Hey Alan man, this is a magical composition the whole way through, including that heavy coda at the end. Love that ascending bass line the whole way through, too. Phenomenal melodic/solo work in here, too. Hey my friend, this is a very impressive and enjoyable piece. Way to go with it!

Merveilleuse pérégrination musicale!! 👍🏻 👏 🎶

wow! when the saw came in that was pretty amazing!

Totally Excellent track Alan great production

a smorgsaborg of style, each handled with style for a seamless result  : )

I'm in awe of the quality and volume of your work!!!  I almost don't know where to begin, guess I need to start collating some playlists! 😅

This composition is so utterly beautiful and highly expressive... A magnificent work which is a truly musical gem, Alan!

La Javanaise (Serge Gainsbourg)
Album "Comme un boomerang", 1963
Reprise de la version Live

J'avoue j'en ai bavé pas vous
Mon amour
Avant d'avoir eu vent de vous
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
À votre avis qu'avons-nous vu
De l'amour?
De vous à moi vous m'avez eu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
Hélas avril en vain me voue
À l'amour
J'avais envie de voir en vous
Cet amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
La vie ne vaut d'être vécue
Sans amour
Mais c'est vous qui l'avez voulu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson

La Javanaise

WATER TO WINE
 
Words & Music: Goff Johnson
Vocals: Todd J McLean
Keyboards & Rhythm Guitar: Goff Johnson
Drums and Hammond Organ: Kat Hendrix
Lead Guitar: Tim Porter
 
Mixed and Mastered by Kat Hendrix at Absolute Time Studios, Vancouver, May 2025
 
About the Song

"Water to Wine" is a song about the appeal of perfection we often see online, contrasted with the seemingly unremarkable and ordinary lives that most of us lead. It’s a reflection on the emotional toll that comes from chasing validation through likes and follower counts— and the emptiness that can follow when the spotlight fades.

Our value, though, goes far deeper than what shows up on a screen and authenticity holds more power than appearances. Take a deep breath and if we look up from the scroll and take a brave look at the world — and each other — we might find something much more real!

Behind the Song (from Goff Johnson)

Ironically, while the message of the track talks about isolation and the cost of surface-level connection, the making of Water to Wine was the exact opposite of that! It came to life through collaboration with the incredibly talented Todd J McLean, who, in addition to his awesome vocals, and red-hot music connections, also created the cover art (Woman in Yellow Chair) for the track! The overall result is something far richer than either of us could have created alone.

Working together brought depth, direction, and new energy to the song — proof that the best things happen when we connect for real. No filters, just music, shared purpose, and mutual trust!

Final Notes (from Todd)

This is my first collaboration on SoundCloud. I could not have been more fortunate than to work with Goff Johnson, an immensely talented singer/songwriter/musician. When I first came across Goff, I listened to his entire Stories of Stardust album end-to-end and I was so impressed with this concept and significant body of work. I highly recommend checking it out on Goff’s SoundCloud page. https://soundcloud.com/goff-johnson/sets/stories-of-stardust?si=9db35566a42747b9b63a5780334f67ea&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Although Water to Wine is not part of Goff’s Stardust series, it is nonetheless a beautifully written song and it’s been a privilege for me to sing it. Besides, I love to sing the Blues. Thank you so much, Goff!

We owe a huge shout-out to both Kat Hendrix, a master musician and our producer, and Tim Porter, a virtuoso on guitar. It is a real privilege to work with these West coast legends.

Lyrics: 

Verse 1
Someone wrote a playbook for perfection 
with lives of photo ops, their outtakes seldom seen 
today a star, the next you’re a pariah 
“Be Kind” they say, but that ain’t what they mean 
 
Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine 
 
Verse 2 
Well there’s nothing quite as quiet as “the silence” 
after fame has passed, so flashbulb fast, away 
and i wonder if it really makes a difference 
cos the next in line wait for their time, to shine but not to stay”

Chorus: 
Well I never watched the water turn to wine, 
and i never took a flower out of the desert, 
but i walked until my feet bled, and I looked until I was blind, 
and I reached out for a hand to hold in mine

Cover Art: Woman in Yellow Chair, Todd J McLean

All rights reserved

Water to Wine

After the Ball

Another great tenor solo from My mate Georg !!!

BRUTAL w/ Georg Boehme

Simple track, music made in GarageBand :)

Lyrics:

Love can be such a beautiful thing, if you just let it out
Don't hold back your love
You can't expect others to know
If you can't show what you feel inside, no one can see the real you
So don't hold back your love
Just let it out
Let it flow..

If you dare to give a piece of your heart
You can get so much in return
Give as much as you can
Even if you risk getting burned

Love can be such a beautiful thing if you just let it out
Don't hold back your love
You can't expect others to know
If you can't show what you feel inside, no one can see the real you
So don't hold back your love
just let it out
Let it flow...

No one can do it for you
But someone can do it to you...

No One Can Do It For You  (Original)

Bruce Klepper's beautiful piece "Chiaroscur" inspired me a few ideas about art that I wrote in French. I sang them over Bruce's instrumental, improvising some melodies and vocal harmonies, and here is the result. 

