Six-channel sound installation for "hibernatemode" by Su Yu Hsin. Fenko Catalysis Chamber, Taipei, Taiwan, 2019

Project Details: aloisyang.com/hibernatemode
Su Yu Hsin: www.suyuhsin.net

“ But the sleep of a hibernate object would instead be a state of perfect sleep, in which an entity would be real but simply without relation.”

Aiôn is a Hellenistic deity associated with time, ex. season, breath, sleep (dream) etc, even Deleuze describes Cinematic time as aiôn which stretches out to become an intangible past and future, or Chronos (Chr), the ever-present that expresses only the here and now. In Geology, aiôn uses for eternity time which could also refer to four aiôns that make up the earth’s history. Aiôn is defined in Astronomy as Trillion years. Thus, we could say hibernatemode is in aiôn where an entity breaks relation with outside.

Su Yu Hsin composes essay film through philosophical and scientific approach to overlap and juxtaposition image with events, ex. Fukushima Daiichi nuclear disaster in 2011. Australian scientists’ microscopic investigation of antarctic moss reveals atmospheric record of Earth in its layer of cells. She uses found footage, data and facts to visualize relational geographic analysis. Hibernatemode comprised of 2- channel video and six channel sound installation. She collaborates with Sound artist Aloïs Yang to constructed nature in exhibition space.

Hibernatemode(Exhibition Soundscape Excerpt To Stereo)

the empty shells surrounding the deep love
END EMPIRE

taRka: a process, a place
a collaborative project
by Myrh : Mariam Zohra D
poetry/song/visual arts
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Aloïs Yang is a media artist, performer and experimental musician. His work is influenced both by scientific reference and human imperfection of understanding the nature, and investigates the perception of time and space on both “outer” physical world and “inner” metaphysical levels of awareness – as a manifestation of how we contextualise the overlapping realities in between body and mind, objective explanation and subjective projection, analogue and digital, certainty and unknown.

He aims to engage viewer’s sensation and comprehension to the given moment of reality, portrayed by experiential phenomena and existential ideas – as an invitation to an incomplete journey waiting to be explored by active, participatory, intimate interactions that incorporate individual’s consciousness as the piece itself.

҉ ҉ ҉? ҉ ҉ ҉
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