work on the original score of a 3D movie produced by Canal+ France, from famous [de Crecy]’s French animators crew : [Berni's Doll] by director [Yann Jouette], which won 22 international prizes & was edited into the [Reperages] typical French magazine for animation. Recently, he did the sound for [Artificial Paradise, Inc], a 3D challenging experimental short which was viewed by more than 250.000 people on the web, was screened in several festivals all over the globe, and has been recently edited in the famous Canadian [Stash] magazine.
Zeal just finished 2 clips for a French traditional Gladiator conglomerate (ancestral fighting / sport discipline), and a new score in an bizarre movie called [Espèce(s) de patate(s)] by youg French talent [Yoann Stehr], produced by famous Belgian animation school La Cambre,

Seal Phüric did produce 9 solo records, 5 collaborations, appeared on a bunch of international compilations, helped different records to be released, and did edit 15 artist’s releases on his own label.

He is currently working since years now on experimental literature for a particular book called [Exhalaisons Suffocantes], and also onto a complex original scenario for a multi-techniques graphic comics called [ConcordanceS] (drawn & computer enhanced by author [Larry Castillo]) - this Sci-Fi & conspiracy script is originally planned to be published on the web with sound aspects & sprawling links to related references & linked art medias by close collaborators.

Mixes are all vinyl only. Setup is a pair of turntables and basic no frills mixer... archaic certainly but I like to keep things simple.

Been into Hardcore Techno/Gabber since '97 after getting a DJ Producer Dreamscape 23 tape and Bass Generator Hardcore Heaven Ravers Choice. Same year found a Thunderdome 1 -5 Megamix CD and discovered the Mokum series which is where my love for harder music began.

A few years later after listening to all the usual suspects found on any Technodrome lineup and events like Deathrow Techno, North etc, I started buying the tunes. Always favoured the acid laced Clarkee sets and Trance infused Dolphin ones but love all of them including "the Mu... the Mu... the Music Maker" for more 'outthere' Industrial/Speedcore stuff. Still have the same passion and level of enjoyment digging for tunes especially unsolved ID's and forgotten/hidden gems.

Subsequent years leaning towards Hard Acid & Acidcore for the more insanity inducing extreme 303's and generally darker atmosphere from the likes of Lasse Steen, Somatic Responses, Zekt, Agro, Drop Bass Network, Direct Drive, Labworks and the swamp-like-grungy acid on Cologne's DJ.Ungle Fever.
A soft spot for Mark EG, M-Zone & Vortex Hard Trance. Also the UK mish-mash Acid Trance/Hard-Nrg/Hard House sound... VCF, Choci's Chewns, Bosca Beats, Public House, Eve/Telica etc, Acid Techno - tend to stick to the 90's stuff I grew up with and Classic Trancecore - so a bit of everything really.

Much greater appreciation now for Techno/Trance & Acid spun by the likes of Aggressor, Warlock, Aztek, Colin Faver, Colin Dale, Mach 1, Trevor Rockcliffe, Daz Saund and Ribbz of course. I enjoy listening to these sets a lot more now that I'm older than I did the first time around and it opens up a whole new world of tunes to hunt down.

Subversion through music.
Weekly 19 song playlists of music I like: https://soundcloud.com/duct-ape/sets 


Also, I am:

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat

Artifacts

ΛＢＩ