i want to Check this Tracks 4

deconstructed club / halfstep / bass / hyperglitch / postindustrial hybrids

ExperiMental

Taken from SBKT040: Yen Tech - Assembler

Release date: 28th May 2021

With Assembler, his second full-length album, Yen Tech re emerges in ecstatic and primordial new form -- a multi-layered and interwoven work that blends futuristic production, meta-science fiction, and anthropic critique into a dizzying array of next scenarios -- a maze-like vision of our technological and exponentially oracular, full-stack future.

This imagined future becomes a construct or place in itself; one in which the record buzzes and swarms; a mechanosphere of towering melodic vocal samples and sound design - all narrated by Yen Tech's unnerving, diaristic vocals - as he channels the form of post-human techno cretin, whispering hyperbolic ASMR to no one in particular. We follow this character from one disorienting experience to the next as he recites a stream of indecipherable neologisms and hyper-descriptives, the existential residue seeping from every line. In the end though, a strange, uneasy beauty comes into focus; the metamorphic lyrics and musical euphorias revealing Assembler as a type of elegy: a wet glass reflection of the failures of what we are and were - and a jubilant celebration of what we may become.

"I imagined Assembler as a type of self imposed simulation, an invisible boundary that the narrator has to navigate out of to move forward. It was a way of looking at how we may carry the issues and failures of the past with us into the future. The psychological baggage of history, the guilt of geotrauma, the addictive melange of technology all become dealt with in this stage of acceptance and recovery. I wrote the album with this in mind, a process to find the slimy pearl of who we are" - Yen Tech

All music and lyrics written by Yen Tech
Produced and arranged by Yen Tech
Vocals by Yen Tech
Additional vocals by Katy Townsend
Mastered by Raphael Valensi
Artwork and vinyl design by Johannes Schnatmann

Assembler

Yen Tech - Leech

Low Bino

Auria Coscea

Alchimie des entropies

Premiere Club Furies #623

Premiere completa: https://clubfuries.com.mx/2021/11/10/premiere-club-furies-qod-before-the-rain-g89-records/

Qod: @
G89 Records: @g89records

Artista: Qod
Título: Qodless
Sello: G89 Records
Catálogo: G89R014

Fecha de Lanzamiento: 
Exclusiva (vía Patreon): 26 de Noviembre de 2021
Otras plataformas/formatos: 3 de Diciembre de 2021

1. Therion
2. My Cage [White Edition 006]_06.07
3. Crawl
4. Re Load
5. Orbeat
6. Before The Rain
7. Aeternal
8. 101

Grabación y Mezcla: Qod (Rovigo / La Spezia, Italia)
Masterización: Moreno Padoan en XONAR Studios (Rovigo, Italia)
Voces de: Francesca Martinelli y Moreno Padoan (Rovigo, Italia)
Trabajo de Arte de la Portada: Adrien Converse (Estados Unidos de Norteamérica)
Lanzamiento de: G89 Records (Santiago, Chile)

G89 Records 2021
© All rights reserved

Support G89 Records: https://www.g89records.com/

Like & Repost ❤️🙏

Sigue a Qod: 
https://www.facebook.com/qodxx/

Sigue a G89 Records: 
https://soundcloud.com/g89records
www.g89records.com
www.patreon.com/g89records
www.g89records.bandcamp.com
https://www.instagram.com/g89records/
https://www.facebook.com/g89records/
https://twitter.com/G89Records

Sigue a Club Furies:
@clubfuriess
https://clubfuries.com.mx/
www.instagram.com/clubfuriess/
www.facebook.com/clubfuries
twitter.com/FuriesClub
linktr.ee/clubfuries

Qodless

Before The Rain

Support & Buy

Premiere CF: Qod — Before The Rain [G89 Records]

Original Track by : https://soundcloud.com/drede/drede-bosco

Drede - Bosco (Senglar Version)

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Being Online

Album description by @woulgmusic:

The Body is a Prison is a deep dive into an emotional inner world, seemingly just as ready to explode into violence as it is to crumble in despair, but still somehow floating on a sense of wonder. Insane sound design glitches interject beautifully composed piano and synth layers, weaving together into some sort of enormous mechanism. Rhythms coalesce and fall apart, melodies float between seemingly infinite states, everything reshaping itself as we go deeper and deeper into the imagined world. Everything from the cohesive sonic palette, to the flow of each song and phrase, to the journey of the whole album has been considered in incredible detail. If this is Amaranth Todd’s early work in hyperglitch, I think we should all be excited for (and afraid of) what’s to come.

