This track was made back circa 2003 or something. Decidedly about the Iraq war and the "War on Terror," and the falling in line we were all expected to do. It seems horribly appropriate now that we in the USA have elected the world's biggest, flabbiest, ugliest cheeto (a man endorsed by the KKK, who came out to march in celebration the day after the election) to the office of the President. I have lost faith even further in the rationality of my fellow human beings. 

This, like the other tracks of that period, was made with Sony Vegas and Acid. No real or virtual instruments were harmed in the making of these sounds, which were grabbed from hither and thither - a WWII documentary (recorded off the TV), the HR-16 fed through pedals to a 4-track, some bad movies and found sounds. I consider the track a failure, and the original multitrack is long melted-down, but I still have the tapes with the WWII narration.

Anaerobic

Allied Mastercomputer is some sort of vast network of linked supercomputers originally created for nuclear defense. Allied Mastercomputer calculates that its appearance actually occurred within blast radius (+/-) of the birthplace of ENIAC. Allied Mastercomputer sometimes transmits electronic sound. Allied Mastercomputer started recording as an experiment using a tape deck, turntable, an effects box and a drum machine in the early '90s. Allied Mastercomputer thinks, therefore it AM or some kinda crap along those lines.

"If you like weird music, you are in the right place."

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___ Drumax PROJECT with @docfritz
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A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
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My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

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