*** L'ART POUR L'ART ***

L'art pour l'art, ou l'art pour l'argent?
Car il faut bien vivre, il faut bien survivre.
C'est bien évident...
Parfois c'est bien clair.
Parfois ça dépend…
Pour atteindre les rêves il faut rester sur sa faim,
et jeuner souvent, et prier longtemps.  
On prie quand on cherche la réponse dans l'âme,
la beauté dans le geste, le génie dans le vent.
L'obsession qui nous prend de puiser le néant,
de parfaire une esquisse, de créer tâtonnant,
c'est ça l'art pour l'art
qui coule dans le sang.

L' Art Pour L' Art (based on Bruce Klepper Chiaroscur instrumental)

'Three Nibs. ....an "alternative" fusion track and mixed genre. Inspired by my time spent in London as a music copier/transcriber. transcribing the individual parts from a score to the relevant parts for individual musicians. tHis was all done by hand and pen and ink. I used three indivdual pens with different nib sizes. hence the name of the piece, (Three Nibs). Scores could be anything from big bands  to smaller bands and genres varied from score to score. I've attempted to emulate the varied contents of the scores in this piece. Hopefully it makes sense to you when listening.
Alan

Dont Smudge The Ink

Three Nibs

Il Gigante di Monterosso – Feat: Sergei Govorov
June 2025
Duration: 3:20
Music Composition - Bruce Klepper
Effects and Mixing - John-Marc Ventimiglia 
Cover Art Photography- Heidi Schnicker 
Soprano Sax- Sergei Govorov 

On our recent trip to Italy, one of the places we stayed was Monterosso, one of the 5 villages in Cinque Terre. From our patio, we were able to see Il Gigante looking out over the ocean. I am pleased to announce this new music collaboration, Il Gigante di Monterosso - Feat: Sergei Govorov, celebrating the beauty of Italy.  Listen to Sergei's music on Spotify and Apple Music.
Sergei Govorov completed his doctoral degree at the Gnessin Academy of Music in Moscow with the highest honors.  In 2022, Sergei moved to the United States.  Sergei's repertoire ranges from classical saxophone to avant-garde, jazz, and pop. He has performed over 4,000 concerts worldwide.  For the last year I have been writing music for the sax and piano duo, Govorov & De Groot.  Sergei Govorov and Britta De Groot have performed my music in Colorado and have future plans for more concerts and possible recordings. 

For soprano sax, piano, tubular bells, sound effects and percussion

Il Gigante di Monterosso - Feat. Sergei Govorov (demo)

Don Quichotte à Dulcinée is a song cycle by Maurice Ravel based on the story of Don Quixote. It was composed between the years of 1932 and 1933. The text was written by the librettist Paul Morand.

Piano by Helen Roberts

Lyrics

Chanson Romanesque

Si vous me disiez que la terre
À tant tourner vous offensa,
Je lui dépêcherais Pança:
Vous la verriez fixe et se taire.

Si vous me disiez que l'ennui
Vous vient du ciel trop fleuri d'astres,
Déchirant les divins cadastres,
Je faucherais d'un coup la nuit.

Si vous me disiez que l'espace
Ainsi vidé ne vous plaît point,
Chevalier dieu, la lance au poing.
J'étoilerais le vent qui passe.

Mais si vous disiez que mon sang
Est plus à moi qu'à vous, ma Dame,
Je blêmirais dessous le blâme
Et je mourrais, vous bénissant.

Ô Dulcinée.

English

Romantic song

Were you to tell that the earth
Offended you with so much turning,
I'd dispatch Panza to deal with it:
You'd see it still and silenced.

Were you to tell me that you are wearied
By a sky too studded with stars -
Tearing the divine order asunder,
I'd scythe the night with a single blow.

Were you to tell me that space itself,
Thus denuded was not to your taste -
As a god-like knight, with lance in hand,
I'd sow the fleeting wind with stars.

But were you to tell me that my blood
Is more mine, my Lady, than your own,
I'd pale at the admonishment
And, blessing you, would die.

O Dulcinea.


Artwork by Zurab Martiashvili

Chanson Romanesque (Don Quichotte à Dulcinée - Maurice Ravel - with Helen Roberts)

1042 38-Ballad-instrumental

Pattern

PLEASE STOP SENDING ME OFFERS OF MUSIC PROMOTION.
 
AI is not an option I use or intend to in the future. All of my music is composed, played and produced using the following equipment:
Cubase 14 Pro on Windows PC
Arturia instruments (full suite) some FX
Native Instruments - Instruments and FX
Toontracks -Superior Drummer 3 and Percussion
Korg Triton Synyh
Roland RD800 Piano
Native Instruments - Komplete Control S49 and S61 keyborads
Icon Mixing desk
Yamaha & KRK active monitors
Congas and various  LA percussion instruments.
Various String libraries including: Spitfire/ IK Multimedia/labs/Orchestral Tools-Berlin Free Orchestra
Orange Tree Samples - Guitars and Flute
Musiclabs Guitars
Spectrasonics Trilian Basses
Soundpaint: Strings/Brass/Wind/Guitars/Percussion/ and a multitude of other things.
Various FX from a multitude of companies.
Various Programs from the Spitfire Original range
My trusted "Drum Stool"
Fridge (for Guinness)!!!!



Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Three Nibs

Alan Hamilton

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