glitchy dreams

anarchy4bits .... electroacoustic music .... modular sythesizer experiments ... tracks ...

Synthesizers, physical and virtual. Noises and arrangements.
Spirit of the Jam
Directly support: https://u.muxy.io/tip/spaceyblurr
@spaceyblurrvisuals(variety of music created by people I know)
@keister_sbk (interesting noises from around the world)
https://x.mixcloud.com/spaceyblurr/  (DJ mix)
https://soundcloud.com/tetragammatron (improvisational noise jammage)
https://soundcloud.com/pixelgasm (themuzzl3 and friends)

Live visual projections.



Noise patterns of cosmic fractals entwined as interdimensional verse of microscopic macro expression of planetary intergalactic energies within subjective space.

works in progress, modular doodles and live jams for feedback purposes

Composer Ejnar Kanding (b. 1965) is internationally known for his unique colourful sound, where the electronic and acoustic are united in complex textures, physical energy and delicate simplicity. To him, music should not embellish, but be a realm of fantasy. A journey into the ambiguous – a hall of mirrors. Kanding originally got his degree in composition and musical theory at The Royal Danish Academy of Music in Copenhagen in 1993, followed by studies at IRCAM in Paris and with Professor Lev Koblyakov in Jerusalem in 1994 and 95, but has since his debut concert from the Royal Danish Academy of Music in 1996 specialized himself in composing music for computer and instruments. This has led to an extensive use of the software MaxMSP in the development of his works and as an instrument in live performances. Despite this obsession his focus is never the electronic experiment, but always the musical expression, form and phrase.
The way Kanding uses the digital mixing console and MaxMSP as an instrument is pioneering the new assignment as a musician which is known as live electronics or sound direction. His virtuosity in this field has led to numerous performances of own works or others of both improvised and written music with various groups, for example, works by Saariaho , Nono and Stockhausen; and ensembles as Cikada (NO), Ars Nova (SE), Jack Quartet (NYC), Transit ensemble (NYC) and Adpater (DE).

Mostly i prefer to work on old analog synthesizers. I do my music just in time, so there are no ideas before when i start playing.  All setups i use are configured randomly. Every track begins to exist just in the moment i start playing and all of them are a complete improvisation, not mentioned to be reproduced at any time. Everything is played live, no multi track recording, no manipulation afterwards.

Originally from the Uk but now living in Japan, Nedavine makes a wide range of music from avante garde to dirty electro.

Electronic Musician, Producer, and DJ. Member of Fictions. VLSC Records. Atlanta Synthesizer Club.