@nupartial

Alaska-based electronic artist Austin Williams, aka Nu Partial, announces his digital-only sophomore EP with Renraku, RRRRECEPTION. Scheduled to release worldwide April 2nd, the 24-minute experimental bass ride powers through submerged frequency manipulation and dynamic sound collages. Centered through the ethos of dance music, Nu Partial tethers each track into an avant-garde journey where dream-like lucid states and subconscious explorations are front and center. 


A bulk of RRRRECEPTION was created while Nu Partial resided in Mississippi, developing the final aspects of the EP after relocating to Alaska in support of his mother during a surgery. “I don't care if I live in Anchorage for another 20 years,” Nu Partial adds. “I will never get over the view. Maybe subconsciously it affects my production.” Two distinct worlds in environment and culture, the music is somehow streamlined through this recording process, behaving as creative travel for Nu Partial that stretched beyond each location’s pulse of life. Vision dictating path over immediate circumference of scene. 


Much like his debut EP, The Maw, Nu Partial’s RRRRECEPTION pulls from the ever-flowing well of life known as bass music. Elements push towards the experimental, built on a coalescence that snaps back and forth like a pinball, stitching together pieces of garage/2step, glitch, noise, downtempo, drum-n-bass, hip-hop, and lo-fi. RRRRECEPTION was made on FL Studio 20, with VSTs including Serum, UHE, and Kilohearts. The album cover was designed by Viktor Kadic, most notable for producing futuristic digital art for Mat Zo and his Mad Zoo imprint.


Follow Nu Partial
https://nupartial.bandcamp.com/
https://soundcloud.com/nupartial
https://twitter.com/nupartial

Bandcamp

Nu Partial - Miami P.D. Bussdown

Big Oof is one of the very few times i named a track in the very early stages of production. I sat down one evening messing around with some white noise and came up with that first drum pattern. My initial, honest reaction was to maniacally laugh and call the project file "big oof.flp" and that's what stuck. I made the rest of the song very quickly after that, as it was a good premise for an entire track already
It's an outlier in a discography full of outliers. It's definitely the shortest track i can remember making and it's also the most minimal. I like odd Drum Patterns and my previous experience with breakbeats fit into the picture quite well too, which made it a very easy track to work on. I remember finishing it and thinking "wow that's pretty good" and cockily submitted it for airplay at Vision Radio. They ended up actually playing it, which was a highlight of this year for me. The laugh at the end of this track is sampled from Dave Columbo on that radio show and is just how I heard that track ending in my head since that happened, so i put it in the actual final version too. It fits quite well with the absurdity and the humour of the track so it seemed like a good match in that way too.

Painful Reminder

Free Download

Big Oof

Free Download: fanlink.to/shout-out
Stream/Follow: linktr.ee/amiby
Instagram: @amibymusic

"Shout Out" originally released in 2021 
Winning track for NI Hybrid Keys contest

Shout Out

Follow the original creator!! 
@0800shygirl

FREE DOWNLOAD: https://hypeddit.com/soesai/shygirlwildfiresoesaibootlegfreedownload

Shygirl - Wildfire (soesai Bootleg) - FREE DOWNLOAD

STREAM/DOWNLOAD :: https://linktr.ee/peroxiide

FR!!ENDLY F!!RE W!!LL NOT BE TOLERATED

SH!!NE

1 1 1 2 2 3 Nu Neoclowns.
Mixtape Single 001 : @m1rtt

You all voted for this as the 1st single, so we're obliging. But you should all be warned....... There are some rumours. Supernatural rumours. Fatal rumors. Even. Word of mouth intones this disk was derived from a beached ammonite. Huge: 4 foot diametre. Pungent, evil aura. Every grabber someone tried to snatch it w/ exploded, so scrapers did it old fashioned. Tied ropes around it and dragged it off the beach. People are saying the track is a direct data result of scanning that ammonite - && that the people who scanned it all disappeared within 3 days. Or never existed to begin with. We managed to get a copy via PRIVATE MEANS and passsed it around the house. All the hardware we play it on melts into vile mush and emits nightmare-inducing narcotic fumes. Exonet whispers say fume overexposure is making people drop dead, black tar leaking out their nostrils. Dunno if I believe, but it's 1000% sinister. Anyway we played it on everything and melted all our shit and now I'm writing the update on a fucking Calculator. I have as long to write as it takes for someone to figure out how you can play the track on this too. GOOD SONG.

(you can also stream it on Mirtt's Spotify! https://open.spotify.com/album/4ueDNlr9ZwVGW1Lrv6dGiR?si=30nNd9MvTRyz3Mi8AgEW7w)

Project Staff:
@razmiel
@fe-n
@bazzabazzabaz
https://www.instagram.com/shevvys_pictures

Tidal Posers

Thalassic Specimen

Mirtt - Thalassic Specimen

Someone Loved It (Koarse Remix)

SERA024: Satellite Era presents "Distant Arrays Volume 08" - the eighth and final edition of the various artist series that has aimed to diversify our collection of experimental electronic music.

