Remixes Request, Promos: 
E-mail: 

thewizeguys@hotmail.com

Booking Contact : thewizeguys@hotmail.com




***Signed to Record Labels***
Zoo:Technique**
Stayfly Records**
Straight Music**
NastyFunk Records**
Cream Couture Records**
Sprinkler**
Dance Till Death Records**
Dialtone Records**
Molotov21**
Diamond Clash**
Happy Days Records**
South B Records**
TrailerPark Records**
Digital Vinyl Recordings**
MLP Music Label**
Vicious Music Records**
Gooseneck Records**
11Hz Recordings**


***Short Bio***


Nick Safado & Zuckre A.K.A. 'The Wize Guys' 
never thought how much their lifes were going to change after starting some collaboration work in early 2012. Only six months later, the duo has already signed tracks on NastyFunk Records, Cream Couture, Trailerpark, Diamond Clash, Molotov 21, and has already been booked to bring some heat over to the Electronique Vs. Cream Couture label showcase in Ibiza.

Although their sound is varied and in constant evolution, it is notably influenced by deep vibes and gangsta house. Hard work pays off and when you add good chemistry into the mix, the income kicks off into a different scale.

"It´s amazing and almost unbelievable how good we understand each others thoughts on making music."

Stay Tuned...You can catch The Wize Guys comitting felony this September in Ibiza and also here in Barcelona with us...Don't miss!

Labelowner: https://soundcloud.com/soundavenue
https://soundcloud.com/3rdavenue https://soundcloud.com/crossfadesoundslabel https://soundcloud.com/futureavenuelabel https://soundcloud.com/southamericaavenue https://soundcloud.com/daydreamerslabel https://soundcloud.com/ambientavenue

Madloch has never been one to fit neatly into a box. As a DJ he thrives on range and adaptability, moving fluidly between ambient soundscapes, dub techno, electronica, deep house, progressive house, breakbeats and beyond. It is this eclectic spirit that has carried him from intimate clubs to fashion industry showcases, from underground European residencies to marathon all-night journeys across the Americas.

His formative years in the early 2000s were shaped by residencies in Belgium and Holland, where long weekends behind the decks forged the patience and perspective that define his sets today. For Madloch, the art of DJing lies in storytelling, something that cannot be captured in a compressed one-hour slot. The longer the night, the deeper the connection, with an eight-hour performance at Miami’s legendary Do Not Sit On The Furniture standing as one of many reminders of his love for extended narratives.

By the time international touring beckoned, Madloch had already established himself as a trusted selector at home. Tours followed across North, Central, and South America, as well as every major European capital, often with Sound Avenue label nights anchoring his appearances. These experiences revealed an artist who is not only versatile, but equally at ease guiding a packed dancefloor as curating atmospheric journeys for more unconventional stages.

Beyond the booth, Madloch has built one of underground electronic music’s most respected label families. What began with Sound Avenue has expanded into a group of successful imprints, including 3rd Avenue, Crossfade Sounds, Daydreamers, Future Avenue, and more. Together, they have become a home for both established voices and emerging artists, with Madloch curating compilations that offer new talent the opportunity to grow alongside industry heavyweights. This balance between nurturing the next generation and working with revered figures has defined his role not just as a DJ and producer, but as a cultivator of scenes.

As a producer, Madloch’s work has attracted the attention of some of the industry’s most celebrated names. His music has been remixed by Hernan Cattaneo & Soundexile, Eelke Kleijn, Petar Dundov, Budakid, Tim Engelhardt, Charles Webster, Dmitry Molosh, Cid Inc., Sascha Dive, King Unique, Martin Roth, Nhar, and many others, ensuring his sound continues to resonate far beyond his own discography.

For all his accomplishments, what sets Madloch apart is his refusal to be confined by a single style or context. Whether headlining a label showcase, playing deep into the morning hours of an all-night set, or presenting cutting-edge artists through his labels, he remains driven by the same ethos: music as a story that unfolds best when given the time and space to breathe.

