We are back this time with a cozy home-session! Our guests will be Low Velocity Soundsystem aka Gregor, who is part of the infamous Connwax Crew from Leipzig and John Horton, who runs Half True Records. They will team up to serve us some quality chill-out and listening music. Showing us their personal favorites, music that has always been a part of their lives and tunes that bring back the good old Trakt 3 club memories. Expect a beautiful mixture of hits you might know, as well as music you may have never heard before, all in one set. These two friends are a perfect example for the beauty which comes out when Halle and Leipzig locals team up - purest Metropolregion Mitteldeutschland finesse. Really looking forward to this two hour voyage on march 4th, 6pm CET, join us via callschopradio.com!

https://soundcloud.com/lowvelocitysoundsystem
https://soundcloud.com/connwax-records
https://soundcloud.com/johnhorton
https://soundcloud.com/greggsen

Intergalactic Rhythms w/ Low Velocity Soundsystem 04.03.21

Outta Control
Al Dogg
10 Song Project 
All Beats are mine 
1. White T ft TBB
2. RV2% ft N
3. RioT Gang
4. Deepest Mind
5. Suits 
6. 2nd Try’s run out 
- Deluxe -
7. Backup never came feat TBB
8. Development ft N
9. Space Man
10. RX8
Ten Instrumentals

Outta Control

Spaceman ( instrumental )

Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.

The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.

The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.

The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.

The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.

For Julien, this new album marks a deeply personal return to his roots, is the culmination of six years of growth—both personal and artistic, and the first release under his real name during this period. Free from conceptual or genre limitations, the album is an intimate statement.
While releasing music as santpoort on the LA label Friends of Friends allowed him to explore a narrative, lo-fi identity, this release reconnects with the detailed, exploratory sound design that first put Julien Mier on the map. 

All music written and produced by Julien Mier (julienmier.bandcamp.com)
Recorded on unceded land of the Gadigal people of the Eora nation, on whose land we meet sonically.
Additional performance by Daisuke Tanabe on track B3.
Mastered by Jack Prest.
Artwork by Aleix Font.
LPS42.
©️ & ℗ 2025 Lapsus Records.
www.lapsus.cat

lapsus.bandcamp.com

Buy link: https://julienmier.bandcamp.com/album/gradually

Buy Link (Bandcamp)

Julien Mier - Scrap (ft. Daisuke Tanabe) [LPS42]

Neon Cleptu 4

A world located within the minos eye of imagination. 
Hidden place of beings as contrasted to the spirits.

13.03.2020 on LYL.
www.lyl.live

Neon Cleptu 4 → Woody92

@kannabi-tokyo 

kannabi is Tokyo-based DJ / Producer who belongs to the label Katharsis Recordings. He always creates an individual atmosphere on every dance floor. His sound idea comes from Dub, Hip Hop and Psychedelic music. You are able to get a hypnotic state by touching his music.

Human Lessons #035 - Kannabi

New episode of Subspace podcast #16 by технотреск 1.1 aka Iwaad (@treskk)

Have a good listen.

LINKS: 
@ocean-of-emptiness-1
@treskk

18+

Subspace Podcast 016 - технотреск 1.1

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal neoliberalist mould, we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. In a world where security is no longer feasible, the only constant we can rely on is change. Regardless of one’s point of reference, we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

This month we have invited @jinsynth to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero-patriarchal systems of oppression.

Jin is a DJ and synthesizer performer who mixes elements of ambient and techno. Her performances focus on creating artistic abstraction through the use of experimental sounds and analogue noises, to provide audiences with a deeper perception of music.

Photography by Janusz Lorent 

To listen to the original radioshow (with talking + tracklist) head to: https://cashmereradio.com/episode/transience-33-with-lou-drago-and-jin/

transience #33 with Jin

D1 Agonis - Sunlight Filtering Through Skyscrapers | snippet

C2 Agonis -  0 - Future (ㅋㅋㅋ) | snippet

B2 Agonis - Ether | snippet

A3 Agonis - Thermo | snippet

run by garçon and agonis
distro by clone

bookings
mike@berytus.art

A3 Agonis - Thermo | snippet

amenthia recordings