Out now on all major platforms: https://ffm.to/sera024

25% of total revenue made from this release will be donated to California Community Foundation (CCF) to aid the people of Greater Los Angeles as they struggle with the aftermath of rampant wildfires. This will come directly from the label’s share and not affect the artists - the nonprofit was selected by Iris Ipsum, an artist local to the inflicted areas and an essential part of our team.

For more information, please visit: www.calfund.org/funds/wildfire-recovery-fund

All good must arrive to its eventual end - it is with great honor to announce the conclusion of Distant Arrays. After eight unique editions in just over four years, we are ready to allow the beloved series that helped us expand our label worldwide to properly rest. We welcomed 30 artists from around the experimental music sphere to come together and push sonic boundaries further than we could have ever imagined. For our last transmission, we have recruited four promising artists to represent our chosen family of sound architects, each meticulously drafted to help build the future of our collective.

We begin with the return of our dear friend and collaborator Iris Ipsum. Following up on the incredible “Xtilde EP” released with us last year, “Flowform” essentially serves as a bonus track to the project. The Los Angeles based artist effortlessly showcases their ability to capture the essence of golden age electronica, while still producing modern and pristine sounds.

Along with his hip-hop inspired Rsrch Chmcls project, Smokestax has been on our radar for quite some time. Making waves in the American bass scene over the last few years, we welcome one of our favorite New Yorkers with “Squish.” The track is rightfully named after how it sounds - squelchy, slowed braindance gently scratches our itch as the song progresses in high spirits.

Another exciting addition to our crew is s8jfou, a mysterious French producer, programmer, synth builder, and live performer. A natural jack of all trades, he makes his Satellite Era debut with “Your Silence” - screechy synths clash with punchy breakbeats and an overpowering kick drum. This only marks the beginning of our work with the renowned sonic wizard.

Lastly, we welcome Brooklyn up-and-comer Holovue to share his latest track “Transient” after a successful debut EP recently. Eerie and thought-provoking, the emotive track blankets warm and atmospheric pads over quintessential jungle loops to deliver a formidable signoff to our series finale.

Distant Arrays has been an immersive showcase of our audio/visual capabilities as a collective. We are extremely grateful to have introduced you to our growing team, continuously expanding our newfound interpretation of sound. As difficult as it is to say goodbye to this part of our journey, we are delighted to share what comes next. Until then - we will ride off into the sunset, drenched in the nostalgia of this fruitful audio experiment.

"Stationed beyond the horizon lies a cluster of autonomous satellite arrays - each serving as capsules of detained time, points of transit between diverse concepts, and the sensorial relation between tangible audio and visual worlds. They fill the thin air with varied frequencies and beam optic elements into the minds of drawn newcomers and devoted adherents alike. Though each array hosts different creators from every remote edge of this decaying planet, they communicate with us through the vigorous potential of art. They link together to create a limitless field without borders – only human connection. These are the Distant Arrays..."

BUY / STREAM

s8jfou - Your Silence

Duft node, anatomy of the joke part three, whats the relationship between comedy and bass sounds, whats the relationship between rascal and rhythm, whats the meaning of all this?

fatalist. s [PARSE THE PARSEL ROUTINE]

Among the howling chaos of our dystopian reality, your ability to focus must remain just as sharp as the blade that you're wielding;;;
SHARPEST;;FOCUS is so far my favorite track from my upcoming album PSIONIC;;HUNT that is dropping in November 29th this year.
If you were enjoying my previous tracks then this one is like a mix of em all<>><<>!!!..!!..!.!!!


SHARPEST;;FOCUS

circus records messaged me back. they just said "LOL"
i have not heard anything from flux pavilion directly. hope he likes it.
thank you for enjoying this song!

Flux Pavilion - Bass Cannon (Alfred English Deconstruction)

[æmaɪbaɪ]
making music ŕ̵̯̜͈͖̗̂̓͂̓͒̐͊͝͝á̵̧̺̳͕n̶̥̺͔̦͎̘̏̆͛̈̉̅̽̀́͝ͅd̵̻̤̲̖̤̹͈̜̞̆̌͌ǫ̷̛̬̗̯͎̬͍͙̥͒̎̎̈́̀̉̂̄̕ͅm̸̳̞̦̹̥͓̺͑͂͒̍l̵͎̘̮͑̏̈͗̐́͒͒͝ͅý̸̩̯͈̿̌̿͐̚͝ ̴̝̙̒̎͝
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Amiby

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