it really does feel/sound like that inside ones head

cool, war auf deine Version gespannt.. die waveform ist sehr illustrativ diesmal, schönes shifting

VOihoihoihoiceee.....the cello comes tomorrow!(buisy)...

@swampmessiah: pig as in truffles, not stink, i hope. that was the scene i most directly related to in the strip, it's just a situation that occurs more and more as i get older. or actually, it's always been like that, come to think. why did i go in this room again?

very nice work! What the hell were you looking for anyway... (subjective)

Haha clever idea, and a nice way to sonify the feeling that the comic strip created. I wish I had come up with something like this for the project; I was busy and couldn't think of anything to do so I didn't submit anything.

works inspired by 99 Ways to Tell a Story: Exercises in Style

"Usul: Aksak Routine"  is an algorithmic  performance of electroacoustic music based on the rythmic system Usul of Turkish music. The term usul, which includes both the concepts of meter (measure) and rhythm, defines the rhythmic elements of all the structured musical pieces of the system. Every usul is a recurrent rhythmic circle – something similar of meter in western music – a model with a name and a pattern. The usuls are performed in beats, known in Turkish as "darp". Also the usuls are named according to the length and form of their beats and they are divided into two main groups, Minor usuls and Major usuls. The minors are those of 2 to 15 beats. The majors are those containing from 16 to 124 beats. The goal of this project is the use of minor usuls to create diffrent major usuls in real time.
The current multichannel (4ch to 8ch) piece consists of 6 sound sources. Each one of them returns a different minor usul, with samples created using the physical modeling software Genesis and SuperCollider. Every darp (beat) produced with graining effects in SuperCollider.  The rhythmic patterns and the sound spatialization are generated with original programs and routines, written also in SuperCollider. For controller in performance I am using a multitouch OSC controller.

Usul: Aksak Routine

For Disquiet Junto Project 0609: Speed Limit Pt 1. The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

This is from a live improvised jam earlier today (Sep 4) with my Creatures Once bandmate Monstrosus. It was a great way to spent part of this Labor Day off as we feel Fall setting in here in the Northwest. To Juntofy this, I took two of his keyboard lines and layered and panned them opposite. Kept bass and few textures. Removed drums to leave some space. 
Looking forward to hearing what everyones makes this week, and what will come next week!

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Key Limit -  [disquiet0609]

Occurring

Alfonso Santimone Laser Pigs - "Ecce Combo" - El Gallo Rojo Records

Piero Bittolo Bon : alto sax, bass clarinet, baritone sax, flute 
Francesco Bigoni : tenor sax, clarinet 
Daniele Santimone : guitar ( NOT PRESENT IN THE RECORDING SESSION ) 
Alfonso Santimone : piano 
Danilo Gallo : bass 
Zeno De Rossi : drums

http://www.elgallorojorecords.com/eng/archivio-recensioni/2005/04/ecce_combo.php (ENG) 
http://www.elgallorojorecords.com/archivio-recensioni/2005/05/ecce_combo.php (ITA)

Alfonso Santimone Laser Pigs - Riding a Photon ( composed by Alfonso Santimone )

This was a final project for my sound design course... six separate renditions of the same minute's worth of dialogue. 

My project was inspired by my dear friend Matt Madden's 2005 comic "99 Ways to Tell a Story: Exercises In Style" and before that Raymond Queneau's 1947 book "Exercices de Style". Check them out!!!

The dialogue is a mash-up of multiple, random eavesdropped conversation fragments overheard while making my way around NYC. So no... it is NOT necessarily a linear narrative!!! (Disclaimer: I am still editing several sections, so this is a work-in-progress)

Thanks to everyone for all the help!!!!!

So you can follow the bouncing ball:

- Oh. You.
- Yeah.
- I’ll take it that you’re not real hot on this.
- It’s just sand and a coral seahorse sticker.
- I was like “I’ve got nothing to lose, so…”
- It’s too loud. It’s too colorful.
- But it means so much to me.
- Wait, did you see that?
- See what?
- Oh my god, oh my god. I can prove it. It's really happening.
- You’re lying, right?
- You know, can you please just be quiet?
- Why can't I....why. Why? Why can't I bring it up?
- Because you would lose that argument.
- Apparently, I cannot share my opinion without being looked down upon.
- I just pull the trigger when they tell me to.
- I’m outta here.
- Well, this isn’t about you. I make the toys man! 

Exercises in Style (as a radio drama)

1+1+1+1+1+0.1+.Hz

My track submission for disquiet #14.

More on Matt Madden and his book 99 Ways to Tell a Story at:

http://mattmadden.com/
http://exercisesinstyle.com/

More on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto

"Timelapse" - [disquiet0014-oumupo]

My interpretation of Matt's work is one of the juxtoposition of the sense of time being both escaped and in escapement. 

By not using my own field recordings, I feel like a bit of a cheat with this week's Junto. Using Freesound.org was the only way I was going to be able to participate.
My trusty ZoomH4n was not to hand :(

More on Matt Madden and his book 99 Ways to Tell a Story at:

http://mattmadden.com/
http://exercisesinstyle.com/

More on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto

Samples used...

http://www.freesound.org/people/WIM/sounds/18037/
http://www.freesound.org/people/digifishmusic/sounds/32937/
http://www.freesound.org/people/acclivity/sounds/30608/
http://www.freesound.org/people/andriala/sounds/16651/
http://www.freesound.org/people/fabe/sounds/3128/
http://www.freesound.org/people/Tomlija/sounds/75372/
http://www.freesound.org/people/avventura2046/sounds/147387/
http://www.freesound.org/people/alp1254/sounds/52622/

Thanks to the providers of the above recordings and snippets.


escapement-disquiet0014-oumupo

Disquiet Junto 0014: Sonic Narrative
 

Subject: This project, the 14th in the weekly Disquiet Junto series, is about sonic narrative. 
 

