Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more.
This track features the following Artists :
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Robot Voices 
Dane Renshaw -Drums
Loop(c)y - Electric Guitar 
Paul Miller - Electronic Percussion
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator
Ten Atmospheres - Field Recordings/Synths
Mat Ward - Double Bass/Noise/Arrangement

Then She Reaches For The Gun - Feather Hunt

Skimmer w  Guido Lusetti

Marco Lucchi : harmonium, synthesizer and piano

*

playing with https://soundcloud.com/user-920947015/skylarks

To a skylark 雲雀 w/anon8924

A collage of drones created with granular processes, intermittently layered with field recordings running through delays.

formless form

This track was created for the Naviar Haiku group.
599
https://www.naviarrecords.com/naviarhaiku599-rain-rituals/

2025-06-26

rain rituals - (Naviarhaiku 599)

Improv on top of layer and layers of guitars found lying dormant. 

An alley leading off of a main road to a restaurant (or other business) is what I found a striking urban feature as I wandered around Kyoto.

Multiple, mostly inaudible, enhancements implemented.

Enjoy!

tinalley

Music for / inspied by the first line of Crime and Punishment, which reads as; 
At the beginning of July, during a spell of exceptionally hot weather, towards evening, a certain young man came down on to the street from the little room he rented from some tenants who lived in Stolyarnyi Lane, stepped out onto the street, and slowly, almost hesitantly, set off towards the Kokushkin Bridge.

I picked that line, in part because its the beginning of July as I make this and also we've had a spell of hot weather. I read this book probably 25 years ago and read it again at the start of this year.  
For this track I jumped onto Freesound.org and got some street sounds from St. Petersburg and the horse drawn carriage sounds - this seemed to fit the 19th century feel. I new then the music and field recordings should merge together. I wanted tension and the sense of the character in the book being alone with the music I added - soft tension strings and ambient keys. 



Raskolnikov's Walk [disquiet0705]

shaku krell improv

This episode features music made by Naviar's community inspired by Andrea Cecon’s poem “thinking of us / the sound of wind / among the pines”.   

Tracklist:   

Stan Magendanz · thinking of us  https://soundcloud.com/stan_magendanz/thinking-of-us-naviarhaiku600
Voidborn Horde · The Sound Of Wind  https://soundcloud.com/voidbornhorde/the-sound-of-wind-naviarhaiku600
Adrian Lane · Us the Wind Among the pines  https://soundcloud.com/calicoade/us-the-wind-among-the-pines-naviarhaiku600
vheissu77 · wind & pine  https://soundcloud.com/vheissu77/wind-pine
zenbytes · wind among the pines  https://soundcloud.com/zenbytes/wind-among-the-pines
El Wud · Shapeless shadows  https://soundcloud.com/el-wud-1/shapeless-shadows 

Credits:   

music intro: “This ruined house”by Tuonela  
voice intro: Ian Joyce  
cover image: Micah Hallahan   

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.  To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
  
Support the show: https://www.naviarrecords.com/support-us/

Vultures (for strings and percussion)

amandafeery