Name: Fiddler On The Riff Remix by Allan Segall
Duration: 4 min 47 s
Description: Remix/revision of my last piece. With more 'riff' and a much more lively fiddler!

CBH T-80: Trio for Clarinet-Bass Clarinet and Harp

Remix/revision of my last piece. With more 'riff' and a much more lively fiddler!

Fiddler On The Riff Remix

This New LIVE recording features the Kalamazoo Philharmonia under the direction of Andrew Koehler. The bassoon soloist is Jason Kramer. The performance took place on the campus of Kalamazoo College during a concert honoring the legacy of Aaron Copland.

This is the orchestration of the Bassoon Sonatina for bassoon and chamber orchestra. Its a very exciting piece cast in 3 movements with nice technical and lyrical challenges for the player.

CONCERTINO for Bassoon and Chamber Orch. [NEW LIVE RECORDING]

FOR REASONS UNKNOWN
French Horn Quartet
Matthew Lee Knowles
2025


Play once as written, then repeat, permanently removing a single note from any part
Keep repeating and removing until the 80th section contains only one note
An average performance will last 67 minutes
Each section should have a randomly chosen MM between crotchet=30 and 300
This realisation is only one of a potential 10^311 unique performances which would take 10^307 years to hear in full

In Lucky's speech in Beckett's "Waiting For Godot", the phrase 'For Reasons Unknown' is spoken ten times. 


SCORE
https://www.youtube.com/watch?v=NlHdtsJGjHk

For Reasons Unknown

Via Crucis Pt 2 - 11. Jesus is Nailed to the Cross 7 - 5 - 25

Sinfonia, from the Desert; Opus 323 (now 2nd movement)

Petite Variations (after Kurtag) Piano Version 8-8-25

This is my fourth symphony, and I am using new software that sounds better. The new software is not microtonal friendly, therefore, there will be two versions: standard and poly microtonal. This version is in 12tet and it is still highly polytempic. Each choir of the orchestra is moving separately in Fuxian contrapuntal motions, such as, contrary, parallel, similar and oblique, with respect to tempi changes in the choirs.

Another fact about this piece is that it uses many fragments of Gregorian chant from the Liber Usualis and is scattered throughout the single movement piece. The chants are of various lengths and are brief. The form could be considered a type of "variation" form; even if the chants are not literally repeated, they do act as a type of chaconne, over which the symphony plays and explores.

As of today, Sep. 4th, 2025, a finished mix is uploaded and will remain the finished midi version of this piece in 12tet using NotePerformer.

Symphony IV: melodiae perpetuae in polytempic polytonality

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Moiré Patterns Music  "

credit :plugdata ,ipad 9

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com

date: 22.08.2025
Video Link :
https://www.youtube.com/watch?v=WrgfeTpd978

great Milton Babbitt
https://www.youtube.com/watch?v=FfA470WVHws

LCEEM Sound Moiré Patterns  Synthesizer

Finale of my string quintet homage to Charleston

Fiddler On The Riff Remix

Allan Segall

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