LYRICS:

Don't fall in love unless you can take it
Don't open your heart because they will break it

I look in your eyes and then I'm mesmerized
And I'm twisted, tongue tied
I look in your eyes and then I'm mesmerized
And I'm taken, with your lie

Don't open your eyes before you can see them
Don't fall for the lies because you want to believe them

I look in your eyes and then I'm mesmerized
And I'm twisted, tongue tied
I look in your eyes and then I'm mesmerized
And I'm taken, with your lie

I look in your eyes and then I'm mesmerized
And I'm twisted, tongue tied
I look in your eyes and then I'm mesmerized
And I'm taken, with your lie

I look in your eyes and then I'm mesmerized
And I'm twisted, tongue tied
I look in your eyes and then I'm mesmerized
And I'm taken, with your lie


All lyrics and music by Douglas B. Bond, Jr.  Copyright © 2021 by Metastatic Music, LLC.  All rights reserved.  ASCAP.

Mesmerized

vadimpetrenko: music, guitar, digital touch tools: generator, pianos, keyboards, e-contrabass, bass, e-clarinet, strings, brass, drums, percussion, chinese erhu, chinese lute /pipa/, koto, guzheng, chinese kit, taiko

Cutting Off The Beam-Guitar Generator Drums And Taiko

Anna Mark Richter: music, voice, poetry, visual, cover

Vadimpetrenko: music, mixing, guitars, voice, vinyl, digital touch tools: generator, pianos, keyboards, e-contrabass, bass, e-clarinet, strings, brass, drums, percussion, chinese erhu, chinese lute /pipa/, koto, guzheng, chinese kit, taiko

Inner Mongolia-Voice Generators Percussion Chinese Erhu Soul Organ

naviarhaiku412 – even the fields

even the fields
have a morning attitude
blue mist

I found this poem by Issa this morning, thanks to the amazing Basho Society‘s Twitter account.

Among the four great masters of Japanese haiku, Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 1st December 2021

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Marcel Gross https://unsplash.com/@marcelgross_ch

Morgenluft (naviarhaiku412)

sound elements include, zither, miniature bandura, snare drum, ventilators, motors, seashells, cymbal, prepared & modified loud speaker, microfreak synthesizer, moveable capture microphone

Another Day Another Vast Array

Best listend to with headphones or a good sounds system with good bass response.


Track create using Eurorack modular.
modules used
4MS Spectral Multi Band Resonator
MakeNoise Mimephone
MakeNoise Wogglebug
Intellijel Steppy trigger sequencer
ALM Pamelas New Workout
Mutable Instruments Tides.

Divergence

Victor Candela Cordoba : instruments and treatments

reworking "Mornings" by Marco Lucchi
https://marcolucchi.bandcamp.com/track/mornings

luglio 2019

VictorYibril - Mornings Delights

Chopin: Nocturne No 20 in C-Sharp Minor, op. post.

Spitfire Solo Strings, Spitfire Soft Piano (LABS)

Now recomposed for organ. Sheet music available through Oxford University Press at this link: https://global.oup.com/academic/product/the-oxford-book-of-organ-music-by-women-composers-9780193562721?cc=gb&lang=en&

Intermezzo for piano and solo strings

Glåsbird returns following the debut EP ‘Drift Stations’ which was a digital only release on Whitelabrecs just prior to Christmas last year. The eagerly awaited full-length debut album is something that this currently anonymous artist has carefully shaped over a lengthy period of time and it is entitled Grønland. Those looking to the themes of the North Pole and travel through the treacherous Arctic Circle which were contained within Drift Stations, will see a pattern of travel or rather, migration developing. Next stop – Greenland, the world’s largest island as well as one of the most uninhabited landmasses on the planet, which is thanks to stark temperatures and the permanent ice sheet which occupies most of this land.

Glåsbird imagined that they were assigned the task of scoring the soundtrack to a film about Greenland and spent a great deal of time researching the subject. Hours of documentaries, drone helicopter footage, NASA and satellite images, Instagram traveller accounts, 360° photos, web articles and maps were surveyed, to the point where this artist felt sufficiently immersed in this sub-zero but beautiful land. One such traveller/photographer who has physically witnessed the splendour of Greenland is Lennart Pagel, who kindly provided the cover image; the shot not only captures the essence of this country with its iced mountains, freezing lake and primary-coloured cabin but also there is a bold starkness which lends itself to this soundtrack.

Two releases in and whilst we’re no clearer as to who is behind this project, it is clear that Glåsbird is becoming synonymous with storytelling and specifically travel or migration, if you prefer.
The music itself adopts a Modern Classical approach with icy piano shards shimmering alongside glacial violin and cello drones as well as the occasional hint of grounding electric guitar. We’re told that the artist even recorded some sections of sounds to cassette before placing the tape in the freezer to give an added chill factor.

We’ve decided that such an impactful concept would suit a special ‘gatefold LP’ style packaging that we’ve run a couple of times as well as an increased run of 100 copies. Where will the Glåsbird land next?

released February 9, 2019

Written and produced by Glåsbird
Mastered by James Edward Armstrong
Photography by Lennart Pagel
Packaging design by Harry Towell

all rights reserved

Grønland

gunnbjørn fjeld

嬰へ means F#, the ostinato-note on which this meditative piece is based. Hope you enjoy!

Ei-he

Ei - He 嬰へ

amysummerscomposer.com 

Composer of choral & film music. Heard on BBC Radio 3 & 4. Music published by RSCM, OUP, Multitude of Voyces, Stainer & Bell and White Light Publishing.

Alumna of Trinity College of Music and University of Nottingham.

Intermezzo for piano and solo strings

Amy Summers