Name: Cutting Off The Beam-Guitar Generator Drums And Taiko by vadimpetrenko
Duration: 3 min 56 s
Description: vadimpetrenko: music, guitar, digital touch tools: generator, pianos, keyboards, e-contrabass, bass, e-clarinet, strings, brass, drums, percussion, chinese erhu, chinese lute /pipa/, koto, guzheng, chinese kit, taiko

One of ambient drone's most recognised names, anthéne graces Ambientologist with his debut vinyl release. Having brought 12"s into the world for so many wonderful artists under his own Polar Seas imprint, it's nothing but an honour to have him as the first vinyl offering of this little label.

Grab yourself a copy here: https://bit.ly/3CvnwM9

maritime is a showcase of anthéne's patient yet intriguing soundscaping, but this time with an altogether more grounded and directional approach. After an unmistakably calming first half, the album journeys somewhat darker, more introspective, without drawing away from the vastness of its initial input.

A new, more focused sound for anthéne, maritime presents a real cognitive exploration, framed by its subject - the vastness, awe and terror of the ocean.

anthéne - winter sun

vadimpetrenko: music, guitar, digital touch tools: generator, pianos, keyboards, e-contrabass, bass, e-clarinet, strings, brass, drums, percussion, chinese erhu, chinese lute /pipa/, koto, guzheng, chinese kit, taiko

Cutting Off The Beam-Guitar Generator Drums And Taiko

an interpretation by Enten Hitti of a theme by Marco Lucchi

Giampaolo Verga - violino
Pierangelo Pandiscia - cetra 
Gino Ape - Oboe, Xiao cinese, percussioni

dicembre 2021

Enten Hitti - Question to Springtime

A short and quick test for Zoom F3 and Dodotronic Hi-Sound stereo 2 + 2 AOM 5024 Phantom Power 48Volt stereo parabolic microphone.

Zoom F3 - Dodotronic HiSound Stereo - Nightingale Song

I've been recording throughout Deep Creek National Park (formerly Conservation Park) for several years, and throughout all seasons. This recent recording was different from any other I've made here. It was dominated mainly by Australian Ravens and Magpies, although a few other birds make an appearance, such as what I believe was an energetic little Brown Thornbill in the foreground, at one point. In other recordings made during the same morning at other nearby locations, Grey Shrike-thrushes and White-throated Treecreepers, amongst others, could be heard.

What I like most about this recording is the recurring, distant, beautiful, wistful call of a Magpie somewhere much farther up the valley: its song is sometimes occluded by the nearer Ravens and Magpies; and sometimes, in more quiet intervals, its song reverberates gently, quietly, and elegantly down the valley.

Can be listened to with speakers or headphones; but quality open-backed headphones are especially recommended.

Unprocessed and unedited recording (96/24 WAV > 48/24 FLAC).

Recorded on land of the Kaurna and Ngarrindjeri people that is now a National Park.

2022.05.08 Coastal Eucalypt Forest. Dawn. Deep Creek. Late Autumn.

A representative abridgement of an attended recording that runs from 02:33 to 06:44. Edited without processing. 96/32 > 48/24.

Hear a longer version

2022.09.11 Pine Forest. Full Moon Night. Early Spring.

green pasture (č) by čuljak 

an official čul ur self exclusive 



ambient
noise
experimental
london
uk

čuljak - green pasture (č) #čulurselfexclusive

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

A Blindfold

Field recordings, cassettes, granular synthesis, one take, trying to give form to a childhood memory: Manitoba marshlands in late winter/early spring.

.:Oak Hammock 4:. (demo edit)

MELOS is a reminiscence of the archaic roots of sound art - produced with analog modular systems. 
The individual recordings with a length of up to eleven minutes are shortened excerpts from potentially unlimited variations of sound and silence, driven by a generative modular concept.

Cover design by Thomas Breuer, 2020.

MELOS

Melos 1

Available on Bandcamp

Vadim Petrenko, a member of the legendary band ZGA, creates music and scores as concept employing electronics and world music elements. 
https://vadimpetrenko.bandcamp.com
https://zgamusic.bandcamp.com
https://zgamusic.bandcamp.com/album/zgamoniums 

Although absent from the group's lineup, he contributed for the leader of ZGA Nick Sudnick's recent project "24 RUSH HOURS". Having embarked on a solo career, Vadim Petrenko releases and distributes his recordings over the Internet. He continues to explore the non-compromised approach to music, continue to follow in His footsteps, Who had cast the tree into the waters and the waters were made sweet...

Vadim Petrenko plays the guitar, uses sound generators and electronic touch instruments such as koto, guzheng, chinese erhu,  chinese lute, piano, taiko etc. When composing his music and performing live, he plays making direct physical contact with the instruments.

Discography / audio / group ZGA and Opera-24: https://zgamusic.bandcamp.com 

Contact: vadimpetrenko@me.com
Facebook: https://www.facebook.com/profile.php?id=100022845650696

Addresses of sites with music by Vadim Petrenko: 

https://soundcloud.com/user-645100657 
https://vadimpetrenko.bandcamp.com 

https://zgamusic.bandcamp.com/album/zgamoniums 
https://zgamusic.bandcamp.com/album/opera-of-the-fourtheenth-hour 
https://zgamusic.bandcamp.com/album/opera-of-the-eighth-hour 

Video:

https://www.youtube.com/watch?v=HGfx4O0fAeM&feature=youtu.be 
https://www.youtube.com/watch?v=ebuPlVXvd-Y&feature=youtu.be
https://www.youtube.com/watch?v=2FujtAmKxbY 
https://www.youtube.com/watch?v=0A-gB4cITTI

Cutting Off The Beam-Guitar Generator Drums And Taiko

vadimpetrenko

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