My ears: thank you anıl thank you so much

As I told you, music confort's me. With this song you show even Hapiness. 

Awesomme , "Saygilar efendim" my friend .

Beautifull music, melodic music, great music from all places and all genres, all original music, new and old one. This list and No. 2 are updated constantly and both with different works that I like.

Beatiful Music 1 - All Places All Genres

Meldie Rck
Created with MAGIX Music Maker MX Premium

first love

İktisatçı Ümit Akçay ve siyaset bilimci Galip Yalman’la podcast serimizin dördüncü bölümünde 2008 krizinin nedenlerini mercek altına alıyor, kriz yönetim stratejilerinin ABD ekonomisi, Avro bölgesi ve geç kapitalistleşen ülkelerdeki yansımalarının izini sürüyoruz.

Kriz Üzerine –IV: 21. yüzyılın ilk krizi: 2008

21. yüzyılın ilk krizi 2008’de geldi ve sonuç “daha fazla neoliberalizm” oldu. Küresel ekonomik durgunluk ve gelir dağılımı adaletsizliğinin yarattığı sorunlara siyasette sağ ve sol seçeneklerinin itibar kaybı eklendi. 2020’nin ilk aylarından itibaren dünyayı etkisi altına alan pandemiyle birlikte ekonomik krizden siyasi ve toplumsal krizlere uzanan genişlikte yaşanılan kırılmayı, değişen ya da aynı kalan yönlerin neler olduğunu iktisatçı Ümit Akçay ve siyaset bilimci Galip Yalman podcast serimizin beşincisinde masaya yatırıyor.

Kriz Üzerine -V: Pandemi ve sonrası: Kopuş mu, süreklilik mi?

İktisatçı Ümit Akçay ve siyaset bilimci Galip Yalman’la “Kriz Üzerine” podcast serimizin altıncı bölümünde rotayı dünya genelinden Türkiye’ye çeviriyoruz ve güncel krizin yakın tarihteki kökenlerini mercek altına alıyoruz. Ekonomik ve siyasal krizin iç içe geçtiği 1970’lere, 24 Ocak 1980 Kararları’na uzanan uzun on yıla yakın plan…

Kriz Üzerine –VI: Türkiye’nin 1980 dönemeci

1989’da yürürlüğe giren 32 no’lu kararname Türkiye ekonomisi için neyin habercisiydi? 1994 krizini hazırlayan ortam nasıl oluştu? Sermaye hareketlerinin tetiklediği ‘94 krizini ortaya çıkaran toplumsal değişimler neydi? İktisatçı Ümit Akçay ve siyaset bilimci Galip Yalman, on yılda 11 koalisyon hükümeti kurulan dönemi, 1994, 28 Şubat 1997 ve 1998 krizlerinin arka planını podcast serimizin yedincisinde masaya yatırıyor.

Kriz Üzerine -VII: Uzun on yıl: 1990’ların ekonomi-politiği

90’larda dünya ticaret sisteminde neler değişti, Türkiye tarihinin dönüm noktalarından 2001 krizi hangi önemli dönüşümlere yol açtı, AKP’yi doğuran koşullar nasıl şekillendi, AKP’nin ilk yılları nasıl bir iktisadi-toplumsal zeminin üzerinde yükseldi, “Milli Görüş gömleği”ni çıkaran kadrolar nasıl bir emek rejimi yarattı? Ümit Akçay ve Galip Yalman’ın hazırladığı “Kriz Üzerine” serisinin sekizinci bölümü 1998’den 2008’e uzanan zaman dilimine odaklanıyor.

Kriz Üzerine -VIII:  1998-2008: IMF'li yıllardan AKP rejimine

2008 küresel krizi, AB’ye tam üyelik perspektifinden uzaklaşma, sermaye kaçışı, bireysel borçlanmalarda artış, esnekleşen emek ve işçi sınıfının siyasal alandan tasfiyesi, sanayisizleşme, sendikasızlaşma, özelleştirme, referandumlar, Suriye krizi, Gezi, 2015 genel seçimleri, yoğunlaşan iktidar mücadeleleri ve darbe girişimi, yeni iktidar blokunun konsolidasyonu…
Bugünlere nasıl geldik, AKP rejimi nereden nereye dönüştü, hangi yapısal özelliklerini sürdürdü? Ümit Akçay ve Galip Yalman, “Kriz Üzerine” serisinin dokuzuncu bölümünde 2008-2018 dönemecinin röntgenini çekiyor…

