featured on SABIWA's PINK remix album: https://sabiwa.bandcamp.com/album/pink-remix

SABIWA - Pink Remix _Jim Kimchi

Composed, produced and mixed by @nemmxa
Mastered by @nuansonar
Excerpt from the poem "Alcoólicas (I)" by Hilda Hilst, recited by the author herself at the beginning of track 2
Released by @glitch-dot-cool

Massacre

The Big Blind - Lossing Heart's Mission (prox.bleep Remix)

Album description by @glitch-dot-cool:

Last summer we had the opportunity to release the mindblowing *Liminal in Hospital Turquoise and Blood Mask*.

Now, we are proud to announce **LIHTABM demos**, a collection of alternative arrangements of tracks taken from the original album.

While every creative project leaves some amount of material behind on the cutting room floor, the ideas in LIHTABM Demos are meaningful enough to extend into their own identities, culminating in 6 incredible hyperglitch tracks that capture amaranth_todd's creative processes while showcasing her familiar rock-solid production skills and songwriting abilities.

Produced by @amaranth_todd
Released by @glitch-dot-cool
Artwork by @reathance (twitter.com/lungslash)

The Visceral Threshold (Demo)

following some clarity from soundcloud related to their use of generative AI, i've reinstated all of my music and thought it would be nice to dig this one out of the archive and share it, i've been using it in live shows for the last couple of years and have had a few track ID requests

enjoy x

original track by @omnitonemusic

omnitone - datum (sunnk remix)

0:00 - La Monte Young - The Tortoise, His Dreams And Journeys
6:20 - Graham Lambkin - Aphorisms
13:10 - @ezralaeux & Siobhan Kramer - ID
17:27 - Siobhan Kramer - ROAD RAGE
28:33 - Siobhan Kramer - Hunger

S. Kramer @ Sanctuary Denver 6-19

OUTRO

@lukabeatovic is a producer based in Novi Sad, Serbia. To reduce the scope of his work to ambient alone might disregard the multifarity of his approach, encompassing field recordings, sound collage, soundtracking and shifts into noise and minimalist electronica. The style is always capacious and referential - pulling from Celtic folk-music, city pop, natural sounds, e.g., - without ever decentring the source, allowing space to form around the reappropriated material such that it is always the core of that moment in the music and not subordinate to the arc of the music-maker. This is an identity built over a series of short-form and full-length projects self-released between 2020-2025 and is ever-present in his Realist mix, luxuriating in the absence of apparent splendor, the simple sufficience of the sound of the sound of things.

Luka’s mix contains previously unreleased material, plus a pair of original reworks. Adding some background to these pieces, Luka mentioned the centrality of “field recordings I got over the month I was recording the mix as well as previously recorded ones. A stone I found that’s hollow and “chalk-like” being dragged over a concrete surface is the basis for the Caislean Õir rework. A pillow being rustled is the basis for the Hawthorn one. For Yewende, the bird sounds are actually my friends hooting on a hilltop near my city and the man speaking before them is a Serbian Farm YouTube guy. Pania Tower Marshes was made for a DnD session and the cranes were recorded at a marsh nearby.” There is always the same sense of ease - not easiness, but of a music where the point is not that to which the sound contributes but the orbital importance innate to every individual sound. Few producers would abdicate their authorship in an alike way. And this here is the signature of authorship.

Tracklist: 

Clannad - Caislean Õir (Luka rework)
Kathryn Tickell and Corrina Hewat - Hawthorn (Luka rework)
Tidiane Thiam - Yewende
Luka Beatović - Pania Tower Marshes
Luka Beatović - Aristotle University
Luka Beatović - Forgive
Akiko Yano - Denwasen

art & type by @sdr1ft

Realist Alive Radio 013: Luka Beatović

Well of Emptiness (mix)

O//TXT – I Believe

Believing is not an act of faith,
it is an act of resistance.

When everything fades and light becomes memory,
what remains is the will not to dissolve,
to keep vibrating even within silence.

“I Believe” is the breath after the storm,
the moment when consciousness chooses to stay,
despite the fracture, despite the oblivion.

To believe means to rebuild oneself
with the fragments of what has been lost,
to transform pain into form,
and the end into possibility.

Faith is not elsewhere.
It lies in the very act of rising again,
and continuing to create light
even when the world holds none.

Acknowledgements

A special thank you to Heni Lasut for the wonderful collaboration,
for giving voice to what lies beyond words.
Your voice became light, your emotion became faith.
Through this union of frequencies, I Believe found its true meaning:
the strength to rise, to feel, to exist once more.
https://soundcloud.com/henrieta-lasut

I Believe

Vocals by Adys Mara. 

For inquiries & licensing:
AaronWildeComposer@gmail.com ©2025

Listen to my music:
► Spotify: https://open.spotify.com/artist/38gCWmJdpKzFDFqYjBJN9Z?si=JKJ_3pjgS6mu8aftNo99xQ
► YouTube: www.youtube.com/@AaronWildeMusic
► Facebook: www.facebook.com/AaronWildeComposer
► Soundcloud: https://soundcloud.com/aaronwildecomposer
► Bandcamp: https://aaronwildecomposer.bandcamp.com/