Bookings & Remix Requests: info(at)soundavenue.be
Promos: promo(at)soundavenue.be

ciro ghize is a limburg(be) based dynamic deejay duo.
their intentions are to bring an extra happy flow to the crowd.
with these vibes they create their remixes on the fly with a continuously changing live set.
their music will take you in a good musical mood
were joy and pleasure will be the keypoints of their gigs.

Demo Submissions: https://soundavenue.short.gy/demo
Repost Your Music:https://soundavenue.short.gy/repost

Sublabels: https://soundcloud.com/3rdavenue https://soundcloud.com/crossfadesoundslabel https://soundcloud.com/futureavenuelabel https://soundcloud.com/southamericaavenue 
https://soundcloud.com/daydreamerslabel https://soundcloud.com/ambientavenue
https://soundcloud.com/barmelodia 

Founded in 2011 by Belgian DJ and producer https://soundcloud.com/madloch , Sound Avenue is an electronic music label that stands for quality and originality. Borderless in vision, the Belgian imprint has forged a path to multiple musical dimensions. Blurring the boundaries between house and techno, it’s a platform for anyone with an open mind and ears. Having built early momentum on a global scale, the label hosted events across Europe, North Amercia, Argentina and their home country of Belgium. These uniquely branded club nights featured some of the labels core artists (at the time) including Agustin Basulto, Beat Syndrome, Luis Junior, Matias Vila, Nicolas Rada and Sound Process. It set in motion what has been a unique course to musical freedom, pioneering various sonic blueprints over the course of eight years, while maintaining a strong bond  between its loyal and ever expanding fanbase.   

Originally intended to be a stand alone platform, as Sound Avenue experienced unprecedented growth its musical horizons expanded, eventually paving the way for two label subsidiaries in 3rd Avenue and Crossfade Sounds. The former drew influence from Sound Avenue’s early beginnings, showcasing the best in melodic house while the latter dove into the realms of deeper, dubby house and laid back modern techno.   

Now over one hundred releases into their journey, Sound Avenue has continued to flourish through precision, care and well thought out A&R choices. It’s this attention to detail that has allowed the label to work with some of electronic music’s most esteemed artists, such as Budakid, Bachir Salloum & Zone+, Charles Webster, Cosmic Cowboys, Eelke Kleijn, Estroe, Facundo Mohrr, James Teej, Kurt Baggaley, Luis Junior, Martin Roth, Pablo Bolivar, Petar Dundov, PHCK, Powel, Santiago Garcia, Stelios Vassiloudis, Superlounge and Tim Engelhardt. 
 
Sound Avenue carefully curates each release to move their vision forward, building a close-knit family of scene veterans, while nurturing new talents such as Agustin Basulto, Giddyhead, Lucefora and Nicolas Rada. It’s this cohesive blend which has made the label bold, innovative and a standout in their field. With their finger firmly on the pulse of an ever evolving marketplace, it has been Sound Avenue’s foresight which has allowed them to adapt to this shifting landscape, while continuing to build their fanbase globally. As dance culture continues to grow Sound Avenue unites people from all walks of life, like-minded souls who are bound by one distinct trait, a passion for music. 

Info & Bookings: info [at] soundavenue.be

The soundcloud page of Stanny Franssen

------------------------------------------------------------------
Booking requests:
stanny(at)stannyfranssen.com

------------------------------------------------------------------
Stanny was born on the first of November 1973 in Tongeren, and grew up in the tranquil countryside nearby. At the age of 12 he moved back to the city of Tongeren. As a single child he quickly learned to be independent, with scale models taking up much of his time and attention, but all that soon changed as music grew to become his biggest love. Thanks to the influence of his friends he became infactuated with electronic body music and new wave, both styles already drawing greatly from Eighties electronica (such as Front 242 and Nitzer EBB). The ‘Krapuul Deluxe’ radio show hosted by Luc Janssen on the Dutch station VPRO provided a further source of inspiration. The early Underground Resistance tracks that were programmed on the show were a revelation, helping him to develop a serious taste for Detroit techno. 

Around the age of 16 Stanny played his first party, mixing mainly acid techno sounds from influential imprints such as UR and +8. Infected by the electronic music virus he started even buying more records and frequently began thinking about making music for himself. In order to start producing his own tracks he took on weekend employment as a waiter in a club. With the money he earned from this job he then bought his first components of studio kit.

