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My ® official ♪♫ Single charts™ & Playlists ©
 
Press Review:
"Enfin une sélection de qualité, parfois douteuse, totalement absente de préjugés et respectueuse de l'environnement !" (Grätzburger Handelsblatt, juil. 2022)

"...!!? WTF ??!.."   (NME, march 2023)

Forthcoming:
04/22 - La Dalle à Tonton
04/28 - Le Rétroviseur
05/03 - Le Shogun Club
06/17 - Unique's club culture
06/21 - Le Shangrila's
06/23 -Drop Out Looney Raving Monster Party
07/01 - La Cambuse (10yrs party)
07/14 - Place de l'Eglise/St Rémy du Plain
07/15 - Le Blockhaus
08/03 - Luigi's
08/17 - Rock Babylon
10/15 - Uni-Klinik (Erasmus)
11/06 - Fête du soleil
11/27 - Sweat / Popenguine (Mbour)
12/12 - La Fun House
31/12 - TBA

Saliah (pronounced SAAL-YA) is a British-Lebanese Multi-genre Music producer and DJ.

Saliah made her debut Boiler Room and Glastonbury sets last year and has recently been named one of Play Virtuoso’s ‘Ones to watch’.

Saliah’s curated selection and stage presence is guaranteed to bring the energy that draws in the crowds. Renowned for her high-energy and genre-bending sets including a wealth of club sounds, seamlessly blended together with her notable remixes of Arabic classics. 

Saliah has supported MOBO-Award-Winning Lady Leshurr and BBC Introducing’s Miss Melody. Her performances have opened for the likes of Omar Souleyman, Shkoon, Hello Psychaleppo, Ammar 808 and Jazzy Jeff.

Saliah is continuously giving back to community by working behind the scenes supporting grassroots organisations and teaching DJ workshops. 
                 
INSTAGRAM: @SaliahGram

WEBSITE: https://saliah.world

BOOKINGS: hello@saliah.world

Daddy at @osare-editions /// Monthly on NTS Radio /// co-parent Vespers Club Peckham

AMMAR 808 is the alias of acclaimed Tunisian producer Sofyann Ben Youssef. Armed with ultra low bass rumble of a TR-808 and fiercely aggressive beats, his latest endeavour ventures into the realms of North African futurism. Joined by three powerful voices from the heart of the Maghreb – Cheb Hassen Tej of Tunisia, Sofiane Saidi of Algeria and Mehdi Nassouli of Morocco – AMMAR 808 & The Maghreb United exposes the illusion of colonial borders and separatism and reinvents roots and tradition to create a mystical musical world driven by an ancient, pulsating beat.

DJ

Formerly Yas Queen Selectress

NY | Cairo

Astrophysical, hyperbodily and alchemical, Eazuka Khazrik’s live musical practice is deeply devoted to communal solace, collective transcendence and trans-generational healing. With genre-defying mercurial treatments of voice, drums and space, her sonic scapes intimately investigate the ecological and techno-political premises of continua we inhabit, co-create or forget. Concocting scores from trans-millennial compendia of healing, space and biosensing technologies and on-site/online detritus, her live and hybrid sets are deeply informed by ancestral chanting traditions – like Armenian sharakan, Levantine mawwal and Iraqi radh – skewed with a quaint techno and incomputable entrancing rhythms.

Performing internationally in a wide range of spaces from clubs to museums, theatres and quarries, she ceremonially uses spaces of congregation to search for locally entrenched universalisms that could collectively respond to the dystopias of our times. Her indisciplinary practice as artist, composer, producer, technologist, educatress and DJ also ranges from composition to collaboration, machine learning, visual art, ecotoxicology and history of science and music. In parallel to performing live, teaching speech synthesis and voice-based electronic music production, and producing multi-channel sound installations, Khazrik also composes scores for film, video games and performances and writes about science, cosmology and music. She holds BAs in Linguistics and in Theatre from the Lebanese University(LB) and a MS in Art, Culture and Technology from MIT(US) where she was awarded the Ada Lovelace prize.

She has performed her solo music at ALL(CN, 2018), Ballroom Blitz(LB,2019), CTM Festival(DE,2020), Haus der Kulturen der Welt(DE, 2018), ICA Boston(US, 2015), Les Urbaines(CH,2018),Rewire Festival(NL,2021), SONICA Festival(SI, 2021), Supersonic Festival(UK, 2022), Takseer Festival(DE, 2022) and Theater Der Welt(DE, 2014), among others. Her multi-channel sound installations have been commissioned by and exhibited at ar/ge kunst(IT,2020), Kunsthalle Wien(AT,2020) LACE(US,2017), LUMA Foundation(CH,2017), Muzeum Sztuki w Łodzi(PL,2022) and Para Site(HK, 2021) among others. Her essays and short stories have been published in edited anthologies and multiple publications like Bidayat Journal(LB), Zweikommasieben(CH), MadaMasr(EG), Kohl Journal(LB), The Funambulist(FR) and Ibraaz(US) to name a few. Her indisciplinary research-based work has been presented at the Stanford Research Institute(US), the Arab Image Foundation(LB), Birbeck’s School of Law at UCL(UK), Center for Documentary Arts and Research at UCSC(US) and Amnesty International(UK & DE), among others.

Khazrik has been an artist fellow at Home Workspace Programme(2012-13), Digital Earth(2018-19), HfK Bremen(2020) and SHAPE Platform(2021-22) and is at present a fellow at If I Can’t Dance(2022-23) and Helmholtz Center (2022-23). As visiting faculty, she has taught voice-based electronic music, performance and techno-politics at HfK Bremen(DE, 2020), the FHNW Academy of Art and Design Basel(CH, 2021-22), the Academy of Fine Arts Nuremberg(DE, 2022-23) and guest lectured internationally. As independent technologist, she has worked on AI policy and digital rights internationally and is the founder of the techno-study group ‘READING COMPUTERS’, the peer-to-peer web platform and study;strategy;solidarity group ‘POST-CORONIALISM’ and the online transclusive research platform ‘خريطة الظلام Cartography of Darkness'. Having grown up around a quarry contaminated with military waste, she has been active in anti-militarist struggles for environmental justice since early adolescence.

For bookings: jessika@posteo.net

AMMAR 808 is following