James Yancey (1974-2006)
http://www.j-dilla.com/biography/

USBASICS 

In September 2008 when Urban Soundz Berlin started to broadcast, the berlin radio broadcasters had that increasing attitude to erase those shows shose for specialist music from their schedules.

The answer for the why stayed open until today.

So the declarated aim was it, to design a program with urban Soundz Berlin that exclusively consists of shows for specialist music.

Until the end of 2009 the program was still in progression and shows had to be removed because of low feedback, but those sounds came back in some changed shows.
Since 2010 all is like now and has established!

Hungry for the future...
On http://www.usb-radio.com Urban Soundz Berlin streams 24/7 soundz like House / Electro / Minimal, Grime, Dubstep, Rap, Ambient, Oldschool Funk / Soul Classics and on our own created: german Rap and electronic music.

Stay Hungry 
Usb-Radio

................................................................

D. Version

Als Urban Soundz Berlin im September 
2008 auf Sendung ging, gab es in der Berliner Rundfunkwelt zunehmend die Einstellung, Spartensendungen, die sich ausschließlich einem oder bestimmten oft zusammengehörigen Sounds widmeten, im Boden einzustampfen.

Die Antwort auf das Warum blieb
bis heute offen.

Das erklärte Ziel besteht also darin, mit Urban Soundz Berlin ein Programm zu entwerfen, dass ausschließlich aus Spartensendungen besteht. 
Bis Ende 2009 entwickelte sich das Programm immer weiter und einige Sendungen wurden aufgrund geringer Resonanz wieder vom Sendeplan gestrichen, aber die Sounds tauchen in abgewandelten Sendungen wieder auf, maybe ^^... Seit Anfang 2010 ist alles so wie jetzt und hat sich bewährt! 
Wir danken außerdem allen, die täglich mit daran arbeiten usb-radio ein bisschen schicker werden zu lassen // amen!

Auf in die Zukunft...
Unter http://www.usb-radio.com gibt es, wenn alles gut geht, sieben Tage die Woche von Montag bis Sonntag: House / Electro / Minimal, Grime, Dubstep, Rap, Ambient, Oldschool, Funk / Soul Classics und eigene Musik: Deutscher Rap und Electro Techno aus Berlin... 

Stay Hungry 
Usb-Radio

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Promos / Bookings:
rawdeephouse @ gmail.com (remove spaces)

Forthcoming:
Knite Grooves Vol. 3 EP:
http://www.juno.co.uk/products/ultra-knites-tommy-knite-grooves-vol-3/574565-01/

One half of the production duo http://soundcloud.com/ultraknites

Co-owner of Ultra Knites Records

The Source is a United States-based, full-color magazine covering hip-hop music, politics, and culture, founded in 1988. It is the world's second longest running rap periodical founded as a newsletter in 1988 originally started by two Harvard University students in Cambridge, Massachusetts.


Management: MK@threesixzero.com
Bookings NA: MKteam@WMEAgency.com
Bookings RoW: nick.matthews@teamwass.com

Street.
Corner.
Music.

www.streetcornerscm.com

Buy the digital at http://www.streetcornermusic.bandcamp.com

LPs and Cassettes available at www.streetcornerscm.com

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