love the sound of this, just love it ... i could (see)hear this stretching out through my whole day as i arrange papers clean and tidy an itchy twitchy little smile in the corner of my lips 

gefällt mir sehr gut...klingt als würde ein auto voll clowns mit einem bus voll pfadfinder aufeinanderprallen ;-)

@bhurtado: nice. i didn't feel it so much with this track, but totally got it when my machine spit this one out: http://soundcloud.com/jake-nodge/experiences-no-2-i-ching

newest tracks. well, all of them actually, but in reverse chrono order. you get the idea.

"Usul: Aksak Routine"  is an algorithmic  performance of electroacoustic music based on the rythmic system Usul of Turkish music. The term usul, which includes both the concepts of meter (measure) and rhythm, defines the rhythmic elements of all the structured musical pieces of the system. Every usul is a recurrent rhythmic circle – something similar of meter in western music – a model with a name and a pattern. The usuls are performed in beats, known in Turkish as "darp". Also the usuls are named according to the length and form of their beats and they are divided into two main groups, Minor usuls and Major usuls. The minors are those of 2 to 15 beats. The majors are those containing from 16 to 124 beats. The goal of this project is the use of minor usuls to create diffrent major usuls in real time.
The current multichannel (4ch to 8ch) piece consists of 6 sound sources. Each one of them returns a different minor usul, with samples created using the physical modeling software Genesis and SuperCollider. Every darp (beat) produced with graining effects in SuperCollider.  The rhythmic patterns and the sound spatialization are generated with original programs and routines, written also in SuperCollider. For controller in performance I am using a multitouch OSC controller.

Usul: Aksak Routine

For Disquiet Junto Project 0609: Speed Limit Pt 1. The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

This is from a live improvised jam earlier today (Sep 4) with my Creatures Once bandmate Monstrosus. It was a great way to spent part of this Labor Day off as we feel Fall setting in here in the Northwest. To Juntofy this, I took two of his keyboard lines and layered and panned them opposite. Kept bass and few textures. Removed drums to leave some space. 
Looking forward to hearing what everyones makes this week, and what will come next week!

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Key Limit -  [disquiet0609]

Occurring

Alfonso Santimone Laser Pigs - "Ecce Combo" - El Gallo Rojo Records

Piero Bittolo Bon : alto sax, bass clarinet, baritone sax, flute 
Francesco Bigoni : tenor sax, clarinet 
Daniele Santimone : guitar ( NOT PRESENT IN THE RECORDING SESSION ) 
Alfonso Santimone : piano 
Danilo Gallo : bass 
Zeno De Rossi : drums

http://www.elgallorojorecords.com/eng/archivio-recensioni/2005/04/ecce_combo.php (ENG) 
http://www.elgallorojorecords.com/archivio-recensioni/2005/05/ecce_combo.php (ITA)

Alfonso Santimone Laser Pigs - Riding a Photon ( composed by Alfonso Santimone )

1+1+1+1+1+0.1+.Hz

Satellite

Music piece for a performance "Miss Julie" based on a play by August Strindberg Miss Julie

Premiere: 2018 @ The Ludowy Theatre in Kraków

Director	RADOSŁAW STĘPIEŃ
Dramaturgy KONRAD HETEL
Set design ELIZA GAŁKA
Music BOGUMIŁ MISALA
Lights DARIUSZ PAWELEC
Video NATAN BERKOWICZ, MATEUSZ WOŹNIAK
Assistant director MAJA PANKIEWICZ
Stage manager MANUELA NOWICKA

Cast

MAJA PANKIEWICZ
KRYSTIAN PESTA
ROKSANA LEWAK/ GOŚCINNIE

Tribal [ Miss Julie ]

for @disquiet @djunto Project 0039: Netlabel Derivations 

a bit of a technical departure for me -- no granular :) 
just playing different cuts of the three tracks in a fixed rhythm, randomly constructed from powers of 2 (naturally). No processing of any sort, just playing backwards and forwards at original speed. (some bass boost added globally in post production to smooth things over. and because we like bass.)

