Spitfire Solo Strings, Spitfire Soft Piano (LABS)

Now recomposed for organ. Sheet music available through Oxford University Press at this link: https://global.oup.com/academic/product/the-oxford-book-of-organ-music-by-women-composers-9780193562721?cc=gb&lang=en&

Intermezzo for piano and solo strings

This is a side profile to my main Soundcloud account, showcasing my portfolio for film and video game music, and any copies of unreleased work for press/applications.

https://www.zdscomposer.co.uk

My main soundcloud link is 
https://soundcloud.com/zdscomposer

amysummerscomposer.com 

Composer of choral & film music. Heard on BBC Radio 3 & 4. Music published by RSCM, OUP, Multitude of Voyces, Stainer & Bell and White Light Publishing.

Alumna of Trinity College of Music and University of Nottingham.

Wet Present is a record label, wholly owned by John Kline, for "The Music Therapy Experiment." and "John Kline.." 

John P. Kline, Ph.D., is a clinical psychologist and multi-instrumentalist whose music spans classical, rock, jazz, and New Age. A lifelong admirer of classical composers and performers, Kline brings that sensibility into a catalogue that moves easily between heavy guitar work, improvisational passages, and ambient soundscapes.

He composes, performs, engineers, mixes, and masters his own recordings, shaping music that is eclectic yet deeply personal. His solo releases sit alongside his work under the name The Music Therapy Experiment (TMTE), a project built on collaborations with guest musicians while always centered on Kline’s compositions and recordings. A handful of tracks feature him alone, while others highlight the voices of collaborators, including Mark Christianson. The project’s name came from Kline’s own candid description of himself during a difficult time: “a music therapy experiment.”

Across all of his work, the common thread is curiosity. Whether listeners connect with reflective textures, jazz-inflected improvisation, or the drive of rock guitar, Kline’s music treats sound as an open-ended experiment — sometimes calm, sometimes restless, always human.

When I write music, I try to go on a journey to feel emotions, whatever they may be.  To me, music is a celebration of life; for all the pain and suffering we may endure, it is a gift to be alive. 

I hope music can take you on journeys of your own to places where you may want to be.  Thank you for listening.

 *** If you'd like To REPOST a Classical Music Track, submit it to Classical Music Repost: soundcloud.com/classical_music_repost ***

If anyone is interested in performing any of my works, please let me know.  I have scores available for some pieces and would gladly create the score for other works.

Joe Galuszka is a British composer, conductor, and performer who began his musical journey as a self-taught pianist from a young age before joining a brass band at 14. As a tuba player, timpanist, and percussionist, he has performed with some of the UK’s finest brass bands including Tredegar, Flowers, Aldbourne, Filton Concert Brass, and Rothwell Temperance, and was timpanist with the Bristol Symphony Orchestra for a number of years. He has performed at some of the leading concert halls in England, including the Royal Albert Hall, Canterbury Cathedral, Symphony Hall Birmingham, and Leeds Town Hall. He conducts seven ensembles, including the Bristol Military Wives Choir, Bristol Hippodrome Community Choir, and Westbury Park Orchestra, and has worked as an arranger and tutor for the National Children’s Orchestra of Great Britain. He recently became Musical Director for the Gloucestershire Music Service and Youth Orchestras, and is training with the Association of Brass Band Adjudicators.

His compositions span brass, wind, chamber, and media music, scoring over 15 films and documentaries. He won Bronze at the Global Music Awards and Gold at the London Independent Film Awards for his debut wildlife documentary soundtrack, Firekeepers of Kakadu, which was broadcast on SBS Australia. His works have been shortlisted for the European Brass Band Composition Championship (2020) and the A4 Brass Quartet Competition (2022), with his tuba quartet Pandemic being awarded 1st place in the When Tuba Come One International Composition Competition. In Nov 2025 his first commission for orchestra, A Symphony of Centuries, will receive its world premiere by the Longwell Green Orchestra , with his debut album 'Fractures', recorded by the Bristol Ensemble being released in Dec 2025.

I began creating mixed media art during the early days of the pandemic by combining original piano compositions with my abstract paintings. The canvas, my personal stage, is where I’m free to let my inner thoughts share a story as colorful and messy as life so often is and I have grown accustomed to use this place as my source of inspiration and to grow as a person. And to safely fall flat on my ass without judgment or need to explain away the awkwardness of why I made a spontaneous creative choice that really has no broader significance than it being an outward expression of what was just an unconscious thought.

Intermezzo for piano and solo strings

Amy Summers