Music Producer : Ambient Light
Vocal : Pallas Kat / Mikkel Hesseldahl Konyher
Mastering : https://www.hesseldahlsound.com
Music vid : https://www.youtube.com/watch?v=lh7Gv8sIUwk

Microcosm (Ambient Light feat Pallas Kat)

Salut la belle famille de de ma jolie planète sans musique il y a pas d amour super love❤️😎🍀

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Kthonia

Delving into the shadows of the subconscious, Kthonia crafts immersive soundscapes that evoke mystery, solitude, and the haunting beauty of the unseen. Rooted in the depths of dark ambient music, Kthonia explores the chthonic realms—where darkness and atmosphere intertwine. Each composition is a journey through isolation, forgotten worlds, and the echoes of the unknown.

Let the silence speak, and the darkness guide.

v i s c e r a l


And his eyes have all the seeming of a
demon's that is dreaming

New album Audio/Visual is now available exclusively on SC and BandCamp, featuring my favorite tracks from 2024-25. Soon to be released more widely to Spotify and other platforms.

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

Who'd a Thunk? is a non-traditional experiment in the creation of music, sound, and the expansion of 'The Funk'. Focusing more on ideas made from passion of sound, rhythm, and feeling, rather than following modern music formula and producing for-profit works, Who'd a Thunk? creates soundscapes aimed to inspire further thought and creation based on an amalgamation of everything listened to, enjoyed, studied, or experienced, and the celebration of our significant circumstances of existing on a planet within an atmosphere where sound is even possible. Feel 'The Funk'. Who'd a Thunk?

As for me, I'm Sean Penalber. Very likely the only one so far. I set off back in 2012 with the goal to investigate the meanings of existence and share any success I found with the universe. That's when I began Drawbook.net and collecting art, information, and experience from the people i met along the way. A few years later, I started @theartofceilings after opening snapchat while my phone was on a table and the camera was pointed straight up at the ceiling and I thought, "hey, that's a cool shot," and I've kept it up since. Couple years later, while visiting a friend in Georgia, he taught me a few chords on the ukulele (I trained in school as a percussionist) and I became obsessed and finally started creating and recording music, something I had always wanted to do! Then, in 2017, I picked up the bass I had owned and hardly played since high school and started Who'd a Thunk?! Since then, I've transitioned over to the keyboard/synthesizer as playing stringed instruments really hurts my hands and fingers. The goal is to create passionate music, pioneer new sounds and genres, and inspire others to do the same! I create music and art to inspire, question, and invoke reality and surreality. I have studied and performed over seven years of Improv and have been an official player at ComedySportz Houston since 2018! I also dabble in performance art so catch me while you can. Thinking about running for president 2028+ after I meet the age requirement of 35, but who knows what'll happen in that time

Once a Sinfonian, Always a Sinfonian.

whodathunkband@gmail.com

Logo @TimWaves


[ Spy Rock / Hope Punk / FutureFunk / ElectroFunk / PassionSound / EDMDDMIDM / Experimental / Dance / Groove / ICan'tBelieveIt'sMusic! / SyntheticOsmium / Trance / Psychedelic / Endurance / ShakeYourFinger / OI / Nu Jazz / Jazztronica / Indietronica / SummoningSounds / Environmental / Musicore / Superpositional / Caervanialistic Funk / Monafacitudal / Industrial / Synth-Pop / Ambient / Electroclash / Illbient / Drum N Bass / Chillwave / Minimal / Techno / Bassline / Abstract / JazzFunk / Soul / Folk, World, & Country / Space Rock / Fluxcore ]

BUY BEATS HERE:
https://traktrain.com/bornhero

CONTACT:
email: bornherobeats@gmail.com 
IG: www.instagram.com/bornherobeats

Ambient Light

Jan Gjersvold, Born in 1980. Living in Norway / Trondheim.


Ambient Light is an experimental project dedicated to the creation of dark and light ambient and electroacoustic soundscapes. Working entirely by ear, Ambient Light composes music that emerges from intuition, atmosphere, and pure vibration. Rather than following strict structures, the sound grows organically—built on layers of resonant textures, evolving drones, and tactile frequencies that blur the line between comfort and unease.

The project seeks to create spaces where listeners can immerse themselves in sonic atmospheres—moments that are both meditative and disquieting, evoking natural landscapes, inner reflections, and shifting emotional states. Each performance becomes a unique exploration of presence and perception, balancing subtle detail with expansive depth.




Ambient Light use an Imac with Logic pro x, Komplete Kontrol S88, Omnisphere Creative, Omnisphere, Omnisphere Keyscape, Alchemy,Vocalise,Komplete Full 5, Valhalla Shimmer plus a whole lot more good tool to create my music.

explorations, reverberations 🌎 sparks in the dark 💜🌊 tidal wave in a drop 💞 ❣ 🌞 ❥ ☆*｡°•♪ ♫

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.