Concatenative synthesis i've heard it called, but prefer to think of it as tape music -- if our forefathers had had unlimited tape heads with direct random access. Come to think of it, it's a nondeterministic polynomial time Turing machine gone .. ill.

<a href=https://en.wikipedia.org/wiki/P_versus_NP_problem>P = NP(ill)</a>


Disquiet Junto Project 0039: Netlabel Derivations

This Disquiet Junto project was done as a celebration of the efforts of the Nowaki netlabel, and to support its employment of licenses that allow for derivative works. This track is comprised of three pieces of music: "Irese" by Barascud, "Sumatra" by André D / Christophe Meulien, and "She Likes to Look at the Sky" by Kluge. More on the Nowaki label, and the original versions of these tracks, at 

http://http://www.nowaki-music.org/ 

"Irese" from this Barascud's Summit: http://www.nowaki-music.org/#album151 

"Sumatra" from André D / Christophe Meulien's Archipel http://www.nowaki-music.org/#album153 

"She Likes to Look at the Sky" from Kluge's No Love, Please. http://www.nowaki-music.org/#album130 


More on this 39th Disquiet Junto project at: 

http://disquiet.com/2012/09/27/disquiet0039-remixingnowaki/ 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info

unlimited tape heads [disquiet0039-remixingnowaki]

http://soundcloud.com/yuko-parris vs. http://soundcloud.com/all-n4tural

fixed rhythmic syllables applied to moving sets of sounds



turntable sounds from http://soundcloud.com/all-n4tural/random-coil-all-n4tural-my // http://soundcloud.com/random-coil/all-n4tural-random-coil-i-don

yuko n4tural: haikus

&rarr; <a href=http://echolab.de>echolab</a> & all n4tural OSC-based videocousmatic livecoding (quartz composer & supercollider), v0.0002

please see video, it's at least half of the fun: http://vimeo.com/54617039 

for Disquiet Junto #48: Fraternité, Dérivé (disquiet.com/2012/11/29/disquiet0048-libertederive )


sources used:
“Unloop Hullaballoo” off The Fleet’s Lit Up by Alex Charles and Richard Sanderson
http://threelegsduck.bandcamp.com/album/the-fleets-lit-up 
“Etude” off Emosphere by !Kung
http://threelegsduck.bandcamp.com/album/emosphere 
“04:54AM” off Four AM at Dusk Jérôme Poirier
http://threelegsduck.bandcamp.com/album/four-am-at-dusk

echolab & all n4tural [disquiet0048-libertederive]

for Disquiet Junto Project 0050: -…….–.-..-…-


"Junto till you drop"

&rarr; (http://morsecode.scphillips.com/jtranslator.html) (thanks!)

&rArr; ".--- ..- -. - --- / - .. .-.. .-.. / -.-- --- ..- / -.. .-. --- .--."

&rarr; <pre>(
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;~morsedurs = { |morsestring|
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;var durs;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;morsestring.do{|x| 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;durs = durs.add(switch (x.asString, 
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;".", {1/16},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"-", {1/8},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;" ", {1/4},
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"/", {1/4}, {} ));
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;};
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;durs;
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;};
)</pre>

&rArr; [ 1/16, 1/8, 1/8, 1/8, 1/4, 1/16, 1/16, 1/8, 1/4, 1/8, 1/16, 1/4, 1/8, 1/4, 1/8, 1/8, 1/8, 1/4, 1/4, 1/4, 1/8, 1/4, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/16, 1/4, 1/4, 1/4, 1/8, 1/16, 1/8, 1/8, 1/4, 1/8, 1/8, 1/8, 1/4, 1/16, 1/16, 1/8, 1/4, 1/4, 1/4, 1/8, 1/16, 1/16, 1/4, 1/16, 1/8, 1/16, 1/4, 1/8, 1/8, 1/8, 1/4, 1/16, 1/8, 1/8, 1/16 ]

Those are my beats (for aesthetic reasons i ended up adding a \stretch of 2, so everything's twice as long; bar length 2 * 9.8125 seconds).

