🔴 Full Cinematic Album: https://youtu.be/1GFi4wkL5fc
A pact with the void has been made. A debt is owed. What was promised, and what will be taken in return? Immerse yourself in the dark echoes of the cosmos. The Void will claim what its due.

00:00 The Architects' Gambit
04:03 Light's End
08:39 The Price of Eternity
13:08 Ghost in the Machine
19:00 A Debt Paid in Void
24:48 Void Contracts
30:41 The Contract That Binds Us All

Based on my own upcoming Novel: The Dead Orbit: Void Contracts🔴

🔴 Buy This Art: https://ko-fi.com/s/ded4a252f6
🔴 YouTube: https://www.youtube.com/@XryethOfficial
🔴 Ko-fi: https://ko-fi.com/xryeth
🔴 Patreon: https://www.patreon.com/xryeth
🔴 Bandcamp: https://xryeth.bandcamp.com/follow_me
🔴 Spotify: https://open.spotify.com/artist/25FTpGNkaqsfjKNwnuAGYi
🔴 SoundCloud: https://soundcloud.com/xryeth
🔴 Apple Music: https://music.apple.com/us/artist/xryeth/1739511111

Ghost in the Machine

Reihe OP7 Next Level

The melody is alarming and insistent, as if quietly reminding you to wake up

alarm

We release Phil Strucks album NNO on February 23.

Phil is a experimental recording artist, who also works as a photographer, documenting the contemporary, experimental electronic music scene and life around it. His music is based on sampling from odd sound sources, random data streams and the usage of microphones and various synthesizer. Phil ennobles the trivial, honors the silence and creates an experimental collection of raw textural ambiance. It could’ve been a matter of trompe-l’oeil, a mere juxtaposition of audio signs to mimic functionality, but there’s a much more vibrant and fluid quality to his mind-expanding pieces. He is living in Hamburg, Germany.

Text: Baptiste Girou (Inverted Audio)

Phil Struck - Brook

From Sonja Tofik and Mar-llena's collaborative LP release 'Vilar i dina spår', released on LP in May 2018
@moonilena

Vilar i dina spår

Buy LP

Mar-llena - Monrepos

Taken from Keys to the Fields 35:
"2236-2R"

litüus _ 09292014_2236_002

Six-channel sound installation for "hibernatemode" by Su Yu Hsin. Fenko Catalysis Chamber, Taipei, Taiwan, 2019

Project Details: aloisyang.com/hibernatemode
Su Yu Hsin: www.suyuhsin.net

“ But the sleep of a hibernate object would instead be a state of perfect sleep, in which an entity would be real but simply without relation.”

Aiôn is a Hellenistic deity associated with time, ex. season, breath, sleep (dream) etc, even Deleuze describes Cinematic time as aiôn which stretches out to become an intangible past and future, or Chronos (Chr), the ever-present that expresses only the here and now. In Geology, aiôn uses for eternity time which could also refer to four aiôns that make up the earth’s history. Aiôn is defined in Astronomy as Trillion years. Thus, we could say hibernatemode is in aiôn where an entity breaks relation with outside.

Su Yu Hsin composes essay film through philosophical and scientific approach to overlap and juxtaposition image with events, ex. Fukushima Daiichi nuclear disaster in 2011. Australian scientists’ microscopic investigation of antarctic moss reveals atmospheric record of Earth in its layer of cells. She uses found footage, data and facts to visualize relational geographic analysis. Hibernatemode comprised of 2- channel video and six channel sound installation. She collaborates with Sound artist Aloïs Yang to constructed nature in exhibition space.

Hibernatemode(Exhibition Soundscape Excerpt To Stereo)

Artist: Amethyst
Track: V Towers Collapse In A Single Moment (Track 02)
Album: '(A Declaration)' Compilation
Released: December 2019
Label: Vienna Press / VAKNAR
Cat: Key to the Fields 38 /VAKNAR 20

V Towers Collapse In A Single Moment

I i I

Impatiens -  Scene At The River

Taken from 'It's Worse', out on Cafe OTO's digital label Takuroku

TR083 - Shakeeb Abu Hamdan & Sholto Dobie - 'Slows O'er'

Aloïs Yang is a media artist, performer and experimental musician. His work is influenced both by scientific reference and human imperfection of understanding the nature, and investigates the perception of time and space on both “outer” physical world and “inner” metaphysical levels of awareness – as a manifestation of how we contextualise the overlapping realities in between body and mind, objective explanation and subjective projection, analogue and digital, certainty and unknown.

He aims to engage viewer’s sensation and comprehension to the given moment of reality, portrayed by experiential phenomena and existential ideas – as an invitation to an incomplete journey waiting to be explored by active, participatory, intimate interactions that incorporate individual’s consciousness as the piece itself.