Following a period of experimentation and familiarisation with his equipment he sent out a number of demotapes to record companies. Big Time International, a record firm in Ghent, expressed great interest. The tracks needed a finishing touch, encouraging Stanny into the studio with Bart Grinnaert and Laos Mezarros. The project ‘Propionic’ on Reload was born, resulting in three subsequent releases : ‘XY Desolvation’ , ‘Immunochemical Epoxy’ and ‘Back-Feed’. 

Stanny invested further in equipment, driven by a desire to make tracks without the aid of others. A year of immersing himself in his new studio kit resulted in a few fresh tracks he was most satisfied with, and again Reload was happy to release them :  Cronical Re-Form was born.  Stanny was greatly encouraged by the response his music was now receiving, and embarked on a more intense phase of producing. Zzino, the former label manager of Reload, could not release all the tracks, leading to a new alliance with KK, who were more than eager to release Stanny’s material under the name ‘G F’. Under this guise Stanny unleashed two full albums : ‘Electronic Lesson 1’ & ‘EL2’, both receiving critical acclaim both in the international dance press and among his colleagues. Sven Väth took greatly to Stanny’s work, playing his ‘Obsession For The Unknow ep’ during his ultrashort set at the Siegesäule during Love Parade ’98, whilst ‘Electronic Lesson 1’ even reached the number one spot in Sven Väth’s chart.  

After such high exposure many others soon picked up on his unique skills, widening the road for the new contacts and deals followed. ‘Mystic Shape’ became Stanny’s moniker on the UK’s popular Primate imprint, and it was this release that triggered a profusion of international bookings. During one trip abroad he met the much revered Italian producer Marco Carola and the two instantly connected. Marco asked him to do some tracks resulting in ‘The Fifth Galaxy ep’ on both Zenit and Ante Zenit (Ltd).

Gaetano Parisio (aka Gaetek) got on the phone to Stanny soon after hearing his material over at Carola’s house. Subsequently the ‘Between The Lines ep’ came out on Conform at the end of 1998. Another massive release followed on the Intense label. The French imprint Kobayashi showed interest also, arranging the release of the ‘Oxidation ep’ (not forgetting the forthcoming ‘Calibration ep’ in September 2000).  Releases then followed on Zync, Skunkwork, Molecular and Countdown 2000 (May), together with another release on Primate.)

Stanny naturally started thinking about a label project of his own. In August 1999 plans were drawn out for GENETIC RECORDS, This year the label will reach it’s 20th release. People like Umek, Danillo Vigorito, Rino Cerrone, Manu Kenton, Davide Squillace, Boriqa Tribez and Stanny himself made this possible.

Around 2002 Stanny started to work more together with other artists, The first collaboration was together with Patrick Lindsey, resulting in “Bad Pimps”. Signed on Monika Kruse’s label they bring us a good combination between old skool funk and pumping techno beats.
The Second one he started with DJ Lowdown (aka Franssen vs Lowdown) and they got signed on the Intec label from Carl Cox and Dave Angels label Rotation bringing us more filtered techno tracks with housy influences.


Despite such a productive release schedule Stanny still found time to accept some of the numerous remix requests he receives. Henrik B, Danilo Vigorito, Rino Cerrone, Samuel L Session, Chris Liebing, Monika Kruse and Misstress Barbara are among the many distinguished producers who have come knocking on his door with remix requests.


In 2006 Stanny decided to take a step back. Mainly to think about the evolution in the scene and to find a way to recharge. Influenced by his good friend Patrick Lindsey he started to produce again in 2009. Three releases on Giraffe Sauvage were the result. Meanwhile Stanny did some colabs with Sören Aalberg and they are working on a new album. A new project with Ortin Cam will follow in the end of 2014.
Remix duties for labels as Stanch, Phobiq, Loose, Tarvisium electronique, Release, Respekt Recordings and many more. A new solo ep called ‘Multi-Vintages’ was released on De:Tuned  Februari 2014. 


AM7 is following