excellent work friend, congratulations 🙂

Might have to tell it’s Mykines Faroe. Wonderfull music.

very expressive and intense playing ❤️

Intense and very reminiscent of musical interpretations of dynamic scenes in silent cinema. Wonderful performance!

Really nice work Konrad. Enjoyed the listen.

Impressive playing Konrad!!👏🏻👏🏻👏🏻 It's so igniting!

Love the energy and bounce to this one!  Amazing playing!

Spotify: https://open.spotify.com/intl-de/album/3ROhTHrVNxzfcoLKJvhTbY
Youtube: https://www.youtube.com/watch?v=UjIFwZ_Puog


The inspiration for this track is a vision where I am not sure whether it is a faint memory from some childhood holiday or whether I have dreamt it  :
Standing on the edge of a rocky cliff, gazing out at the tumultuous ocean below. The waves crashing against the rocks with a thunderous roar, the force of the water sending a spray of mist and foam high into the air. In the distance a lone lighthouse
overlooking the scenery. A glimps of the power and majesty of nature and our own smallness in comparison. 

Composition-wise: The piece consists of three parts (@0:01, @0:59, @1:45) that always start with the same 5 note-motive but then develop into three distinct variations with different characteristics but throughout the track there is a certain sense of dramatic scenery.
The left hand is throughout the piece mostly in octave jumps (which became quite challenging condition-wise at the end of the piece) that segment the 4/4 beat into groups of 3-3-2 (the only notable exception is the part @0:35ff with its chromatic baseline).
The right hand alternates between lyric parts such as in the beginning or @0:59ff and rhythmic syncopic parts such as @2:30ff that leads to the final where the right hand preceeds the left hand by a beat to create a sense of energy.

The track has been recorded on a Roland FP-90 and mastered in Cubase by adding compressor, reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion.

Lighthouse On The Rocks (Solo Piano)

Music & lyrics:& all instruments: Bruno/ Loony 🎈
Art Cover: Nataly NGM 💙🖤❤️

Recorded on Yamaha 4tracks tape recorder in September 1990! / Mastered on Audacity in September 2023

Believe it or not… this title was composed almost entirely in a dream !! After three coffees I just had to work all the parts and recorded this in half of the day! 
The day after I mixed that stuff, which would  become - three years after - one of the biggest Cats Bleed success on stage 🔥

SUZY - Bruno C

Pavia

in a distant solar system, there is a planet unknown to us called kyrak.  it is inhabited by beings way more advanced than us.
they had been attacked many times by another race and the kyrakins had discovered that they were using a black hole as a means of space travel.
after many years of research they developed a weapon that could cause black holes to collapse.  
because of their intense fear and dislike of black holes, they decided to send ships on long range missions to seek out black holes and destroy them!
who knows, when they will come to our galaxy and do the same.

Black hole killer.

Cast of Characters:
Computart – @computart – guitar, vocals/whistling, composition
Llanpsych -- @llanpsych -- Tez – mix and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass and mandolin

This song started as a recording of Computart playing the guitar and singing/whistling to a metronome, which you can find raw on his page. Having worked together before on a song called The Shining, the Frenchman reached across the pond again and asked the Yank if he would like to add anything to this. This style of music being one of Josh's favorites, he jumped at the chance. He got Ken involved right away because every great song needs a great drummer. Josh added a bass line, to which Ken added drums, to which Josh redid his bass line, as is their usual process. Josh then added the mandolin. Then, Ken added the hand drums to put the icing on the cake. Tez was generous enough to produce and mix this for us, and we feel like he got it to sound like we were all playing in the same room together. 
  We hope you enjoy listening to this as much as we enjoyed putting it together

Plaisir-Computart/Eclectic Collective

Dear friends, it is a big day when a little guy will taste real food for the first time in his life. We were sent a video of this spectacle and you could see how grateful this little baby was for the little porridge served by his sister!
This song may be a little bit crazy, but it is an expression of love between a sister and a newborn little brother.

Lyrics inEnglish

Hugo's Big Day

It is on this day that something important will happen
they feel they are a little anxious
now it depends on - everyone knows what they are doing
if something goes wrong when this boy is to be trained

Is it said who does everything who experiments
it has to be someone you can trust
who could it be - it must be her
which shows that she always loves this little boy

What is going to happen now, is it something huge
it is now that his taste buds will be tested
because now it will be a little porridge - which he gets from his sister
and the reward is a small smile from this boy
        

Lyrics in Swedish

Hugos Stora Dag

Det är denna dagen som något viktigt ska hända
            G.       D. Em.                  Am.           G.   D
de känner att de är lite ängsliga
       Em.              Am     G.      D.      G
nu hänger det på att - alla vet vad de gör  
      G.                   C.     C.         D.        G
om nu något blir fel när denna pojken ska tränas
             G.           D.                   C.               D.  G

Är det sagt vem som gör allt vem som experimenterar
           G.                     D.  Em.              Am.           G.D
det måste vara någon man kan lita på
        Em.            Am.                   G.  D.       G
vem kan det nu bli - det måste vara hon
         G.              C.    C.             D.     G
som visar att hon alltid älskar denna lille pojken
         G.                 D.                 C.             D.  G

Vad är det som nu ska ske är det något som är jättestort
       G.               D.         Em.          Am.                  G.    D
det är nu som hans smaklökar testas skall
          Em.                  Am.          G.        D.       G
för nu blir det lite gröt - som han får av syster sin
           G.                C.     C.                     D.       G
och belöningen blir ett litet leende från denna pojk
            G.           D.               C.        D.              G

Hugos Stora Dag (Hugo's Big Day) Lyrics in English in description below.

Delicata melodia per suscitare intime emozioni.

Waltz for July

'GOOD TIMES' • GEMINI [80s Synth Rock]

She keeps the forgotten forest.

merman

Calum Scott, Leona Lewis - You Are The Reason (Piano Cover)

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Lighthouse On The Rocks (Solo Piano)

Konrad Spittelberg

Recent comments

Scrapping Young Bucks

Colter Valentine 🎹

Hand on the Rock

Gregory Michael Hurley

Related tracks