From the album, 'Public Flowers,' out now on Second Language Music  : http://www.secondlanguagemusic.com/


Robin Saville - In Konik Mokkin

Track taken from the album "Euplexia" due out April 18th 2014.

Having spent the first half of 2013 working on two site-specific installations; UnThread in Southend, and After the Flood as part of Hebden Bridge Arts Festival, Isnaj Dui (aka Katie English) presents the follow up to 2012’s ambitious year-long Duodecim project.  Euplexia, Isnaj Dui’s most recent studio album, sees a return to the raw, edgy sound prevalent in earlier works, yet combines this with the maturity of composition which English has refined over the years.

With Euplexia, Isnaj Dui has drawn on aspects of her installation work and the journal-like nature of Duodecim to combine field recording and sampling alongside her trademark concert and bass flutes and dulcimer.  Using coil pickups, dictaphones and other electronics to build unstable textures and throbbing basslines, English has created a soundscape that is at once serene and grating.  Whilst the trademark schizophrenic nature of tracks is in check, this album also sees a move towards more dissonant harmonic structures and high frequency playing on the flutes.  The CD comes packaged in a hand-printed sleeve. 


isnaj dui / fjoeg

i composed an ambient track, i recorded Lehna on guitar, his style is half oriental half psychedelic, then i recorded my violin and Indian flute. the track is peaceful, happy, open horizon with an deep oriental touch

BUY HERE

Sahoti (feat Lehna)

The legendary city of Agartha lays deep underground. Atmospheric ambient music. soundscapes and drones by Vril Ya

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Hidden Realm

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Xantako

Northbound - Music for Season One

Cloud Cover

Clouds

Impossible Island

A preview of brand new work by the legendary electronic mystic, mixed by Carlos Niño and forthcoming on the All Saints Records label, presented as two complimentary parts of a whole - the epic double album, Bring On The Sun, and meditative drone work, Sun Gong. 

Pre-order Bring On The Sun: http://www.smarturl.it/bringonthesun
Pre-order Sun Gong: http://www.smarturl.it/sungong

Introspection EXCERPTS

Laraaji - Introspection (Edit)

from 'Cycle and Reveal' [CD|LP|DIGITAL]
Denovali Records · den319
available on all formats at http://denovali.com/mariodiazdeleon

Denovali is pleased to present Cycle and Reveal, the fourth full length LP of contemporary classical works by acclaimed composer Mario Diaz de Leon. Featuring bold performances by a cast of longtime collaborators, this compilation is an essential chapter in his celebrated series of recordings for acoustic instruments and electronics.
 
The output of Mario Diaz de Leon defies easy categorization, spanning the worlds of contemporary classical composition, experimental electronic music, extreme metal, and creative improvised music. Working extensively with an inner circle of close collaborators (ICE, Talea, and TAK Ensemble, among others) his classical works have been celebrated over the last decade for their “hallucinatory intensity” (New York Times), “snarling exuberance” (Pitchfork), “helter-skelter, electronically enhanced cadenzas” (New Yorker Magazine), and coupling of “crystalline clarity with the disorienting turbulence of a sonic vortex” (Wire Magazine). 
 
The A-side features two works written in early 2017, which colorfully embrace hypnotic repetition alongside dynamic contrasts and distinctly embody the electrifying post-minimalism that Diaz de Leon is known for. Opener Sacrament is written for a trio of musicians from Talea Ensemble and features the composer’s shimmering, bass heavy electronic production. This energetic piece, driven by the virtuosity of marimba player and Talea executive director Alex Lipowski, makes use of rapid-fire arpeggiations and heavy rhythmic unisons. These are starkly contrasted with moments of reverberant echo, bursts of noise in the flute and electronics, and ecstatic rhythms. Labrys, written for ICE bassoonist Rebekah Heller, builds on the celebrated legacy of solo + electronic works heard on his 2015 album The Soul is the Arena. Built around virtuosic interplay between bassoon and synthesizer, Labrys features shifting and hypnotic repetition alongside expansive melodies and sub-bass frequencies.
 
The B-side consists of two works composed in July of 2016 which draw from primal, incantatory, and improvisatory sonic landscapes. Irradiance, a collaboration with cellist Mariel Roberts, begins with a series of spacious riffs exploring the extremes of the cello’s register and transforms over time into a climactic frenzy of noise loops. Tuning the cello’s low C down to a growling G, Roberts interpreted the sounds of each pre-recorded loop by ear.  The piece gradually builds from cavernous depths into an ecstatic climax of anarchic noise. Concluding track Mysterium is written for the ICE trio of flutist and ensemble founder Claire Chase, clarinetist and artistic director emeritus Joshua Rubin, and bassoonist and current artistic director Rebekah Heller. Archaic melodies, improvised heterophony, spectral transformations, echoes of Klang-era Stockhausen, and the colorful noise of Moog and Ciat-Lonbarde synthesizers combine to create an expansive and wildly ritualistic atmosphere.
 
Cycle and Reveal was recorded in vivid detail by Marc Urselli (John Zorn, Laurie Anderson) at East Side Sound, Stephen McLaughlin at EMPAC, and mastered by Ryan Streber at Oktaven Audio. Diaz de Leon invited Melbourne-based visual artist Yuria Okamura to design the cover image and inner sleeve symbols. Sharing Diaz de Leon’s interest in the reinterpretation of spiritual art, Okamura’s cover “maps and reconfigures geometric patterns and symbols that reference esoteric symbolism, occult diagrams, religious architecture and decoration.”

Cycle and Reveal

Mario Diaz de Leon & Talea Ensemble - Sacrament

Dragon’s Eye Recordings is pleased to present 'We Become Giants' by Ida Toninato. On her first outing for the label, Toninato conjures a vast ambient space through her physical collaboration with architecture, her instruments, and her listening ear.

Notes from Ida:
'We Become Giants' was composed and recorded at the Tank Center for Sonic Arts in Colorado. This immense former water treatment facility is a uniquely resonant space, with a massive 40-second long reverberation. The music was composed in and with this sublime arena, the harmonics and beating patterns created by its own echo and reverb. After recording raw material in-situ, I returned to the studio to create a parallel synthetic space responding to the original one, using synthesizers, beats, and effects. The whole album was developed with the analogy of a hallucination in which real and imaginary space are intertwined into a sonic, visceral trip. 

'We Become Giants' is dedicated to my brother, Manoah Toninato, whose courage and determination are amongst the brightest lights in my life.

We Become Giants

Ida Toninato - We Become Giants

Happy to share some new music from ISAN member Robin Saville today: "The Deepdale Halophyte Economy" is the first glance on the upcoming album "Build A Diorama". 9 minutes of ambient bliss, merging the aesthetics of his main project with field recordings & gentle drones. Available now everywhere, f.e. on Bandcamp, Spotify & Apple Music / iTunes.