There are two voices playing these beats:

↻ turntable sounds recorded with http://soundcloud.com/random-coil (for <a href=http://disquiet.com/2012/08/16/disquiet0033-turntable>Junto # 33 & 1/3</a>) (http://soundcloud.com/all-n4tural/random-coil-all-n4tural-my // http://soundcloud.com/random-coil/all-n4tural-random-coil-i-don )

↻ http://soundcloud.com/ecut/aeolian-hang-of-ecut-free -- impossible to count the countless hours of fun this recording has provided me. thanks, http://soundcloud.com/ecut !


Disquiet Junto Project 0050: -…….–.-..-…-
This week’s project explores Morse Code for its rhythmic content. The instructions are as follows: Select a word or phrase. Encode that word or phrase by the Morse method. Record a rhythmic foundation in which the dash is represented by a long beat and the dot by a brief one. Use that rhythmic foundation as a loop for the length of your track, at the speed you desire — speed can vary over the length of the recording. Record accompanying drone/melodic material that takes the underlying rhythm as its compositional foundation.

More on this 50th Disquiet Junto project at: http://disquiet.com/2012/12/13/disquiet0050-morsebeat 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto

junto till you drop [disquiet0050-morsebeat]

so i have this mindboggling toothache -- funny story, last time i had one was exactly one year ago, same place, same people, same christmas eve -- and i'm whiling the night away and @Troente sends over this http://soundcloud.com/troente/reutels-na-kerstmis

So this is me howling at the moon mother of godawful why do i need to suffer this are we not in the 21st century psalm 69.



Trönte & all n4tural: Reutels en Keulen na Kerstmis (hymnal)

for @Disquiet Junto Project 0052: Bump Foot CC 

i used the first 20 seconds of all three, because it didn't seem fair to the Bongo otherwise. 

thanks to Bump Foot label and the artists for an enjoyable sunday afternoon and series of mistakes and misunderstandings between brain, fingers and supercollider that led here.

1. The first 20 seconds of "Bongo" off the Aguas Tonicas album Los Desposeídos: http://archive.org/download/foot212/foot212_09-aguas_tonicas-bongo.mp3 
2. "Broken Robots" off the Gridline album Red Music: http://archive.org/download/foot211/foot211_03-gridline-broken_robots.mp3 
3. "The Cat in the Ocean" off the Pics Frunk album Low Voltage: http://archive.org/download/foot206/foot206_01-pics_frunk-the_cat_in_the_ocean.mp3 

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net 

More on this 52nd Disquiet Junto project at: http://disquiet.com/2012/12/27/disquiet0052-bumpcc 

More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info 


_____________________________
pic: http://www.bumpfoot.net

Broken Bongo Ocean [disquiet0052-bumpcc]

All sounds from recordings of my tongue drum. I had big groaning, creaking sounds in mind. Created in hotel room on day three of a power outage caused by falling trees after a windstorm. Took a walk and found this big pile of fallen trees by the river. So here's some droniness, some crunchy textures and a little melody because there's always some of that around. 
Experimenting with Ableton Live's warping modes for most of the sounds. Some delays and verbs. Rolled off a little low and high end. I hope its not too full and dense for someone to add more to it!
Panned left as requested for the project. Stereo version (and abstract video of trees) here: https://youtu.be/BRw_IARdFhY

BPM: 100
KEY: D minor (?) The notes on the tongue drum are in D "celtic" minor scale: D3 A3 C4 D4 E4 F4 G4 A4 C5 I have pitched some notes up and down. 
Arrangement: 
Intro: 8 Bars
A section: 9 bars
B section: 8 bars
A section: 12 bars
B section: 8 bars
Outro: 4 bars

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

disquiet.com/0472/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…ject-0472-jam-time/

Shared Tongues - [Disquiet0472]

Slowmosnow

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
_________________________________

headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
_________________________________

51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
_________________________________

newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
_________________________________

new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
_________________________________

&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
_________________________________

unlimited tape heads [disquiet0039-remixingnowaki]

all n4tural

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