Ekonomi Politik: Kriz Üzerine –IX

Dünyada ve Türkiye’de 20. yüzyılın ekonomik ve toplumsal krizlerini, bu krizlerin yapısal özelliklerini ve günümüze etkilerini masaya yatırdığımız dizimizin son bölümündeyiz. 10. bölümün odağında 2018’den itibaren ekonomi yönetiminin tercihleri ve çelişkileri, zamanımızın süreklileşen krizi ve yakın gelecekte Türkiye’yi bekleyen ihtimaller var.

Kriz Üzerine -X: Gramsci'yen bir ara dönem

Composition : François Gelin
Violoncelle : Guillaume Bongiraud

She Was Born At Midnight

SEEING RED

Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

Hans Zimmer -Interstellar Main Theme (piano + choir version) Arranged By Patrik Pietschmann Pietc

Kiss The Rain

This track is from the album Illumination and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/billwhitfield4

Destiny

Yesterday, When I Was Young - Al Martino

NOW AVAILABLE ON iTUNES AND AMAZON.

Please follow the following link to see Kites Over Malvern, the short film.
http://www.youtube.com/watch?v=MXw3XPWpkmg

Hui Jin (tenor), Brno Philharmonic Orchestra conducted by Mikel Toms.

Music by Andrew Webb-Mitchell
Words by Joanna Boulter

“In Songs of Awe and Wonder, Andrew Webb-Mitchell has created a stunning set of symphonic songs on a grand scale. The music is full of passion and heroism, with glorious harmony and beautiful textures. The orchestration is beautifully detailed and the vocal writing creates a soaring line that carries the listener right through the vast canvas of the cycle. The work is dedicated to Mahler but, although the scale of the work is comparable to a Mahlerian song cycle, the music is in no way derivative and Andrew Webb-Mitchell has his own unique style and sound-world.”

Tasmin Little, violinist

Kites Over Malvern pays tribute to the English composer Edward Elgar, depicting him pursuing his passion for flying kites over the Malvern Hills. As he stands on the hillside, the kites are reeling in the cosmic symphony that he feels all around. He watches the kites soaring skywards and holds himself in readiness to transcribe this enigmatic artistry.

One of the pre-eminent musical figures of his time, Elgar bridged the nineteenth and twentieth centuries as the finest English composer since the days of Handel and Purcell. Elgar's most fruitful period was the first decade of the twentieth century, during which he wrote some of his noblest, most expressive music, including the Symphony No. 1 in A flat major, Op. 55 (1907-1908), and the Violin Concerto in B minor, Op. 61 (1909-1910). His best-known works from this period, however, are the first four of his Pomp and Circumstance Marches (1901-1907); the first of these, subtitled "Land of Hope and Glory," became an unofficial second national anthem for the British Empire.

Kites Over Malvern offers a glimpse of the man in his earlier years before public recognition, drawing inspiration from his love of the open countryside and consolation for his artistic isolation.

Buy on iTunes

Kites Over Malvern - Brno Philharmonic Orchestra, Mikel Toms

I've launched this account (and my YouTube channel http://www.youtube.com/user/edwardcortesmusic ) to spread some of the music I've composed, so all the music that I upload to this page is original and I am the "guilty" of it. 
I've composed in different genres, starting with classical music and also pop, rock, jazz, electronic, electro-acoustic, etc. Sorry if some of my tracks are long for these days ears, I begg you to try to be patient.

I hope you can enjoy my music and your comments will be more than welcome,  and I hope to interact with your opinions. 

It's easy to like a track but it's much more valuable to me if you comment or share my music.

To all those who follow me, comment, share or like my works, know that I am very grateful.

Anıl Meydan (born on 14 December 1996) is a Turkish composer living in Ankara, Turkey. He began his music career by covering famous compositions in 2012 and after a while later started to compose his pieces. There are some albums he made such as Voka, Impossible Love, and Different Ways. Some of his compositions like Different Ways, Deep Sleep, and Marvel have been appreciated by many audiences.

Contact me: meydananil@hotmail.com / anlmeydanarda@gmail.com

Kiss The Rain

Anıl Meydan

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