Instructions: You will re-tell a very short and simple story -- an anecdote really, an everyday slice of life -- utilizing sound. It will take the form of a single audio file uploaded to your Soundcloud account. You will construct this track in any manner you choose: with field recordings, music, effects, dialog, or a mix thereof. The story you will be re-telling is this single-page comic strip by Matt Madden:
 

http://goo.gl/6P7eL 
 

In the process of re-telling the story through sound, you may interpret it in any way you choose. You can do it as straight narrative, or do an abstract rendition, or retell it from another point of view, or contribute a score as if it were a movie, or a record series of foley cues. The choice is yours.
 

Background: Matt Madden's single-page comic is the template for a book he created titled 99 Ways to Tell a Story: Exercises in Style. In the book, Madden told that same story 99 different ways, each in a different comic-book style. For example, he told it as a superhero comic, he told it as a manga, he told it as experienced from upstairs, and he told it as if it were overheard at a bar. Madden did this in homage to the French writer Raymond Queneau's own Exercises in Style, which is a key text of the literary movement known as Oulipo. Oulipo approaches the act of writing with intentional constraints, and the movement's approach to creativity was a strong influence on the development of the Disquiet Junto. Oubapo is the name of the comics version of Oulipo. What we're up to is the musical version: Oumupo
 

Length: Please keep your piece to between two and seven minutes in length.
 

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term "disquiet0014-oumupo” in the title of your track, and as a tag for your track.
 

Download: As always, you don’t have to set your track for download, but it would be preferable.
 

Linking: When you post your track, please include this information:
 

More on Matt Madden and his book 99 Ways to Tell a Story at: 
 

http://mattmadden.com/
 
http://exercisesinstyle.com/
 

More on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/info

what the hell was i looking for anyway [disquiet0014-oumupo]

My first contribution to the Disquiet project, all done in one single day (busy Bank Holiday weekend).

Maybe a bit too repetetive. Should have given myself more time, but there we go.

Lazy Day (disquiet0014-oumupo)

This is something I created for the latest Disquiet Junto project. The assignment involves creating a sonic narrative for a comic created by Matt Madden. We had a lot of freedom to do whatever we wanted – straight narrative or abstract rendition.
 
The piece 1:15 am is constructed of a coil recording of my laptop, drones and tones, and a field recording of my refridgerator at the end. I also used the mac speech feature to record the dialog, but ended up granulating and delaying the sound, which you will hear midway through. My goal was to express the strange feeling of 1:15 am, especially when you’ve lost track of time.
 
More on Matt Madden and his book 99 Ways to Tell a Story at:
http://mattmadden.com
http://exercisesinstyle.com
 
More on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto

1:15 am [disquiet0014-oumupo]

Satellite

Music piece for a performance "Miss Julie" based on a play by August Strindberg Miss Julie

Premiere: 2018 @ The Ludowy Theatre in Kraków

Director	RADOSŁAW STĘPIEŃ
Dramaturgy KONRAD HETEL
Set design ELIZA GAŁKA
Music BOGUMIŁ MISALA
Lights DARIUSZ PAWELEC
Video NATAN BERKOWICZ, MATEUSZ WOŹNIAK
Assistant director MAJA PANKIEWICZ
Stage manager MANUELA NOWICKA

Cast

MAJA PANKIEWICZ
KRYSTIAN PESTA
ROKSANA LEWAK/ GOŚCINNIE

Tribal [ Miss Julie ]

All sounds from recordings of my tongue drum. I had big groaning, creaking sounds in mind. Created in hotel room on day three of a power outage caused by falling trees after a windstorm. Took a walk and found this big pile of fallen trees by the river. So here's some droniness, some crunchy textures and a little melody because there's always some of that around. 
Experimenting with Ableton Live's warping modes for most of the sounds. Some delays and verbs. Rolled off a little low and high end. I hope its not too full and dense for someone to add more to it!
Panned left as requested for the project. Stereo version (and abstract video of trees) here: https://youtu.be/BRw_IARdFhY

BPM: 100
KEY: D minor (?) The notes on the tongue drum are in D "celtic" minor scale: D3 A3 C4 D4 E4 F4 G4 A4 C5 I have pitched some notes up and down. 
Arrangement: 
Intro: 8 Bars
A section: 9 bars
B section: 8 bars
A section: 12 bars
B section: 8 bars
Outro: 4 bars

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

disquiet.com/0472/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…ject-0472-jam-time/

Shared Tongues - [Disquiet0472]

Slowmosnow

What is there left to do?
Can't we do something new?
I found my old guitar,
I'll tune it up and play for you.

Join my mailing list for occasional news and updates: http://eepurl.com/dhWgP1

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
_________________________________

headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
_________________________________

all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
_________________________________

51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
_________________________________

newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
_________________________________

new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
_________________________________

&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
_________________________________




what the hell was i looking for anyway [disquiet0014-oumupo]

all n4tural

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Fastus

all n4tural

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