Amaranth’s sound design, oscillations between obscured and clear pulse, dynamic forms, and mosaic layers are exactly what I imagine when I think of hyperglitch, and is exactly the type of music Philippe Macnab-Seguin and I have been working on outlining in our forthcoming paper about Hyperglitch and Aural Sonology. All the while, Amaranth’s many years of musical experience bring new and exciting ideas to the style. The Body is a Prison launches my imagination into a world where we could have whole event line ups and labels of hyperglitch, and many communities and resources for new artists that are interested in learning the techniques, all helping to establish the edges of the genre while simultaneously expanding it.

Mastering by: @woulgmusic
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

The Body Is A Prison

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - Invisible

track 1 from Deep Sea Creatures [OUTTA016]

'Ascend Descend'; conceptual electronic music by @refraq

credits

released October 14, 2015 

soundcloud.com/refraq 
facebook.com/refraqmusiq

artwork by @erikartoon

mastering by @kermodemusic

Free Download

RefraQ - Ascend Descend [OUTTA016]

Download

RefraQ - Semantics

So here's something new i've recently made. The project was initially going to be much more ambitious but my computer couldn't handle the file anymore so i'll probs end up splitting it into 2 parts.

Free download here: http://hypeddit.com/track/sc/vim0jw
Or paid lossless download here: https://refraq.bandcamp.com
All support is greatly appreciated :)

FREE DL

Blind Approach

xylena

Introducing @yuhri_nl to the label with this atmospheric neuro release, taking inspiration from a future earth that is a millennium away.

Track produced, mixed and crafted by Yuhri, f.k.a. Chimera:
http://soundcloud.com/yuhri_nl

Concept brilliantly visualised by Mohammed Omran (Moomraan)
https://www.instagram.com/moomraan/

Mastering by Cédric Barreteau

Anno 3024

All Platforms

[OUTTA038] Chimera - Anno 3024

fun lil remix I did for the man https://soundcloud.com/vellumuk

Vellum - Theory Of Machines (Chimera Remix)

Taken from SBKT024: Mun Sing - Scissor

Mastered by Raphael Valensi
Release date: 14th December 2018

For the final release of 2018, SVBKVLT are excited to announce the new EP from Mun Sing, the juddering solo project of Giant Swan‘s Harry Wright. 3 original tracks + remixes from Flora Yin-Wong and Osheyack

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity.

Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture. To experiment with ideas of inclusivity and positivity, influenced by mainstream pop music by injecting pop’s marketing methods into the more serious, austere club world. Dance routines, obnoxious visuals and brash costumes all feature in the live show, where Mun Sing uses these elements as a means to highlight inclusivity, movement and fun.

@munsing
@giantswan

Scissor

Mun Sing - Fantasy OD

Taken from SBKT037: Hyph11E - Aperture
2 x LP / Digital - October 16th 2020

Artwork by Wang Newone
Mixed by Raphael Valensi
Mastered by Miles Whittaker
Text by megakira✧◝(⁰▿⁰)◜✧

Aperture is the debut album from Hyph11E.

Holes are ontologically parasitic - they are always within something else and cannot exist in isolation. Holes accompany us throughout our lives, dilative and devoured, fillable but indispensable. On one hand, they are the driven force for evolution, on the other hand, holes are also the layer of scab that signals growth. Without tearing, cutting and gluing, we cannot create or eliminate a hole. Topologists use the number of holes to distinguish geometric objects. In the same method, in the closed circuit of Encrust and Erosion, we became idiographic individuals.

In her new album, Hyph11E guides the light to travel within and through the hole, and it becomes Aperture.

The Body Is A Prison

amaranth_todd